Meaning and Lyrics of Only the Good Die Young by Billy Joel
Song Lyrics meaning of Only the Good Die Young by Billy Joel
About Billy Joel
Billy Joel is one of the most enduring figures in American pop music, known for his melodic prowess and lyrical storytelling. Born on May 9, 1949, in The Bronx, New York City, Joel demonstrated musical talent at an early age, picking up the piano at just four years old. He grew up influenced by the sounds of the 1950s, absorbing elements of rock, jazz, and classical music that would later infuse his distinctive style.
In 1973, Joel released his first album, “Piano Man,” which not only introduced his rich baritone voice and intricate piano skills to the world but also laid the groundwork for his reputation as a master storyteller. The title track, which tells the tales of lonely patrons in a bar, became a defining anthem of his career and a staple of classic rock radio.
Throughout the late 1970s and into the 1980s, Joel’s career experienced a meteoric rise. His albums “The Stranger” (1977), “52nd Street” (1978), and “Glass Houses” (1980) solidified him as a commercial powerhouse. Each release showcased his ability to blend genres, with hits that ranged from the reflective balladry of “Just the Way You Are” to the uptempo rock of “It’s Still Rock and Roll to Me.”
One of Joel’s most provocative tracks, “Only the Good Die Young,” from his 1977 album “The Stranger,” exemplifies his knack for weaving narrative with catchy hooks. The song’s playful rebellion against the constraints of conservative upbringing sparked controversy upon its release, yet did little to deter its popularity. It encapsulates the youthful exuberance and defiance that marked the era, as well as Joel’s willingness to challenge societal norms through his art.
Joel’s ability to encapsulate the essence of American life—from love and heartbreak to celebration and nostalgia—ensured his place in the pantheon of great songwriters. Over the decades, he has sold over 150 million records worldwide, making him one of the best-selling music artists of all time. His influence extends beyond mere numbers; he has shaped the landscape of pop music, paving the way for future generations of singer-songwriters.
Despite his numerous accolades, including six Grammy Awards and induction into the Rock and Roll Hall of Fame in 1999, Joel remains grounded. He continues to perform extensively, including his legendary residency at Madison Square Garden, where he effortlessly bridges the generations with his timeless hits, proving that true artistry withstands the test of time. With a career spanning nearly five decades, Billy Joel stands not just as a musician, but as a cultural icon whose songs resonate with authenticity and heart.
Meaning of Only the Good Die Young by Billy Joel
Billy Joel’s “Only the Good Die Young” serves as a raucous anthem of youthful rebellion and a critique of the societal and religious structures that bind youthful desires. Released in 1977 as a part of his acclaimed album *The Stranger*, this track strikes a provocative tone, blending rock’n’roll fervor with deeply ingrained cultural narratives.
Verse 1 introduces us to Virginia, the titular character who personifies the repressed Catholic girl archetype. The line “You Catholic girls start much too late” hints at the simmering tension between traditional moral teachings and the exuberance of adolescent life. With a clever nod to fate, Joel presents himself not merely as a suitor, but as an agent of liberation: “I might as well be the one.” In this opening, we see the fundamental conflict––a struggle against the constraints of religion that, instead of nurturing, seem to ensnare.
The architectural imagery of “they built you a temple and locked you away” encapsulates the suppressive nature of institutionalized religion, reinforcing the idea that Virginia’s upbringing is one of restriction. Joel’s choice of words, particularly “locked,” suggests imprisonment rather than sanctuary, setting the stage for a deeper exploration of freedom versus control. The acknowledgment of “the price that you pay for things you might have done” hints at the guilt and shame that often accompany such repression.
The chorus is catchy, almost anthemic, but beneath its surface, it carries a darkly humorous message: “Only the good die young.” It poses a cheeky contradiction to the moralistic teachings that define virtue by pacifism and virtue, arguing instead for a life of recklessness and enjoyment. The phrase becomes a mantra, reflecting a lifestyle that rejects the fear of consequence in favor of living fully.
