Meaning and Lyrics of Oblivion by Phish
Song Lyrics meaning of Oblivion by Phish
About Phish
Phish: A Brief Biography
Emerging from the vibrant music scene of the late 1980s, Phish was formed in 1983 at the University of Vermont, where the band’s founding members – Trey Anastasio (guitar, vocals), Mike Gordon (bass, vocals), Jon Fishman (drums, vocals), and Page McConnell (keyboards, vocals) – began crafting their unique blend of rock, jazz, bluegrass, and funk. This atmospheric amalgamation was underpinned by their virtuosic musicianship and improvisational prowess, elevating them to the pantheon of jam bands alongside contemporaries like the Grateful Dead and the Allman Brothers Band.
The band’s trajectory took them from college gigs to sold-out shows across the country, with their extensive live performances earning them a rabid fanbase known as “Phishheads.” Phish’s ability to create dynamic, expanding soundscapes and to completely reinvent their songs during live sets is a hallmark of their artistry. Their discography is extensive and includes notable albums such as A Picture of Nectar (1992), Rift (1993), and Farmhouse (2000), showcasing an evolution from more straightforward compositions to increasingly intricate arrangements that challenge listeners.
One standout track, “Oblivion,” from their 2009 album Joy, exemplifies Phish’s knack for marrying lyrical depth with musical complexity. The song features contemplative lyrics and a soaring melody, anchored by intricate guitar work from Anastasio and McConnell’s lush keyboard harmonies. “Oblivion” resonates with themes of existential reflection, embodying the band’s characteristic blend of lightness and gravity. This juxtaposition has become a defining feature of Phish’s work, as they boldly traverse the realms of joyful celebration and poignant introspection. With their timeless appeal and relentless dedication to musical exploration, Phish continues to significantly influence the jam band scene and beyond, proving that their legacy is as expansive as their improvisational jams.
Emerging from the vibrant music scene of the late 1980s, Phish was formed in 1983 at the University of Vermont, where the band’s founding members – Trey Anastasio (guitar, vocals), Mike Gordon (bass, vocals), Jon Fishman (drums, vocals), and Page McConnell (keyboards, vocals) – began crafting their unique blend of rock, jazz, bluegrass, and funk. This atmospheric amalgamation was underpinned by their virtuosic musicianship and improvisational prowess, elevating them to the pantheon of jam bands alongside contemporaries like the Grateful Dead and the Allman Brothers Band.
The band’s trajectory took them from college gigs to sold-out shows across the country, with their extensive live performances earning them a rabid fanbase known as “Phishheads.” Phish’s ability to create dynamic, expanding soundscapes and to completely reinvent their songs during live sets is a hallmark of their artistry. Their discography is extensive and includes notable albums such as A Picture of Nectar (1992), Rift (1993), and Farmhouse (2000), showcasing an evolution from more straightforward compositions to increasingly intricate arrangements that challenge listeners.
One standout track, “Oblivion,” from their 2009 album Joy, exemplifies Phish’s knack for marrying lyrical depth with musical complexity. The song features contemplative lyrics and a soaring melody, anchored by intricate guitar work from Anastasio and McConnell’s lush keyboard harmonies. “Oblivion” resonates with themes of existential reflection, embodying the band’s characteristic blend of lightness and gravity. This juxtaposition has become a defining feature of Phish’s work, as they boldly traverse the realms of joyful celebration and poignant introspection. With their timeless appeal and relentless dedication to musical exploration, Phish continues to significantly influence the jam band scene and beyond, proving that their legacy is as expansive as their improvisational jams.
Meaning of Oblivion by Phish
Phish’s “Oblivion,” penned by the band’s guitarist and main songwriter *Trey Anastasio*, dives into a rich tapestry of existential themes that resonate deeply within the band’s broader oeuvre. This track combines his characteristic lyrical introspection with intricate musicality, creating a compelling auditory experience that ignites both cerebral contemplation and visceral emotion.
Verse 1 opens with a sense of tranquility mixed with resignation, encapsulated in the imagery of “folding hands” and the absence of “stones to weigh upon my chest.” Here, Anastasio paints a poignant picture of surrender — a letting go of burdens, symbolized by the relinquishing of physical and emotional weight. The claim that “cold” will allow him to “sleep more soundly” reflects a paradoxical form of comfort in acceptance, a recurrent motif in Phish’s exploration of life’s complexities. It’s almost as if he’s saying that facing oblivion, or perhaps death, can lead to a kind of peace.
