Meaning and Lyrics of P.I.M.P. by 50 Cent
Song Lyrics meaning of P.I.M.P. by 50 Cent
About 50 Cent
50 Cent, born Curtis James Jackson III on July 6, 1975, in South Jamaica, Queens, New York, is a heavyweight in the hip-hop industry, not just for his aggressive flow and gritty lyrics, but also for his savvy business acumen. Rising from the chaotic streets of Queens, 50 Cent’s backstory is the stuff of rap legend—riddled with drama, he was once a drug dealer before finding a path out through music.
Making his grand entrance with the landmark album Get Rich or Die Tryin’ in 2003, 50 immediately positioned himself at the top of the rap hierarchy. This debut exploded on the scene, with hit singles like “In da Club,” “21 Questions,” and of course, “P.I.M.P.” Get Rich or Die Tryin’ wasn’t just a commercial success; it was a cultural phenomenon that portrayed the hard-knock life in vivid detail.
The track “P.I.M.P.” is a masterclass in 50 Cent’s style: a heavy, hypnotic beat, killer hook, and verses dripping with bravado. The production, courtesy of Mr. Porter and co-produced by 50 himself, is a smooth blend of gangsta rap and polished mainstream appeal. It’s no wonder the song crossed over to dominate the charts.
But 50 Cent didn’t stop there. He followed up with albums like The Massacre (2005), Curtis (2007), and Before I Self Destruct (2009), each showcasing his evolution both as a storyteller and a brand. Tracks like “Candy Shop” and “Ayo Technology” pushed the boundaries of rap, proving that 50 could not only dominate but also innovate.
Beyond the booth, 50 Cent ventured into acting, entrepreneurship, and even beverage investments with his Vitamin Water stake—a move that padded his pockets and his profile. He’s a mogul who embodies the hustle, bringing a sharp business sense to everything he touches.
In summary, Curtis “50 Cent” Jackson is more than just a rapper; he’s a cultural icon whose impact extends far beyond the mic. From the raw streets of Queens to the global stage, his career reflects a relentless drive and unyielding spirit, setting a high bar in the worlds of music and business.
Meaning of P.I.M.P. by 50 Cent
When 50 Cent dropped “P.I.M.P.” as a single from his monumental debut album *Get Rich or Die Tryin’*, he didn’t just release a song—he issued a manifesto drenched in street credibility and unabashed bravado. This track serves as both a boastful declaration of his lifestyle and a nuanced exploration of the figurative and literal hustles defining the world of 50 Cent.
Starting with the Chorus, 50 Cent anchors the song with a clear, unambiguous statement: he’s a self-proclaimed P.I.M.P.—a master of manipulation and control in his environment. The repetition of “bitch can’t get a dollar out of me” is a muscular assertion of his ability to resist being exploited, flipping the power dynamics typically associated with opulence in hip-hop. No Cadillacs, no perms—these are visual signals of the flashy, stereotypical pimp lifestyle, but 50 Cent subverts them to highlight his understated but lethal credibility.
Verse 1 paints a vivid picture of the transactional nature of relationships within the club scene, a microcosm of the larger hustler’s ethos. With razor-sharp lyrics like “She got a thing for that Gucci, that Fendi, that Prada”, 50 Cent lays bare the materialistic desires driving many interactions. The reference to high-end brands serves not only as a status symbol but also as a guise for vulnerability. When he mentions, “I spit a little G, man, and my game got her,” there’s an implicit understanding of the manipulative charm he wields. The verse culminates with a pragmatic conclusion: “You f****n’ with me, you f****n’ with a P-I-M-P.” This is 50 Cent demystifying his persona, drawing a line between exploitation and agency.
The Bridge further cements 50 Cent’s self-identification with the role of a P.I.M.P., a master of economic power and control: “I’m ‘bout my money”. He rejects the clichéd TV portrayal of pimps with Cadillacs and greasy fronts, emphasizing instead his streamlined, efficient mode of operation. The invitation to “come get money with me” amplifies his manipulative charm—he’s luring potential recruits with the promise of a lifestyle that’s both financially rewarding and intoxicatingly glamorous.