Moving into Verse 2, Joel gives further credence to the dichotomy he’s establishing. The “dangerous crowd” he associates with is not simply a group of juvenile delinquents; it represents authenticity, joy, and camaraderie in stark contrast to the rigid moral codes that Virginia embodies. The line, “We ain’t too pretty, we ain’t too proud,” exudes a raw, unrefined honesty that implicitly seduces Virginia to step outside her sheltered bubble. Joel’s call, “send up a signal, I’ll throw you the line,” works as an invitation into a world of unrestrained experience, where joy supersedes judgement.
The imagery of stained glass in the lyrics serves as a metaphor for the barriers Virginia faces; as beautiful and intricate as stained glass may be, it still obscures light. Joel’s insistent repetition of the phrase in the chorus interlocks with this imagery to buttress the message—Virginia must choose which “company” she desires. The tension mounts as we approach the bridge, where Joel cleverly juxtaposes the innocence of Virginia’s confirmation dress with the implications of her life choices. He challenges the integrity of that innocence, suggesting that it is laced with misinformation and a lack of real-life education.
By Verse 3, the song dives deeper into relational dynamics. Joel’s rejection of conventional wisdom (“they say there’s a heaven for those who will wait”) positions him in opposition to prudish pieties. His provocative expression, “I’d rather laugh with the sinners than cry with the saints,” further solidifies his stance, depicting saints as dull and devoid of fun. He turns morality on its head, suggesting that a vibrant, albeit imperfect life holds greater value than passive righteousness.
The saxophone solo that follows the chorus serves as a jubilant celebration of the spirit of the song, allowing listeners a moment to bask in the energetic nonchalance that Joel so effectively captures. It underscores the flirtation and joyous defiance of the narrative, elevating it beyond mere prose into a visceral experience.
The subsequent bridge continues to unravel familial expectations, particularly through the poignant line regarding Virginia’s mother’s views on reputation. It surfaces some dark family dynamics that suggest a legacy of shame and restraint — the very chains that Joel seeks to break. The repeated entreaty in the final Verse 4 solidifies Joel’s passion for liberation. He circles back to the urgency of his earlier plea, emphasizing time and the impermanence of youth.
In the final choruses, as the mantra “only the good die young” repeats, it becomes not just a commentary but a rallying cry for those who live life passionately, encouraging a rejection of fear and guilt. This bold proclamation shifts the moral compass back toward earthly pleasures, posing the question of what it truly means to live a good life.
In the end, “Only the Good Die Young” is not just a provocative statement—it’s a clarion call to enjoy the fleeting moments of youth, to embrace the seductive dance of life’s moral complexities, and to challenge the norms that seek to confine us. With its interplay of upbeat musicality and profound lyrical introspection, it’s no wonder this song remains a cultural touchstone, embodying the relentless spirit of rebellion that resonates with generations. The song operates in the tension between innocence and experience, morality and hedonism, ultimately inviting us to find our own paths amid the nebulous constructs of right and wrong.
Verse 1 introduces us to Virginia, the titular character who personifies the repressed Catholic girl archetype. The line “You Catholic girls start much too late” hints at the simmering tension between traditional moral teachings and the exuberance of adolescent life. With a clever nod to fate, Joel presents himself not merely as a suitor, but as an agent of liberation: “I might as well be the one.” In this opening, we see the fundamental conflict––a struggle against the constraints of religion that, instead of nurturing, seem to ensnare.
The architectural imagery of “they built you a temple and locked you away” encapsulates the suppressive nature of institutionalized religion, reinforcing the idea that Virginia’s upbringing is one of restriction. Joel’s choice of words, particularly “locked,” suggests imprisonment rather than sanctuary, setting the stage for a deeper exploration of freedom versus control. The acknowledgment of “the price that you pay for things you might have done” hints at the guilt and shame that often accompany such repression.
