Meaning and Lyrics of want by Dua Saleh
Song Lyrics meaning of want by Dua Saleh
About Dua Saleh
Dua Saleh is a multi-talented artist whose genre-defying sound has made waves far beyond their Minneapolis roots. Born in Sudan and later relocating to the United States due to political turmoil, Saleh’s music is infused with a mosaic of influences, from R&B to hip-hop, and poetic spoken word.
Their breakthrough came with the 2019 EP “Nūr”, which is Arabic for ‘light,’ a fitting title for work that illuminates the complexities of identity and resilience. Saleh’s discography, including subsequent projects like “ROSETTA” and “Crossover”, showcases their ability to blend genres with an almost alchemical skill, creating tracks that are both deeply personal and universally resonant.
One standout track from Saleh’s ever-evolving catalog is “want”. Released as part of “Nūr”, this song is an exhibition of their dynamic range and emotive prowess. The composition features a hauntingly minimalistic beat that provides a stark canvas for Saleh’s lyrical storytelling. Their voice alternates between sultry whispers and a commanding, almost sermon-like delivery.
The lyrics of “want” dive into themes of desire and vulnerability, striking a balance between intimacy and mystery that commands repeated listens. This track epitomizes Saleh’s ability to turn personal narratives into captivating musical experiences. With their bold artistry and fearless exploration of sound, Dua Saleh is not just an emerging artist; they are a disruptive force in modern music. They challenge the industry norms and push the boundaries of what it means to be an artist in the 21st century, making them a vital voice to watch.
The lyrics of “want” dive into themes of desire and vulnerability, striking a balance between intimacy and mystery that commands repeated listens. This track epitomizes Saleh’s ability to turn personal narratives into captivating musical experiences. With their bold artistry and fearless exploration of sound, Dua Saleh is not just an emerging artist; they are a disruptive force in modern music. They challenge the industry norms and push the boundaries of what it means to be an artist in the 21st century, making them a vital voice to watch.
Meaning of want by Dua Saleh
Interpreting Dua Saleh’s song “Want” is akin to dissecting a melancholic tapestry of transitory romance and unshaken temptation. What we have here is a poignant narrative on the perpetual cycle of desire meshed with the awareness of its inevitable demise. Let’s dive deeper into the lyrical and emotional landscape that Saleh masterfully crafts.
Intro
Almost had it
Then you went and threw it all away
Keep backtracking
Even though the feeling ain’t the same
Now every time I’m back in LA
You up in my bed, it’s late
I know we probably shouldn’t but
From the first lines, Saleh draws us into a world of near misses and squandered chances, with a profound sense of retrospection. The phrase “Almost had it” encapsulates the tantalizingly close yet invariably elusive nature of this relationship. The act of “backtracking” signifies a regression, an inability to move forward while being painfully aware that “the feeling ain’t the same.” Each reunion in LA, a city often symbolic of fleeting dreams and transient realities, is not just a physical meeting but a symbolic return to an old, emotionally charged space. The “shouldn’t but” phrasing sets the stage for the recurring temptation and the emotional tug-of-war that follows.
Refrain
I think I want, want, want to
I think I want, want, want to
This simple yet powerful refrain is the heartbeat of the song. The repetition of “want” accentuates the internal conflict—a desire that is persistent and undeniable, despite the knowledge of its futility. It’s an evocative capture of human vulnerability.
Chorus
Tryna keep it in the past
Way we love it never lasts
But I want, want
Here, Saleh lays bare the crux of the internal struggle: attempting to confine this turbulent emotion to the past, recognizing that their love never stands the test of time, yet the want persists. The chorus mirrors the emotional seesaw between rationality and longing.
Verse 1
I got you stroking on my ego
You wanna flex on your ex
Give me heat stroke
And you know
I like it better when you dance slow
Say you want another chance
You got high hopes
In this verse, Saleh delves into the intricate dynamics of their interactions. “Stroking on my ego” suggests an element of flattery and validation, while “flex on your ex” introduces a notion of competition and one-upmanship. The imagery of “heat stroke” evokes an intense, almost unbearable passion. The preference for dancing slow captures a yearning for a more intimate, thoughtful connection, juxtaposed against the backdrop of “high hopes,” a painfully optimistic desire for reconciliation.
Verse 2
And when we in it, it feel right though
You don’t even wanna keep it on the down low
But you pressing on your luck, that’s a no, go
Can’t be tippin’ off the edge of the tight rope
The second verse examines the momentary rightness of their union—where despite the fragility, the connection feels genuine and perfect. Yet, the reluctance to “keep it on the down low” speaks to a desire for authenticity and openness. However, “pressing on your luck” signals a precariousness; the relationship is hanging by a thread (“tight rope”), teetering on the brink of collapse.
