Meaning and Lyrics of The Way by Sarah Blasko
Song Lyrics meaning of The Way by Sarah Blasko
About Sarah Blasko
Sarah Blasko is an Australian singer-songwriter renowned for her ethereal voice and enigmatic presence in the indie music scene. Emerging in the early 2000s, Blasko has become a staple of contemporary Australian music, blending introspective lyrics with lush, atmospheric arrangements.
Her musical journey began with the release of her debut album, The Overture & the Underscore, in 2004, which established her as a distinctive voice with a penchant for dark, orchestral pop. Blasko’s style evolved over the years, with each album showcasing her ability to transcend genres—from the raw, acoustic-driven narratives of What the Sea Wants, the Sea Will Have to the more polished, synth-infused soundscapes of Eternal Return.
Blasko’s discography is a testament to her versatility and artistic courage. Albums like As Day Follows Night draw influence from classic cinema scores, while I Awake ventures into the realm of orchestral grandeur, recorded with the Bulgarian Symphony Orchestra.
Her song “The Way” is a prime example of her craft. With its haunting melodies and introspective lyrics, the track weaves a tapestry of vulnerability and strength, encapsulating Blasko’s unique ability to channel deep emotion through her music. “The Way” is not just a song but an experience—a journey through the intricacies of human connection, bound together by Blasko’s ethereal vocal performance and masterful composition.
Sarah Blasko continues to push the boundaries of indie music, her influence rippling through the industry as she remains an emblem of artistic integrity and emotive storytelling.
Meaning of The Way by Sarah Blasko
When delving into Sarah Blasko’s haunting track “The Way,” we find ourselves immersed in a raw and emotional exploration of faith, disillusionment, and the quest for redemption. Blasko, an artist known for her ethereal vocals and evocative lyricism, crafts a narrative that is both personal and universally resonant.
The opening lines, “Met you in church when God was on my side / You said goodbye when it all went to hell,” set the stage for a journey marked by a significant juxtaposition: the purity of faith and the ensuing descent into turmoil. Blasko’s ex-lover is tied to her spiritual journey, hinting at a time when youthful naivety was cloaked in the comfort of religion, and relationships seemed divinely orchestrated. The phrase “God was on my side” could be interpreted as a reflection of a simpler time when life’s complexities were less daunting under the umbrella of faith.
The chorus, “Get me to church, I’ve got God on my mind / I’ll get down on my knees if I must,” underscores a desperate yearning for the solace that religious devotion once provided. Blasko references ceremonial milestones like a wedding and a “funeral pyre,” juxtaposing beginnings with endings, love with loss, and ascension with catharsis. This thematic contrast carries a weight that suggests deeply personal stakes, possibly alluding to traditional institutions failing her during times of crisis.
In the line “Show me the way, the truth of my life,” Blasko’s plea encapsulates an existential struggle. There’s a palpable sense of despair derived from a feeling of being lost, seeking clarity and direction. The “touch of your hand” that is “deep and it lingers on” hints at a connection that transcends the physical, one that is spiritual but is also haunted by its past influence.
Blasko’s reflective narration of “Met you at a time when we didn’t know much / We probably knew less than most,” serves as a reminder of innocence tinged with criticism. The repeated invocation of “Get me to church” feels like a mantra, a method of coping, with the repeated seeking of spiritual guidance emphasizing a cyclical struggle to reclaim faith and understanding amidst chaos.
The crescendo towards the end with “I want to be free of what you saw in me” reveals a complex interplay between internal and external perceptions of worth and guilt. Here, Blasko seeks liberation not just from her lover’s judgment, but perhaps from the very framework of her own faith that was intertwined with that relationship. She seems to confront the holy and the human dimensions together, reflecting on how intertwined they were in shaping her identity.
Sarah Blasko’s intricate layering of airy vocals over minimalistic instrumentation allows the lyrics to remain front and center, echoing a sense of stark introspection. “The Way” balances the divine with the mundane, the pure with the profane, capturing a rich emotional tapestry resonant with anyone who has grappled with the fragility of faith and the search for personal redemption. This track stands as a testament to her artistry, blending lyrical depth with sonic ambience to evoke a profound experience of spiritual and personal reflection.
The opening lines, “Met you in church when God was on my side / You said goodbye when it all went to hell,” set the stage for a journey marked by a significant juxtaposition: the purity of faith and the ensuing descent into turmoil. Blasko’s ex-lover is tied to her spiritual journey, hinting at a time when youthful naivety was cloaked in the comfort of religion, and relationships seemed divinely orchestrated. The phrase “God was on my side” could be interpreted as a reflection of a simpler time when life’s complexities were less daunting under the umbrella of faith.
The chorus, “Get me to church, I’ve got God on my mind / I’ll get down on my knees if I must,” underscores a desperate yearning for the solace that religious devotion once provided. Blasko references ceremonial milestones like a wedding and a “funeral pyre,” juxtaposing beginnings with endings, love with loss, and ascension with catharsis. This thematic contrast carries a weight that suggests deeply personal stakes, possibly alluding to traditional institutions failing her during times of crisis.
In the line “Show me the way, the truth of my life,” Blasko’s plea encapsulates an existential struggle. There’s a palpable sense of despair derived from a feeling of being lost, seeking clarity and direction. The “touch of your hand” that is “deep and it lingers on” hints at a connection that transcends the physical, one that is spiritual but is also haunted by its past influence.