The chorus is catchy, almost anthemic, but beneath its surface, it carries a darkly humorous message: “Only the good die young.” It poses a cheeky contradiction to the moralistic teachings that define virtue by pacifism and virtue, arguing instead for a life of recklessness and enjoyment. The phrase becomes a mantra, reflecting a lifestyle that rejects the fear of consequence in favor of living fully.
Moving into Verse 2, Joel gives further credence to the dichotomy he’s establishing. The “dangerous crowd” he associates with is not simply a group of juvenile delinquents; it represents authenticity, joy, and camaraderie in stark contrast to the rigid moral codes that Virginia embodies. The line, “We ain’t too pretty, we ain’t too proud,” exudes a raw, unrefined honesty that implicitly seduces Virginia to step outside her sheltered bubble. Joel’s call, “send up a signal, I’ll throw you the line,” works as an invitation into a world of unrestrained experience, where joy supersedes judgement.
The imagery of stained glass in the lyrics serves as a metaphor for the barriers Virginia faces; as beautiful and intricate as stained glass may be, it still obscures light. Joel’s insistent repetition of the phrase in the chorus interlocks with this imagery to buttress the message—Virginia must choose which “company” she desires. The tension mounts as we approach the bridge, where Joel cleverly juxtaposes the innocence of Virginia’s confirmation dress with the implications of her life choices. He challenges the integrity of that innocence, suggesting that it is laced with misinformation and a lack of real-life education.
By Verse 3, the song dives deeper into relational dynamics. Joel’s rejection of conventional wisdom (“they say there’s a heaven for those who will wait”) positions him in opposition to prudish pieties. His provocative expression, “I’d rather laugh with the sinners than cry with the saints,” further solidifies his stance, depicting saints as dull and devoid of fun. He turns morality on its head, suggesting that a vibrant, albeit imperfect life holds greater value than passive righteousness.
The saxophone solo that follows the chorus serves as a jubilant celebration of the spirit of the song, allowing listeners a moment to bask in the energetic nonchalance that Joel so effectively captures. It underscores the flirtation and joyous defiance of the narrative, elevating it beyond mere prose into a visceral experience.
The subsequent bridge continues to unravel familial expectations, particularly through the poignant line regarding Virginia’s mother’s views on reputation. It surfaces some dark family dynamics that suggest a legacy of shame and restraint — the very chains that Joel seeks to break. The repeated entreaty in the final Verse 4 solidifies Joel’s passion for liberation. He circles back to the urgency of his earlier plea, emphasizing time and the impermanence of youth.
In the final choruses, as the mantra “only the good die young” repeats, it becomes not just a commentary but a rallying cry for those who live life passionately, encouraging a rejection of fear and guilt. This bold proclamation shifts the moral compass back toward earthly pleasures, posing the question of what it truly means to live a good life.
In the end, “Only the Good Die Young” is not just a provocative statement—it’s a clarion call to enjoy the fleeting moments of youth, to embrace the seductive dance of life’s moral complexities, and to challenge the norms that seek to confine us. With its interplay of upbeat musicality and profound lyrical introspection, it’s no wonder this song remains a cultural touchstone, embodying the relentless spirit of rebellion that resonates with generations. The song operates in the tension between innocence and experience, morality and hedonism, ultimately inviting us to find our own paths amid the nebulous constructs of right and wrong.
Lyrics of Only the Good Die Young by Billy Joel
Verse 1
Come out, Virginia, don't let me wait
You Catholic girls start much too late
Aww, but sooner or later, it comes down to fate
I might as well be the one
Well, they showed you a statue, told you to pray
They built you a temple and locked you away
Aww, but they never told you the price that you pay
For things that you might have done
Chorus
Well, only the good die young
That's what I said
Only the good die young
Only the good die young
Verse 2
You mighta heard I run with a dangerous crowd
We ain't too pretty, we ain't too proud
We might be laughing a bit too loud
Aww, but that never hurt no one
So come on, Virginia, show me a sign
Send up a signal, I'll throw you the line
The stained glass curtain you're hidin' behind
Never lets in the sun
Chorus
Darlin', only the good die young
Woah, woah, woah, woah, woah
I tell ya, only the good die young
Only the good die young
Bridge
You got a nice white dress and a party on your confirmation
You got a brand new soul
Mmm, and a cross of gold
But Virginia, they didn't give you quite enough information
You didn't count on me
When you were counting on your rosary
Oh woah woah
Verse 3
And they say there's a heaven for those who will wait
And some say it's better, but I say it ain't
I'd rather laugh with the sinners than cry with the saints
The sinners are much more fun
Chorus
You know that only the good die young
Oh-oh-ho, baby
I tell ya, only the good die young
Only the good die young
Saxophone Solo
Bridge
You said your mother told you, "All that I could give you was a reputation"
Aww, she never cared for me
But did she ever say a prayer for me?
