Meaning and Lyrics of Surround Sound (feat. 21 Savage & Baby Tate) by JID
Song Lyrics meaning of Surround Sound (feat. 21 Savage & Baby Tate) by JID
About JID
JID, born Destin Choice Route on October 31, 1990, is a formidable force in the contemporary hip-hop landscape. Known for his intricate lyricism and dynamic flow, JID has carved out a niche that balances technical prowess with emotional depth.
Hailing from Atlanta, Georgia, JID grew up immersed in the vibrant musical culture of the South. His unique moniker, pronounced “jid,” is derived from a nickname his grandmother gave him. Before diving headfirst into music, JID attended Hampton University on a football scholarship, though his passion for the gridiron soon gave way to his love for rhyming.
JID’s ascent began in earnest with the release of his breakthrough project, The Never Story in 2017. The album, released under J. Cole’s Dreamville Records, showcased his kaleidoscopic storytelling abilities and earned him widespread acclaim. Songs like “Never” and “D/vision” marked him as a talent to watch.
His follow-up album, DiCaprio 2, dropped in 2018 and solidified his reputation as one of the most innovative voices in rap. Collaborating with heavyweights such as Method Man and J. Cole, JID demonstrated his versatility across a variety of styles and beats.
One track that stands out in his discography is “Surround Sound (feat. 21 Savage & Baby Tate).” This song exemplifies JID’s ability to seamlessly meld rapid-fire bars with infectious hooks. Featuring Atlanta’s own 21 Savage and the multifaceted Baby Tate, “Surround Sound” is a tour de force of modern hip-hop synergy, layering introspective verses over hard-hitting production.
JID’s continuous evolution and tireless work ethic have earned him a loyal fanbase and critical acclaim. As he continues to push the boundaries of his craft, there’s no doubt that JID is poised to remain a pivotal figure in the rap game for years to come.
Hailing from Atlanta, Georgia, JID grew up immersed in the vibrant musical culture of the South. His unique moniker, pronounced “jid,” is derived from a nickname his grandmother gave him. Before diving headfirst into music, JID attended Hampton University on a football scholarship, though his passion for the gridiron soon gave way to his love for rhyming.
JID’s ascent began in earnest with the release of his breakthrough project, The Never Story in 2017. The album, released under J. Cole’s Dreamville Records, showcased his kaleidoscopic storytelling abilities and earned him widespread acclaim. Songs like “Never” and “D/vision” marked him as a talent to watch.
His follow-up album, DiCaprio 2, dropped in 2018 and solidified his reputation as one of the most innovative voices in rap. Collaborating with heavyweights such as Method Man and J. Cole, JID demonstrated his versatility across a variety of styles and beats.
One track that stands out in his discography is “Surround Sound (feat. 21 Savage & Baby Tate).” This song exemplifies JID’s ability to seamlessly meld rapid-fire bars with infectious hooks. Featuring Atlanta’s own 21 Savage and the multifaceted Baby Tate, “Surround Sound” is a tour de force of modern hip-hop synergy, layering introspective verses over hard-hitting production.
JID’s continuous evolution and tireless work ethic have earned him a loyal fanbase and critical acclaim. As he continues to push the boundaries of his craft, there’s no doubt that JID is poised to remain a pivotal figure in the rap game for years to come.
Meaning of Surround Sound (feat. 21 Savage & Baby Tate) by JID
“Surround Sound” by JID featuring 21 Savage and Baby Tate is a complex and multi-layered track that delves into themes of street life, success, and self-assurance. The song is divided into two parts, each showcasing unique aspects of the artists’ styles and perspectives.
In Part I of the song, the chorus sets the tone with a mix of aggressive and confident imagery, highlighting the realities of the urban environment, with references to drugs, weapons, and dominance. JID’s verses in this part display his lyrical prowess, blending metaphors of his past experiences with a sense of accomplishment. Aretha Franklin’s interlude punctuates the message, emphasizing the relentlessness and urgency of the lifestyle portrayed in the lyrics.
When 21 Savage enters in Verse 2, his raw and gritty delivery adds a layer of authenticity to the track. He talks about his close relationship with money, showcasing a mix of vulnerability and power. His verses touch on themes of loyalty, conflict, and the consequences of a life surrounded by violence and survival instincts.