Verse 2 takes on a different tone, almost romantic, but it’s enveloped in 50 Cent’s brand of street pragmatism. It’s an invitation to revel in hedonism: “We could pop some champagne and we could have a ball”. Here, the P.I.M.P. persona adopts a caregiver’s mask—offering protection, solving problems, emphasizing loyalty. There’s a clever mix of hyperbole and sincerity when he declares himself the “friend, your father, and confidant”. This blend serves to reinforce his control while softening its ruthlessness.
By Verse 3, the lyrics have escalated into a full-blown exposition of dominance within the pimping hierarchy. “I keep a Benz, some rims, and some jewels” sets the scene, marking the economic success that legitimizes his authority. Through lines like “This ho, you can have her when I’m done, I ain’t gon’ keep her”, 50 Cent dehumanizes and commodifies the women in his sphere, underscoring his worldview. The depiction is jarring but intentional, a stark portrayal of the brutal capitalist exchange at play. The loyalty of his bottom bitch, Niki, who “always come up with my bread”, is contrasted with those who defy him, who face punishment. It is a glimpse into a harsh system of rewards and reprisals designed to maintain his unchallenged supremacy.
The Outro ties the track back to its central conceit: the pimp as an ultimate hustler, in control of his world in a way that mirrors but also critiques the cutthroat mechanisms of the wider capitalist marketplace. “There’s no business like ho business” is a sardonic twist on the phrase, foregrounding an alternative economy where manipulation, coercion, and brute force govern interactions.
“P.I.M.P.” encapsulates 50 Cent’s intricate storytelling, where the allure of individual control and economic success is inextricably tied to the darker undercurrents of exploitation and moral ambiguity. The song isn’t merely about the glorification of the pimp lifestyle; it’s a commentary on power, control, and the hustler ethos that underscores much of 50 Cent’s music. The fundamental takeaway is clear: in the unforgiving terrain of the streets, the manipulator reigns supreme, and 50 Cent’s charisma and cunning position him—the P.I.M.P.—at the apex.
Starting with the Chorus, 50 Cent anchors the song with a clear, unambiguous statement: he’s a self-proclaimed P.I.M.P.—a master of manipulation and control in his environment. The repetition of “bitch can’t get a dollar out of me” is a muscular assertion of his ability to resist being exploited, flipping the power dynamics typically associated with opulence in hip-hop. No Cadillacs, no perms—these are visual signals of the flashy, stereotypical pimp lifestyle, but 50 Cent subverts them to highlight his understated but lethal credibility.
Verse 1 paints a vivid picture of the transactional nature of relationships within the club scene, a microcosm of the larger hustler’s ethos. With razor-sharp lyrics like “She got a thing for that Gucci, that Fendi, that Prada”, 50 Cent lays bare the materialistic desires driving many interactions. The reference to high-end brands serves not only as a status symbol but also as a guise for vulnerability. When he mentions, “I spit a little G, man, and my game got her,” there’s an implicit understanding of the manipulative charm he wields. The verse culminates with a pragmatic conclusion: “You f****n’ with me, you f****n’ with a P-I-M-P.” This is 50 Cent demystifying his persona, drawing a line between exploitation and agency.
The Bridge further cements 50 Cent’s self-identification with the role of a P.I.M.P., a master of economic power and control: “I’m ‘bout my money”. He rejects the clichéd TV portrayal of pimps with Cadillacs and greasy fronts, emphasizing instead his streamlined, efficient mode of operation. The invitation to “come get money with me” amplifies his manipulative charm—he’s luring potential recruits with the promise of a lifestyle that’s both financially rewarding and intoxicatingly glamorous.
Verse 2 takes on a different tone, almost romantic, but it’s enveloped in 50 Cent’s brand of street pragmatism. It’s an invitation to revel in hedonism: “We could pop some champagne and we could have a ball”. Here, the P.I.M.P. persona adopts a caregiver’s mask—offering protection, solving problems, emphasizing loyalty. There’s a clever mix of hyperbole and sincerity when he declares himself the “friend, your father, and confidant”. This blend serves to reinforce his control while softening its ruthlessness.
By Verse 3, the lyrics have escalated into a full-blown exposition of dominance within the pimping hierarchy. “I keep a Benz, some rims, and some jewels” sets the scene, marking the economic success that legitimizes his authority. Through lines like “This ho, you can have her when I’m done, I ain’t gon’ keep her”, 50 Cent dehumanizes and commodifies the women in his sphere, underscoring his worldview. The depiction is jarring but intentional, a stark portrayal of the brutal capitalist exchange at play. The loyalty of his bottom bitch, Niki, who “always come up with my bread”, is contrasted with those who defy him, who face punishment. It is a glimpse into a harsh system of rewards and reprisals designed to maintain his unchallenged supremacy.