Oh woah woah
Verse 4
Well, come out, come out, come out, Virginia, don't let me wait
You Catholic girls start much too late
But sooner or later, it comes down to fate
I might as well be the one
Chorus
You know that only the good die young
Tell you, baby
You know that only the good die young
Only the good die young
Only the good
Only the good die young
Outro
Ooh-ooh-hoo, ooh-hoo
Ooh-ooh-hoo, hoo, ooh-hoo
Ooh-ooh-hoo, ooh-ooh-hoo
Ooh-ooh-hoo, hoo, ooh-hoo
Ooh-ooh-hoo, ooh-hoo
Ooh-ooh-hoo, hoo, ooh-hoo
Only the good die young
Only the good die young
Come out, Virginia, don't let me wait
You Catholic girls start much too late
Aww, but sooner or later, it comes down to fate
I might as well be the one
Well, they showed you a statue, told you to pray
They built you a temple and locked you away
Aww, but they never told you the price that you pay
For things that you might have done
Chorus
Well, only the good die young
That's what I said
Only the good die young
Only the good die young
Verse 2
You mighta heard I run with a dangerous crowd
We ain't too pretty, we ain't too proud
We might be laughing a bit too loud
Aww, but that never hurt no one
So come on, Virginia, show me a sign
Send up a signal, I'll throw you the line
The stained glass curtain you're hidin' behind
Never lets in the sun
Chorus
Darlin', only the good die young
Woah, woah, woah, woah, woah
I tell ya, only the good die young
Only the good die young
Bridge
You got a nice white dress and a party on your confirmation
You got a brand new soul
Mmm, and a cross of gold
But Virginia, they didn't give you quite enough information
You didn't count on me
When you were counting on your rosary
Oh woah woah
Verse 3
And they say there's a heaven for those who will wait
And some say it's better, but I say it ain't
I'd rather laugh with the sinners than cry with the saints
The sinners are much more fun
Chorus
You know that only the good die young
Oh-oh-ho, baby
I tell ya, only the good die young
Only the good die young
Saxophone Solo
Bridge
You said your mother told you, "All that I could give you was a reputation"
Aww, she never cared for me
But did she ever say a prayer for me?