The Outro by Baby Tate adds a touch of humor and charisma to the track, contrasting the intensity of the other verses. Her playful lyrics and delivery provide a brief respite before transitioning into Part II of the song.
In Part II, JID once again showcases his lyrical dexterity and confidence. His rapid-fire flow is complemented by a mix of aggression and introspection. The verses delve into personal growth, overcoming obstacles, and solidifying his place in the rap game. The outro, with its repeated “Bang, bang” refrain, serves as a bold and emphatic conclusion to the song.
Overall, “Surround Sound” is a dynamic and compelling song that weaves together different perspectives and experiences, highlighting the complexities of life in the streets, the pursuit of success, and the unwavering determination to succeed in the face of challenges. The collaboration between JID, 21 Savage, and Baby Tate creates a powerful and memorable track that resonates with listeners through its raw honesty and unapologetic approach.
In Part I of the song, the chorus sets the tone with a mix of aggressive and confident imagery, highlighting the realities of the urban environment, with references to drugs, weapons, and dominance. JID’s verses in this part display his lyrical prowess, blending metaphors of his past experiences with a sense of accomplishment. Aretha Franklin’s interlude punctuates the message, emphasizing the relentlessness and urgency of the lifestyle portrayed in the lyrics.
When 21 Savage enters in Verse 2, his raw and gritty delivery adds a layer of authenticity to the track. He talks about his close relationship with money, showcasing a mix of vulnerability and power. His verses touch on themes of loyalty, conflict, and the consequences of a life surrounded by violence and survival instincts.
The Outro by Baby Tate adds a touch of humor and charisma to the track, contrasting the intensity of the other verses. Her playful lyrics and delivery provide a brief respite before transitioning into Part II of the song.
In Part II, JID once again showcases his lyrical dexterity and confidence. His rapid-fire flow is complemented by a mix of aggression and introspection. The verses delve into personal growth, overcoming obstacles, and solidifying his place in the rap game. The outro, with its repeated “Bang, bang” refrain, serves as a bold and emphatic conclusion to the song.
Overall, “Surround Sound” is a dynamic and compelling song that weaves together different perspectives and experiences, highlighting the complexities of life in the streets, the pursuit of success, and the unwavering determination to succeed in the face of challenges. The collaboration between JID, 21 Savage, and Baby Tate creates a powerful and memorable track that resonates with listeners through its raw honesty and unapologetic approach.
Lyrics of Surround Sound (feat. 21 Savage & Baby Tate) by JID
Part I
Intro: Aretha Franklin
I know I can't afford to stop for one moment
That it's too soon to for—
Chorus: JID & Aretha Franklin
Push the f****n' pack off of the porch or break a pound down
Get this strap, if it happen to blow, it make surround sounds
Pussycat on my lap, push it back and go to town down (Oh, oh, woah)
Puttin' rap on my back, and I'm black and snatchin' crowns (Uh, woah, shit)
Verse 1: JID & Aretha Franklin
I done came back around
Like a n***a sellin' crack in pounds
I got a bag now, but it's nothing to brag 'bout
Gun blast in the background (Doo-doo-doo, doo-doo-doo-doo)
I'm a black man with the bloodhounds
MAC-10 makin' love sounds
To a bad chick, she from Uptown
I'm from down South, not a loudmouth (Can't you see?)
We can f**k around (Woah, shit, woah)
Hit the music, baby, cut it down (Woah, shit, woah)
Hit a doobie while you do me indubitably (Woah)
I feel like I'ma bust now (Woah, shit, woah)
I feel like a bust down (Woah, shit, woah)
When I shine bright, blind n****s is up now (Woah, shit, woah, shit)
In the cut, big black truck, pack sacked up (Woah, shit, woah, shit)
You can pick it up now, n***a, f**k it, okay (Woah, shit, ow, okay, ayy)
Chorus: JID & Aretha Franklin
Push the f****n' pack off of the porch or break a pound down
Get this strap, if it happen to blow, it make surround sounds
Pussycat on my lap, push it back and go to town down
Putting rap on my back, and I'm black and snatchin' crowns (Can't you s—)
Interlude: Aretha Franklin
I know I can't afford to stop for one moment
That it's too soon to for—
Verse 2: 21 Savage & Aretha Franklin
Me and my money attached emotionally
I get to clutchin' if you get too close to me
I'm at the top where I'm 'posed to be
Jumped in the game, n****s act like they coaching me
Four hundred racks ain't shit but a show to me
I'm on the road and I bet that your ho with me
When I'm in traffic, it's always a pole wit' me
Pillsbury man, I keep dough with me (Can't you see?)