Interlude
Oh, and I know we probably shouldn’t but
Oh
The interlude punctuates the narrative with a sigh-like acknowledgment—a momentary pause that emphasizes the futility yet inevitability of their actions.
Refrain and Chorus Reprise
I think I want, want, want to
I think I want, want, want to
Try to keep it in the past
Way we love it never lasts
But I want, want
These repetitions reaffirm the ongoing conflict, the ceaseless push and pull between desire and reality.
Outro
Now every time I’m back in LA
(Want, want to)
You up in my bed, it’s late
(Want, want)
I know we probably shouldn’t but
I think I want, want, want
Want to
The outro loops back to LA and the bed—symbols of recurring temptation and fleeting intimacy. The ultimate repetition of “want, want, want” in the face of “shouldn’t” crystallizes the core theme: an unending cycle of passion, regret, and an almost masochistic surrender to desire despite the futility.
In “Want,” Dua Saleh navigates the labyrinth of desire with poetic eloquence. The song is a masterclass in capturing the human propensity for chasing after ephemeral connections, even when logic and experience trumpet the inevitable heartache. It’s a somber yet beautifully rendered ode to the intoxicating power of want, and the human condition that remains enslaved by it.
Intro
Almost had it
Then you went and threw it all away
Keep backtracking
Even though the feeling ain’t the same
Now every time I’m back in LA
You up in my bed, it’s late
I know we probably shouldn’t but
From the first lines, Saleh draws us into a world of near misses and squandered chances, with a profound sense of retrospection. The phrase “Almost had it” encapsulates the tantalizingly close yet invariably elusive nature of this relationship. The act of “backtracking” signifies a regression, an inability to move forward while being painfully aware that “the feeling ain’t the same.” Each reunion in LA, a city often symbolic of fleeting dreams and transient realities, is not just a physical meeting but a symbolic return to an old, emotionally charged space. The “shouldn’t but” phrasing sets the stage for the recurring temptation and the emotional tug-of-war that follows.
Refrain
I think I want, want, want to
I think I want, want, want to
This simple yet powerful refrain is the heartbeat of the song. The repetition of “want” accentuates the internal conflict—a desire that is persistent and undeniable, despite the knowledge of its futility. It’s an evocative capture of human vulnerability.
Chorus
Tryna keep it in the past
Way we love it never lasts
But I want, want
Here, Saleh lays bare the crux of the internal struggle: attempting to confine this turbulent emotion to the past, recognizing that their love never stands the test of time, yet the want persists. The chorus mirrors the emotional seesaw between rationality and longing.
Verse 1
I got you stroking on my ego
You wanna flex on your ex
Give me heat stroke
And you know
I like it better when you dance slow
Say you want another chance
You got high hopes
In this verse, Saleh delves into the intricate dynamics of their interactions. “Stroking on my ego” suggests an element of flattery and validation, while “flex on your ex” introduces a notion of competition and one-upmanship. The imagery of “heat stroke” evokes an intense, almost unbearable passion. The preference for dancing slow captures a yearning for a more intimate, thoughtful connection, juxtaposed against the backdrop of “high hopes,” a painfully optimistic desire for reconciliation.
Verse 2
And when we in it, it feel right though
You don’t even wanna keep it on the down low
But you pressing on your luck, that’s a no, go
Can’t be tippin’ off the edge of the tight rope
The second verse examines the momentary rightness of their union—where despite the fragility, the connection feels genuine and perfect. Yet, the reluctance to “keep it on the down low” speaks to a desire for authenticity and openness. However, “pressing on your luck” signals a precariousness; the relationship is hanging by a thread (“tight rope”), teetering on the brink of collapse.
Interlude
Oh, and I know we probably shouldn’t but
Oh
The interlude punctuates the narrative with a sigh-like acknowledgment—a momentary pause that emphasizes the futility yet inevitability of their actions.
Refrain and Chorus Reprise
I think I want, want, want to
I think I want, want, want to
Try to keep it in the past
Way we love it never lasts
But I want, want
These repetitions reaffirm the ongoing conflict, the ceaseless push and pull between desire and reality.