Oh woah woah
Verse 4
Well, come out, come out, come out, Virginia, don't let me wait
You Catholic girls start much too late
But sooner or later, it comes down to fate
I might as well be the one
Chorus
You know that only the good die young
Tell you, baby
You know that only the good die young
Only the good die young
Only the good
Only the good die young
Outro
Ooh-ooh-hoo, ooh-hoo
Ooh-ooh-hoo, hoo, ooh-hoo
Ooh-ooh-hoo, ooh-ooh-hoo
Ooh-ooh-hoo, hoo, ooh-hoo
Ooh-ooh-hoo, ooh-hoo
Ooh-ooh-hoo, hoo, ooh-hoo
Only the good die young
Only the good die young
Discography Billy Joel
Live at The Great American Music Hall
Release: 2023-04-21
Label: Columbia/Legacy
Popularity: 👏
1. Opening – Live at the Great American Music Hall – 1975
2. Somewhere Along the Line – Live at the Great American Music Hall – 1975
3. Roberta – Live at the Great American Music Hall – 1975
4. The Mexican Connection – Live at the Great American Music Hall – 1975
5. Root Beer Rag – Live at the Great American Music Hall – 1975
6. James – Live at the Great American Music Hall – 1975
7. Intro of Band Members – Live at the Great American Music Hall – 1975
8. You’re My Home – Live at the Great American Music Hall – 1975
9. Cocker Imitation/You Are So Beautiful (Vamp/Fragment) – Live at the Great American Music Hall – 1975
10. Everybody Loves You Now – Live at the Great American Music Hall – 1975
11. New York State of Mind – Live at the Great American Music Hall – 1975
12. Benny & The Jets (Vamp/Fragment) – Live at the Great American Music Hall – 1975
13. Travelin’ Prayer – Live at the Great American Music Hall – 1975
14. Delta Lady (Vamp/Fragment) – Live at the Great American Music Hall – 1975
15. The Entertainer – Live at the Great American Music Hall – 1975
16. The Ballad of Billy the Kid – Live at the Great American Music Hall – 1975
17. Ain’t No Crime – Live at the Great American Music Hall – 1975
18. Weekend Song – Live at the Great American Music Hall – 1975
Tracklist
Collapse
2. Somewhere Along the Line – Live at the Great American Music Hall – 1975
3. Roberta – Live at the Great American Music Hall – 1975
4. The Mexican Connection – Live at the Great American Music Hall – 1975
5. Root Beer Rag – Live at the Great American Music Hall – 1975
6. James – Live at the Great American Music Hall – 1975
7. Intro of Band Members – Live at the Great American Music Hall – 1975
8. You’re My Home – Live at the Great American Music Hall – 1975
9. Cocker Imitation/You Are So Beautiful (Vamp/Fragment) – Live at the Great American Music Hall – 1975
10. Everybody Loves You Now – Live at the Great American Music Hall – 1975
11. New York State of Mind – Live at the Great American Music Hall – 1975
12. Benny & The Jets (Vamp/Fragment) – Live at the Great American Music Hall – 1975
13. Travelin’ Prayer – Live at the Great American Music Hall – 1975
14. Delta Lady (Vamp/Fragment) – Live at the Great American Music Hall – 1975
15. The Entertainer – Live at the Great American Music Hall – 1975
16. The Ballad of Billy the Kid – Live at the Great American Music Hall – 1975
17. Ain’t No Crime – Live at the Great American Music Hall – 1975
18. Weekend Song – Live at the Great American Music Hall – 1975
Live at Yankee Stadium
Release: 2022-11-04
Label: Columbia/Legacy
Popularity: 👏
1. Storm Front – Live at Yankee Stadium, Bronx, NY – June 1990
2. Allentown – Live at Yankee Stadium, Bronx, NY – June 1990
3. Prelude / Angry Young Man – Live at Yankee Stadium, Bronx, NY – June 1990
4. I Go to Extremes – Live at Yankee Stadium, Bronx, NY – June 1990
5. New York State of Mind – Live at Yankee Stadium, Bronx, NY – June 1990