Hit from the back, she givin' me slurp, and I ain't even pull my pants down
Jump in the box and slide to the other side, it's always a man down
Draw down, hands in the air, n***a, make one move, get gunned down
Givin' out smoke so long, they don't even wanna talk no more, they just run now (Can't you see?)
No locked doors, I serve with a chop
Bitch got spent, she was hangin' with a opp
We call him Mickey, he talk to the cops
I was on Pinedale, glass in the sock
Back in the day, I invest in the block
Fast forward, now I'm investin' in stocks
I put a drum on the Heckler & Koch
Don't play 'cause I'm very invested in shots
Chorus: JID & Aretha Franklin
Push the f****n' pack off of the porch or break a pound down
Get this strap, if it happen to blow, it make surround sounds
Pussycat on my lap, push it back and go to town down
Putting rap on my back, and I'm black and snatchin' crowns (Can't you see?)
Outro: Baby Tate
I put the pussycat in his face 'cause he stay off Cheshire Bridge
Then I took it back, now he say that he shakin' and he shiverin'
Like the way it taste and he ain't ate it in a minute
They call me Yung Baby, but I still got hella chi—
Part II
Intro: JID
Talk shit, run that m**********n' crown, you bitch
m**********n' bitch
Hehehaha (Uh, shit)
Verse: JID
Sorry in advance for my bros
They'll whoop a n***a ass, what you whippin' up? (Woah)
JID in the back if you lookin' for the dope
n****s got it in the bag 'cause we trappin' on the low
And I'm the shit with the flow, huh
Give me a joke
Heard a n***a say that you the next? No, no, no
I'm the best, tell 'em bitches stop the m**********n' press
Press stop, f**k a top-five list, get 'em a vest
He get lopsided
f**k the cops, we was runnin' from Rottweilers
Most of my partners ain't have poppa, just a popped condom
Couple kids with Alzheimer's
.40 on his side, boy, you Mike Alstott, he on the block violent
Robbin' n****s in the hood and then swap genres
Green light, line a n***a up, stop sign him
Keep drivin', you will not find him
I'm a, I'm a, I'm an, I'm an anomaly
I turned into a rapper ironically
And ran the bag up, back up, n****s is onto me (Woah, shit, woah, shit)
n****s should honor me, if you think I'm a wannabe (Woah, shit)
It's pretty comedy, I'm melancholy and cool (Woah, shit, woah, shit)
So calmly bustin' moves, my truths carry velocity (Woah, shit)
Same posse since OshPosh B'gosh, pussy clot (Woah, shit, woah, shit)
Treat the rappin' like I'm pushin' rock (Woah, shit)
On the stove with the Pyrex pot, the door stay locked (Woah, shit, woah, shit)
It don't say knock, we on they block, we own they block (Woah shit)
It's Monopoly games, we stole they properties (Woah, shit, woah, shit)
Smooth talkin' and moonwalkin' (Woah, shit)
The same lil' n****s small pond, but a pool shark (Woah, shit)
I aim, big stick, knock, chalk off cue balls (Woah, shit)
Bang this shit (Woah, shit)
Outro
Bang, bang
Bang, bang
Bang, bang (Ah, ha-ha-ha-ha)
Intro: Aretha Franklin
I know I can't afford to stop for one moment
That it's too soon to for—
Chorus: JID & Aretha Franklin
Push the f****n' pack off of the porch or break a pound down
Get this strap, if it happen to blow, it make surround sounds
Pussycat on my lap, push it back and go to town down (Oh, oh, woah)
Puttin' rap on my back, and I'm black and snatchin' crowns (Uh, woah, shit)
Verse 1: JID & Aretha Franklin
I done came back around
Like a n***a sellin' crack in pounds
I got a bag now, but it's nothing to brag 'bout
Gun blast in the background (Doo-doo-doo, doo-doo-doo-doo)
I'm a black man with the bloodhounds
MAC-10 makin' love sounds
To a bad chick, she from Uptown
I'm from down South, not a loudmouth (Can't you see?)
