“Feminine Rage” by Peggy explores themes of injustice, victim-blaming, and the oppression faced by women throughout history. The song delves into various myths and historical events to highlight how women have been victimized and silenced by patriarchal structures.

In the first verse, the song references Athena cursing Medusa out of spite towards Poseidon, showcasing how even powerful goddesses can perpetuate harm against other women. The pre-chorus reflects on the lack of accountability for men like Poseidon and how women are often left to bear the consequences of male actions.

The chorus shifts the focus to famous women like Anne Boleyn, Marie Antoinette, and Ophelia, questioning whether their tragic fates were driven by the wishes of angry men rather than any wrongdoing on their part. The mention of Ophelia highlights the cycle of violence where women are blamed for the actions of others, leading to their own suffering and ultimately, rage.

The second verse continues to draw parallels between ancient myths and more recent history, with references to Helen of Troy’s abduction and Circe’s abandonment, emphasizing the disregard for women’s agency and well-being by male figures.

The pre-chorus points out the tendency to glorify male characters at the expense of vilifying female victims in traditional narratives, perpetuating harmful stereotypes and erasing the experiences of women who have suffered at the hands of men.

The bridge serves as a poignant reflection on the ubiquitous nature of these stories where women are often portrayed as victims yet denied agency or redemption.

The song culminates in a powerful repetition of the chorus, reinforcing the idea that women throughout history have been subjected to injustices and ostracism, leading to a deep-seated anger that is a legitimate response to systemic oppression.

Overall, “Feminine Rage” by Peggy is a thought-provoking commentary on the enduring legacy of misogyny, victim-blaming, and inequality that continues to shape women’s experiences in society.