Outro
Now every time I’m back in LA
(Want, want to)
You up in my bed, it’s late
(Want, want)
I know we probably shouldn’t but
I think I want, want, want
Want to
The outro loops back to LA and the bed—symbols of recurring temptation and fleeting intimacy. The ultimate repetition of “want, want, want” in the face of “shouldn’t” crystallizes the core theme: an unending cycle of passion, regret, and an almost masochistic surrender to desire despite the futility.
In “Want,” Dua Saleh navigates the labyrinth of desire with poetic eloquence. The song is a masterclass in capturing the human propensity for chasing after ephemeral connections, even when logic and experience trumpet the inevitable heartache. It’s a somber yet beautifully rendered ode to the intoxicating power of want, and the human condition that remains enslaved by it.
Lyrics of want by Dua Saleh
Intro
Almost had it
Then you went and threw it all away
Keep backtracking
Even though the feeling ain't the same
Now every time I'm back in LA
You up in my bed, it's late
I know we probably shouldn't but
Refrain
I think I want, want, want to
I think I want, want, want to
Chorus
Tryna keep it in the past
Way we love it never lasts
But I want, want
Verse 1
I got you stroking on my ego
You wanna flex on your ex
Give me heat stroke
And you know
I like it better when you dance slow
Say you want another chance
You got high hopes
Verse 2
And when we in it, it feel right though
You don't even wanna keep it on the down low
But you pressing on your luck, that's a no, go
Can't be tippin' off the edgе of the tight rope
Interlude
Oh, and I know we probably shouldn't but
Oh
Refrain
I think I want, want, want to
I think I want, want, want to
Chorus
Try to keep it in thе past
Way we love it never lasts
But I want, want
Outro
Now every time I'm back in LA
(Want, want to)
You up in my bed, it's late
(Want, want)
I know we probably shouldn't but
I think I want, want, want
Want to
Almost had it
Then you went and threw it all away
Keep backtracking
Even though the feeling ain't the same
Now every time I'm back in LA
You up in my bed, it's late
I know we probably shouldn't but
Refrain
I think I want, want, want to
I think I want, want, want to
Chorus
Tryna keep it in the past
Way we love it never lasts
But I want, want
Verse 1
I got you stroking on my ego
You wanna flex on your ex
Give me heat stroke
And you know
I like it better when you dance slow
Say you want another chance
You got high hopes
Verse 2
And when we in it, it feel right though
You don't even wanna keep it on the down low
But you pressing on your luck, that's a no, go
Can't be tippin' off the edgе of the tight rope
Interlude
Oh, and I know we probably shouldn't but
Oh
Refrain
I think I want, want, want to
I think I want, want, want to
Chorus
Try to keep it in thе past
Way we love it never lasts
But I want, want
Outro
Now every time I'm back in LA
(Want, want to)
You up in my bed, it's late
(Want, want)
I know we probably shouldn't but
I think I want, want, want
Want to
Discography Dua Saleh
CROSSOVER (Deluxe)
Release: 2022-09-23
Label: AGAINST GIANTS
Popularity: 👏👏
1. chosen
2. day to day
3. cuéntame
4. focal
5. fitt (with Amaarae)
6. buzzin
7. tic tic (with Haleek Maul)
8. pearls (with Chester Watson)
9. trash snacks
10. fav flav (with Duckwrth)
Tracklist
Collapse
2. day to day
3. cuéntame
4. focal
5. fitt (with Amaarae)
6. buzzin
7. tic tic (with Haleek Maul)
8. pearls (with Chester Watson)
9. trash snacks
10. fav flav (with Duckwrth)
Nūr - The Remixes
Release: 2019-08-01
Label: AGAINST GIANTS
1. Survival – weird inside Remix
2. Warm Pants – Com Truise Remix
3. Albany – Kim Tee Remix
4. Warm Pants – HWLS Remix
5. Albany – Gravez Remix
6. Warm Pants – Shigeto Remix
7. Kickflip – booboo, Kamilla Love, Ness Nite Remix
8. Warm Pants – MISOGI Remix
9. Survival – Su Na Remix
10. Warm Pants – Suicideyear Remix
11. Warm Pants – FaltyDL Remix
Tracklist
Collapse
2. Warm Pants – Com Truise Remix
3. Albany – Kim Tee Remix
4. Warm Pants – HWLS Remix
5. Albany – Gravez Remix
6. Warm Pants – Shigeto Remix
7. Kickflip – booboo, Kamilla Love, Ness Nite Remix
8. Warm Pants – MISOGI Remix
9. Survival – Su Na Remix
10. Warm Pants – Suicideyear Remix
11. Warm Pants – FaltyDL Remix
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