The Outro ties the track back to its central conceit: the pimp as an ultimate hustler, in control of his world in a way that mirrors but also critiques the cutthroat mechanisms of the wider capitalist marketplace. “There’s no business like ho business” is a sardonic twist on the phrase, foregrounding an alternative economy where manipulation, coercion, and brute force govern interactions.
“P.I.M.P.” encapsulates 50 Cent’s intricate storytelling, where the allure of individual control and economic success is inextricably tied to the darker undercurrents of exploitation and moral ambiguity. The song isn’t merely about the glorification of the pimp lifestyle; it’s a commentary on power, control, and the hustler ethos that underscores much of 50 Cent’s music. The fundamental takeaway is clear: in the unforgiving terrain of the streets, the manipulator reigns supreme, and 50 Cent’s charisma and cunning position him—the P.I.M.P.—at the apex.
Lyrics of P.I.M.P. by 50 Cent
Chorus
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P (Now, shawty)
Verse 1
Now, shawty, she in the club, she dancin' for dollars
She got a thing for that Gucci, that Fendi, that Prada
That BCBG, Burberry, Dolce & Gabbana
She feed them foolish fantasies, they pay her 'cause they want her
I spit a little G, man, and my game got her
An hour later, have that ass up in the Ramada
Them trick n****s in her ear sayin' they think about her
I got the bitch by the bar, tryna get a drink up out her
She like my style, she like my smile, she like the way I talk
She from the country, think she like me 'cause I'm from New York
I ain't that n***a tryna holler 'cause I want some head
I'm that n***a tryna holler 'cause I want some bread
I could care less how she perform when she in the bed
Bitch, hit that track, catch a date, and come and pay the kid
Look, baby, this is simple, you can't see
You f****n' with me, you f****n' with a P-I-M-P
Chorus
I don't know what you heard about me (Woo)
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
Bridge
I'm 'bout my money, you see, girl, you can holler at me
If you f****n' with me, I'm a P-I-M-P
Not what you see on TV, no Cadillac, no greasy
Head full of hair, bitch, I'm a P-I-M-P
Come get money with me if you curious to see
How it feels to be with a P-I-M-P
Roll in the Benz with me, you could watch some TV
From the backseat of my V, I'm a P-I-M-P
Verse 2
Girl, we could pop some champagne and we could have a ball
We could toast to the good life, girl, we could have it all
We could really splurge, girl, and tear up the mall
If ever you needed someone, I'm the one you should call
I'll be there to pick you up if ever you should fall
If you got problems, I can solve 'em, they big or they small
That other n***a you be with ain't 'bout shit
I'm your friend, your father, and confidant, bitch
Chorus
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P (Now, shawty)
Verse 3
I told you fools before, I stay with the tools
I keep a Benz, some rims, and some jewels
I holler at a ho 'til I got a bitch confused
She got on Payless, me? I got on gator shoes
I'm shoppin' for chinchillas, in the summer they cheaper
Man, this ho, you can have her when I'm done, I ain't gon' keep her
Man, bitches come and go, every n***a pimpin' know
This ain't no secret, you ain't gotta keep it on the low
Bitch, choose on me, I'll have you strippin' in the street
Put my other hoes down, you get your ass beat
Now Niki my bottom bitch, she always come up with my bread
The last n***a she was with put stitches in her head
Get your ho out of pocket, I'll put a charge on a bitch
'Cause I need four TVs and AMGs for the six
Ho, make a pimp rich, I ain't payin', bitch
Catch a date, suck a dick, shit (Trick)
Chorus
I don't know what you heard about me (Yeah)
But a bitch can't get a dollar out of me (Woo)
No Cadillac, no perms, you can't see (Uh-huh)
That I'm a m**********n' P-I-M-P
I don't know what you heard about me (Uh-huh)
But a bitch can't get a dollar out of me (Yeah)
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
Outro
Yeah
In Hollywood they say, "There's no business like show business"
In the hood they say, "There's no business like ho business," you know?