We can f**k around (Woah, shit, woah)
Hit the music, baby, cut it down (Woah, shit, woah)
Hit a doobie while you do me indubitably (Woah)
I feel like I'ma bust now (Woah, shit, woah)
I feel like a bust down (Woah, shit, woah)
When I shine bright, blind n****s is up now (Woah, shit, woah, shit)
In the cut, big black truck, pack sacked up (Woah, shit, woah, shit)
You can pick it up now, n***a, f**k it, okay (Woah, shit, ow, okay, ayy)
Chorus: JID & Aretha Franklin
Push the f****n' pack off of the porch or break a pound down
Get this strap, if it happen to blow, it make surround sounds
Pussycat on my lap, push it back and go to town down
Putting rap on my back, and I'm black and snatchin' crowns (Can't you s—)
Interlude: Aretha Franklin
I know I can't afford to stop for one moment
That it's too soon to for—
Verse 2: 21 Savage & Aretha Franklin
Me and my money attached emotionally
I get to clutchin' if you get too close to me
I'm at the top where I'm 'posed to be
Jumped in the game, n****s act like they coaching me
Four hundred racks ain't shit but a show to me
I'm on the road and I bet that your ho with me
When I'm in traffic, it's always a pole wit' me
Pillsbury man, I keep dough with me (Can't you see?)
Hit from the back, she givin' me slurp, and I ain't even pull my pants down
Jump in the box and slide to the other side, it's always a man down
Draw down, hands in the air, n***a, make one move, get gunned down
Givin' out smoke so long, they don't even wanna talk no more, they just run now (Can't you see?)
No locked doors, I serve with a chop
Bitch got spent, she was hangin' with a opp
We call him Mickey, he talk to the cops
I was on Pinedale, glass in the sock
Back in the day, I invest in the block
Fast forward, now I'm investin' in stocks
I put a drum on the Heckler & Koch
Don't play 'cause I'm very invested in shots
Chorus: JID & Aretha Franklin
Push the f****n' pack off of the porch or break a pound down
Get this strap, if it happen to blow, it make surround sounds
Pussycat on my lap, push it back and go to town down
Putting rap on my back, and I'm black and snatchin' crowns (Can't you see?)
Outro: Baby Tate
I put the pussycat in his face 'cause he stay off Cheshire Bridge
Then I took it back, now he say that he shakin' and he shiverin'
Like the way it taste and he ain't ate it in a minute
They call me Yung Baby, but I still got hella chi—
Part II
Intro: JID
Talk shit, run that m**********n' crown, you bitch
m**********n' bitch
Hehehaha (Uh, shit)
Verse: JID
Sorry in advance for my bros
They'll whoop a n***a ass, what you whippin' up? (Woah)
JID in the back if you lookin' for the dope
n****s got it in the bag 'cause we trappin' on the low
And I'm the shit with the flow, huh
Give me a joke
Heard a n***a say that you the next? No, no, no
I'm the best, tell 'em bitches stop the m**********n' press
Press stop, f**k a top-five list, get 'em a vest
He get lopsided
f**k the cops, we was runnin' from Rottweilers
Most of my partners ain't have poppa, just a popped condom
Couple kids with Alzheimer's
.40 on his side, boy, you Mike Alstott, he on the block violent
Robbin' n****s in the hood and then swap genres
Green light, line a n***a up, stop sign him
Keep drivin', you will not find him
I'm a, I'm a, I'm an, I'm an anomaly
I turned into a rapper ironically
And ran the bag up, back up, n****s is onto me (Woah, shit, woah, shit)
n****s should honor me, if you think I'm a wannabe (Woah, shit)
It's pretty comedy, I'm melancholy and cool (Woah, shit, woah, shit)
So calmly bustin' moves, my truths carry velocity (Woah, shit)
Same posse since OshPosh B'gosh, pussy clot (Woah, shit, woah, shit)
Treat the rappin' like I'm pushin' rock (Woah, shit)
On the stove with the Pyrex pot, the door stay locked (Woah, shit, woah, shit)
It don't say knock, we on they block, we own they block (Woah shit)
It's Monopoly games, we stole they properties (Woah, shit, woah, shit)
Smooth talkin' and moonwalkin' (Woah, shit)
The same lil' n****s small pond, but a pool shark (Woah, shit)
I aim, big stick, knock, chalk off cue balls (Woah, shit)
Bang this shit (Woah, shit)
Outro
Bang, bang
Bang, bang
Bang, bang (Ah, ha-ha-ha-ha)
Discography JID
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