6. The Downeaster ‘Alexa’ – Live at Yankee Stadium, Bronx, NY – June 1990
7. My Life – Live at Yankee Stadium, Bronx, NY – June 1990
8. Shameless – Live at Yankee Stadium, Bronx, NY – June 1990
9. Scenes From an Italian Restaurant – Live at Yankee Stadium, Bronx, NY – June 1990
10. Pressure – Live at Yankee Stadium, Bronx, NY – June 1990
11. Miami 2017 (Seen the Lights Go Out On Broadway) – Live at Yankee Stadium, Bronx, NY – June 1990
12. Uptown Girl – Live at Yankee Stadium, Bronx, NY – June 1990
13. We Didn’t Start the Fire – Live at Yankee Stadium, Bronx, NY – June 1990
14. A Matter of Trust – Live at Yankee Stadium, Bronx, NY – June 1990
15. Only the Good Die Young – Live at Yankee Stadium, Bronx, NY – June 1990
16. That’s Not Her Style – Live at Yankee Stadium, Bronx, NY – June 1990
17. Big Shot – Live at Yankee Stadium, Bronx, NY – June 1990
18. Goodnight Saigon – Live at Yankee Stadium, Bronx, NY – June 1990
19. It’s Still Rock and Roll to Me – Live at Yankee Stadium, Bronx, NY – June 1990
20. An Innocent Man – Live at Yankee Stadium, Bronx, NY – June 1990
21. You May Be Right – Live at Yankee Stadium, Bronx, NY – June 1990
22. Piano Man – Live at Yankee Stadium, Bronx, NY – June 1990
Tracklist
Collapse
2. Allentown – Live at Yankee Stadium, Bronx, NY – June 1990
3. Prelude / Angry Young Man – Live at Yankee Stadium, Bronx, NY – June 1990
4. I Go to Extremes – Live at Yankee Stadium, Bronx, NY – June 1990
5. New York State of Mind – Live at Yankee Stadium, Bronx, NY – June 1990
6. The Downeaster ‘Alexa’ – Live at Yankee Stadium, Bronx, NY – June 1990
7. My Life – Live at Yankee Stadium, Bronx, NY – June 1990
8. Shameless – Live at Yankee Stadium, Bronx, NY – June 1990
9. Scenes From an Italian Restaurant – Live at Yankee Stadium, Bronx, NY – June 1990
10. Pressure – Live at Yankee Stadium, Bronx, NY – June 1990
11. Miami 2017 (Seen the Lights Go Out On Broadway) – Live at Yankee Stadium, Bronx, NY – June 1990
12. Uptown Girl – Live at Yankee Stadium, Bronx, NY – June 1990
13. We Didn’t Start the Fire – Live at Yankee Stadium, Bronx, NY – June 1990
14. A Matter of Trust – Live at Yankee Stadium, Bronx, NY – June 1990
15. Only the Good Die Young – Live at Yankee Stadium, Bronx, NY – June 1990
16. That’s Not Her Style – Live at Yankee Stadium, Bronx, NY – June 1990
17. Big Shot – Live at Yankee Stadium, Bronx, NY – June 1990
18. Goodnight Saigon – Live at Yankee Stadium, Bronx, NY – June 1990
19. It’s Still Rock and Roll to Me – Live at Yankee Stadium, Bronx, NY – June 1990
20. An Innocent Man – Live at Yankee Stadium, Bronx, NY – June 1990
21. You May Be Right – Live at Yankee Stadium, Bronx, NY – June 1990
22. Piano Man – Live at Yankee Stadium, Bronx, NY – June 1990
A Matter of Trust - The Bridge to Russia: The Music (Live)
Release: 2014-05-19
Label: Columbia/Legacy
Popularity: 👏
1. Odoya
2. Prelude / Angry Young Man – Live in Moscow & Leningrad, Russia – July/August 1987
3. Honesty – Live in Moscow & Leningrad, Russia – July/August 1987
4. The Ballad of Billy the Kid – Live in Moscow & Leningrad, Russia – July/August 1987
5. She’s Always A Woman – Live in Moscow & Leningrad, Russia – July/August 1987
6. Scenes from an Italian Restaurant – Live in Moscow & Leningrad, Russia – July/August 1987
7. Goodnight Saigon – Live in Moscow & Leningrad, Russia – July/August 1987
8. Stiletto – Live in Moscow & Leningrad, Russia – July/August 1987
9. Big Man on Mulberry Street – Live in Moscow & Leningrad, Russia – July/August 1987
10. Baby Grand – Live in Moscow & Leningrad, Russia – July/August 1987
11. What’s Your Name – Live in Moscow & Leningrad, Russia – July/August 1987