They say I talk a little fast, but if you listen a lil' faster, I ain't got to slow down for you to catch up, bitch
Ha-ha-ha
Yeah
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P (Now, shawty)
Verse 1
Now, shawty, she in the club, she dancin' for dollars
She got a thing for that Gucci, that Fendi, that Prada
That BCBG, Burberry, Dolce & Gabbana
She feed them foolish fantasies, they pay her 'cause they want her
I spit a little G, man, and my game got her
An hour later, have that ass up in the Ramada
Them trick n****s in her ear sayin' they think about her
I got the bitch by the bar, tryna get a drink up out her
She like my style, she like my smile, she like the way I talk
She from the country, think she like me 'cause I'm from New York
I ain't that n***a tryna holler 'cause I want some head
I'm that n***a tryna holler 'cause I want some bread
I could care less how she perform when she in the bed
Bitch, hit that track, catch a date, and come and pay the kid
Look, baby, this is simple, you can't see
You f****n' with me, you f****n' with a P-I-M-P
Chorus
I don't know what you heard about me (Woo)
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
Bridge
I'm 'bout my money, you see, girl, you can holler at me
If you f****n' with me, I'm a P-I-M-P
Not what you see on TV, no Cadillac, no greasy
Head full of hair, bitch, I'm a P-I-M-P
Come get money with me if you curious to see
How it feels to be with a P-I-M-P
Roll in the Benz with me, you could watch some TV
From the backseat of my V, I'm a P-I-M-P
Verse 2
Girl, we could pop some champagne and we could have a ball
We could toast to the good life, girl, we could have it all
We could really splurge, girl, and tear up the mall
If ever you needed someone, I'm the one you should call
I'll be there to pick you up if ever you should fall
If you got problems, I can solve 'em, they big or they small
That other n***a you be with ain't 'bout shit
I'm your friend, your father, and confidant, bitch
Chorus
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
I don't know what you heard about me
But a bitch can't get a dollar out of me
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P (Now, shawty)
Verse 3
I told you fools before, I stay with the tools
I keep a Benz, some rims, and some jewels
I holler at a ho 'til I got a bitch confused
She got on Payless, me? I got on gator shoes
I'm shoppin' for chinchillas, in the summer they cheaper
Man, this ho, you can have her when I'm done, I ain't gon' keep her
Man, bitches come and go, every n***a pimpin' know
This ain't no secret, you ain't gotta keep it on the low
Bitch, choose on me, I'll have you strippin' in the street
Put my other hoes down, you get your ass beat
Now Niki my bottom bitch, she always come up with my bread
The last n***a she was with put stitches in her head
Get your ho out of pocket, I'll put a charge on a bitch
'Cause I need four TVs and AMGs for the six
Ho, make a pimp rich, I ain't payin', bitch
Catch a date, suck a dick, shit (Trick)
Chorus
I don't know what you heard about me (Yeah)
But a bitch can't get a dollar out of me (Woo)
No Cadillac, no perms, you can't see (Uh-huh)
That I'm a m**********n' P-I-M-P
I don't know what you heard about me (Uh-huh)
But a bitch can't get a dollar out of me (Yeah)
No Cadillac, no perms, you can't see
That I'm a m**********n' P-I-M-P
Outro
Yeah
In Hollywood they say, "There's no business like show business"
In the hood they say, "There's no business like ho business," you know?
They say I talk a little fast, but if you listen a lil' faster, I ain't got to slow down for you to catch up, bitch
Ha-ha-ha
Yeah
Discography 50 Cent
The Complete G-Unit
Release: 2019-05-20
Label: Strapz
Popularity: 👏👏
Animal Ambition: An Untamed Desire To Win
Release: 2014-06-03
Label: Strapz
Popularity: 👏👏
Before I Self-Destruct
Release: 2009-01-01
Label: Aftermath/Shady
Popularity: 👏👏
Upcoming Events for 50 Cent
Subscribe
Login
0 Comments
Stream P.I.M.P. on your favorite platform
Share P.I.M.P. Song Meaning with your friends
or discover new music
or discover new music
The Complete G-Unit
Release: 2019-05-20
Label: Strapz
Popularity: 👏👏
Animal Ambition: An Untamed Desire To Win
Release: 2014-06-03
Label: Strapz
Popularity: 👏👏
Before I Self-Destruct
Release: 2009-01-01
Label: Aftermath/Shady
Popularity: 👏👏👏