Blasko’s reflective narration of “Met you at a time when we didn’t know much / We probably knew less than most,” serves as a reminder of innocence tinged with criticism. The repeated invocation of “Get me to church” feels like a mantra, a method of coping, with the repeated seeking of spiritual guidance emphasizing a cyclical struggle to reclaim faith and understanding amidst chaos.
The crescendo towards the end with “I want to be free of what you saw in me” reveals a complex interplay between internal and external perceptions of worth and guilt. Here, Blasko seeks liberation not just from her lover’s judgment, but perhaps from the very framework of her own faith that was intertwined with that relationship. She seems to confront the holy and the human dimensions together, reflecting on how intertwined they were in shaping her identity.
Sarah Blasko’s intricate layering of airy vocals over minimalistic instrumentation allows the lyrics to remain front and center, echoing a sense of stark introspection. “The Way” balances the divine with the mundane, the pure with the profane, capturing a rich emotional tapestry resonant with anyone who has grappled with the fragility of faith and the search for personal redemption. This track stands as a testament to her artistry, blending lyrical depth with sonic ambience to evoke a profound experience of spiritual and personal reflection.
Lyrics of The Way by Sarah Blasko
Met you in church when God was on my side
You said goodbye when it all went to hell
Met you when I was young, left me alone when I grew wise
So these days I just cry and yell:
“Get me to church, I’ve got God on my mind
I’ll get down on my knees if I must
Get me to church, take me back to the time
Of the wedding, the funeral pyre”
Show me the way, the truth of my life
I don’t know where I went wrong
I can’t understand the touch of your hand
Is deep and it lingers on
Now I want to be free
Met you at a time when we didn’t know much
We probably knew less than most
We were sheltered back then, we were quite untouched
Except for the hands of the holy ghost
Get me to church, I’ve got God on my mind
I’ll get down on my knees, talk in tongues
Get me to church, take me back to the time
I saw the spirit descend like a dove
And show me the way, the truth of my life
I don’t know where I went wrong
But I can’t understand the touch of your hand
Is deep and it lingers on
Now I want to be free
Of what you saw in me
Get me to church, I want God on my side
It was simple when we were young
Get me to church so they can cast this out
I want to be free of what you denounced
You said goodbye when it all went to hell
Met you when I was young, left me alone when I grew wise
So these days I just cry and yell:
“Get me to church, I’ve got God on my mind
I’ll get down on my knees if I must
Get me to church, take me back to the time
Of the wedding, the funeral pyre”
Show me the way, the truth of my life
I don’t know where I went wrong
I can’t understand the touch of your hand
Is deep and it lingers on
Now I want to be free
Met you at a time when we didn’t know much
We probably knew less than most
We were sheltered back then, we were quite untouched
Except for the hands of the holy ghost
Get me to church, I’ve got God on my mind
I’ll get down on my knees, talk in tongues
Get me to church, take me back to the time
I saw the spirit descend like a dove
And show me the way, the truth of my life
I don’t know where I went wrong
But I can’t understand the touch of your hand
Is deep and it lingers on
Now I want to be free
Of what you saw in me
Get me to church, I want God on my side
It was simple when we were young
Get me to church so they can cast this out
I want to be free of what you denounced
Discography Sarah Blasko
As Day Follows Night (Deluxe Edition)
Release: 2020-09-23
Label: Universal Music Australia Pty. Ltd.
1. Down On Love
2. All I Want
3. Bird On A Wire
4. Hold On My Heart
5. We Won’t Run
6. Is My Baby Yours?
7. Sleeper Awake
8. No Turning Back
9. Lost & Defeated
10. Over & Over
11. I Never Knew
12. Night & Day
13. Hold On My Heart – The Presets Remix / Bonus Track
14. Into Light – Bonus Track
Tracklist
Collapse
2. All I Want
3. Bird On A Wire
4. Hold On My Heart
5. We Won’t Run
6. Is My Baby Yours?
7. Sleeper Awake
8. No Turning Back
9. Lost & Defeated
10. Over & Over
11. I Never Knew
12. Night & Day
13. Hold On My Heart – The Presets Remix / Bonus Track
14. Into Light – Bonus Track
Depth of Field
Release: 2018-02-23
Label: Universal Music Australia Pty. Ltd.
1. Phantom
2. A Shot
3. Never Let Me Go
4. Everybody Wants To Sin
5. Heaven Sent
6. Making It Up
7. Savour It
8. Another
9. Read My Mind
10. Leads Me Back
Tracklist
Collapse
2. A Shot
3. Never Let Me Go
4. Everybody Wants To Sin
5. Heaven Sent
6. Making It Up
7. Savour It
8. Another
9. Read My Mind
10. Leads Me Back
Eternal Return
Release: 2015-11-06
Label: MVKA
1. I Am Ready
2. I Wanna Be Your Man
3. Better With You
4. I’d Be Lost
5. Maybe This Time
6. Beyond
7. Luxurious
8. Only One
9. Say What You Want
10. Without
Tracklist
Collapse
2. I Wanna Be Your Man
3. Better With You
4. I’d Be Lost
5. Maybe This Time
6. Beyond
7. Luxurious
8. Only One
9. Say What You Want
10. Without
Upcoming Events for Sarah Blasko
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