12. The Longest Time – Live in Moscow & Leningrad, Russia – July/August 1987
13. An Innocent Man – Live in Moscow & Leningrad, Russia – July/August 1987
14. Pressure – Live in Moscow & Leningrad, Russia – July/August 1987
15. Allentown – Live in Moscow & Leningrad, Russia – July/August 1987
16. A Matter of Trust – Live in Moscow & Leningrad, Russia – July/August 1987
17. Only the Good Die Young – Live in Moscow & Leningrad, Russia – July/August 1987
18. It’s Still Rock and Roll To Me – Live in Moscow & Leningrad, Russia – July/August 1987
19. Sometimes a Fantasy – Live in Moscow & Leningrad, Russia – July/August 1987
20. You May Be Right – Live in Moscow & Leningrad, Russia – July/August 1987
21. Uptown Girl – Live in Moscow & Leningrad, Russia – July/August 1987
22. Big Shot – Live in Moscow & Leningrad, Russia – July/August 1987
23. Back in the U.S.S.R. – Live in Moscow & Leningrad, Russia – July/August 1987
24. The Times They Are A-Changin’ – Live in Moscow & Leningrad, Russia – July/August 1987
25. She Loves You – Rehearsal Performance in Moscow & Leningrad, Russia – July/August 1987
26. New York State of Mind – Rehearsal Performance in Moscow & Leningrad, Russia – July/August 1987
27. Piano Man – Rehearsal Performance in Moscow & Leningrad, Russia – July/August 1987
Tracklist
Collapse
2. Prelude / Angry Young Man – Live in Moscow & Leningrad, Russia – July/August 1987
3. Honesty – Live in Moscow & Leningrad, Russia – July/August 1987
4. The Ballad of Billy the Kid – Live in Moscow & Leningrad, Russia – July/August 1987
5. She’s Always A Woman – Live in Moscow & Leningrad, Russia – July/August 1987
6. Scenes from an Italian Restaurant – Live in Moscow & Leningrad, Russia – July/August 1987
7. Goodnight Saigon – Live in Moscow & Leningrad, Russia – July/August 1987
8. Stiletto – Live in Moscow & Leningrad, Russia – July/August 1987
9. Big Man on Mulberry Street – Live in Moscow & Leningrad, Russia – July/August 1987
10. Baby Grand – Live in Moscow & Leningrad, Russia – July/August 1987
11. What’s Your Name – Live in Moscow & Leningrad, Russia – July/August 1987
12. The Longest Time – Live in Moscow & Leningrad, Russia – July/August 1987
13. An Innocent Man – Live in Moscow & Leningrad, Russia – July/August 1987
14. Pressure – Live in Moscow & Leningrad, Russia – July/August 1987
15. Allentown – Live in Moscow & Leningrad, Russia – July/August 1987
16. A Matter of Trust – Live in Moscow & Leningrad, Russia – July/August 1987
17. Only the Good Die Young – Live in Moscow & Leningrad, Russia – July/August 1987
18. It’s Still Rock and Roll To Me – Live in Moscow & Leningrad, Russia – July/August 1987
19. Sometimes a Fantasy – Live in Moscow & Leningrad, Russia – July/August 1987
20. You May Be Right – Live in Moscow & Leningrad, Russia – July/August 1987
21. Uptown Girl – Live in Moscow & Leningrad, Russia – July/August 1987
22. Big Shot – Live in Moscow & Leningrad, Russia – July/August 1987
23. Back in the U.S.S.R. – Live in Moscow & Leningrad, Russia – July/August 1987
24. The Times They Are A-Changin’ – Live in Moscow & Leningrad, Russia – July/August 1987
25. She Loves You – Rehearsal Performance in Moscow & Leningrad, Russia – July/August 1987
26. New York State of Mind – Rehearsal Performance in Moscow & Leningrad, Russia – July/August 1987
27. Piano Man – Rehearsal Performance in Moscow & Leningrad, Russia – July/August 1987
Upcoming Events for Billy Joel
Billy Joel & Rod Stewart
Price Range: $80.5 – 369.5
Date: 2024-09-13
Location: Cleveland Browns Stadium
Billy Joel & Sting
Price Range: $51.5 – 371.5
Date: 2024-11-09
Location: Allegiant Stadium
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