Moving into the Chorus 1, the contemplative journey deepens. The lines about “no stranger sunset” communicate a familiarity with transient beauty and endings, while the phrases “float between” and “converges, spirals and surround” suggest a liminal state — a feeling of being caught between worlds. This evokes the psychedelic experience, a frequent backdrop in Phish’s narrative universe. The idea of sinking “further underground” grimly hints at a descent into darker realms of the psyche, illuminating themes of mortality and the unknown.
Verse 2 transitions into a more visceral landscape. Anastasio’s metaphor of “crash through shale and splash in oil” adds a tactile layer, creating an almost sensory experience. The imagery of crashing through layers of earth symbolizes both a struggle and a discovery of what lies beneath the surface. Surpassing these layers signifies a relentless pursuit for truth or self-awareness, suggesting that our deepest revelations often come from scraping against life’s harsher realities. The casual “woo-hoo” amidst this ordeal is a remarkable juxtaposition, suggesting that even in darkness, there can be elation — a signature of Phish’s ethos.
In Chorus 2, there’s a palpable shift; the “kingdom bathed in ink” conjures images of both the unknown and the unfathomable. The “onyx gates” signal a passage into the abyss — a place filled with both trepidation and allure. The phrase “I sense the reaper as I sink” speaks directly to the spectral presence of death that hovers throughout the piece. This acknowledgment of mortality is not merely morbid; it’s a recognition of life’s ephemeral beauty that underscores the journey toward oblivion, turning towards acceptance rather than fear.
The refrain—a repeated declaration of “I crash through shale and splash in oil”—functions almost like a mantra. Its insistence builds momentum, echoing the cyclical nature of life and the unavoidable truths that we must confront. The instrumental breaks surrounding these refrains serve as a sonic representation of the chaos and complexity of existence, with Phish’s trademark jam sections weaving seamlessly into the narrative. These interludes feel both liberating and confounding, embodying the simultaneous exhilaration and trepidation one feels when grappling with life’s weighty themes.
As the song progresses, the repetition of the refrain—as if it is both a cry for understanding and a surrender to the inevitable—enhances its impact. The repetitious “oblivion awaits” rings like a mantra of acceptance, drawing listeners deeper into the existential contemplations the lyrics evoke. It’s both a foreboding and a release, celebrating the inevitability of oblivion while granting space for the beauty of existence in the present moment.
In sum, “Oblivion” serves not just as a lyrical exploration of death and consciousness; it manifests the very essence of what makes Phish great—two dynamic forces intertwined, where whimsical joy dances with profound sorrow. The experience is quintessential Phish: a journey marked by transitions, improvisational spirals, and a deep-rooted connection to life’s most challenging questions. Each listen peels back layers, revealing more nuances that resonate with our personal experiences, making it a timeless addition to their expansive catalog. Ultimately, “Oblivion” invites us to celebrate the ride while acknowledging the dark undercurrents that both shape and enrich our existence.
Verse 1 opens with a sense of tranquility mixed with resignation, encapsulated in the imagery of “folding hands” and the absence of “stones to weigh upon my chest.” Here, Anastasio paints a poignant picture of surrender — a letting go of burdens, symbolized by the relinquishing of physical and emotional weight. The claim that “cold” will allow him to “sleep more soundly” reflects a paradoxical form of comfort in acceptance, a recurrent motif in Phish’s exploration of life’s complexities. It’s almost as if he’s saying that facing oblivion, or perhaps death, can lead to a kind of peace.
Moving into the Chorus 1, the contemplative journey deepens. The lines about “no stranger sunset” communicate a familiarity with transient beauty and endings, while the phrases “float between” and “converges, spirals and surround” suggest a liminal state — a feeling of being caught between worlds. This evokes the psychedelic experience, a frequent backdrop in Phish’s narrative universe. The idea of sinking “further underground” grimly hints at a descent into darker realms of the psyche, illuminating themes of mortality and the unknown.
Verse 2 transitions into a more visceral landscape. Anastasio’s metaphor of “crash through shale and splash in oil” adds a tactile layer, creating an almost sensory experience. The imagery of crashing through layers of earth symbolizes both a struggle and a discovery of what lies beneath the surface. Surpassing these layers signifies a relentless pursuit for truth or self-awareness, suggesting that our deepest revelations often come from scraping against life’s harsher realities. The casual “woo-hoo” amidst this ordeal is a remarkable juxtaposition, suggesting that even in darkness, there can be elation — a signature of Phish’s ethos.
In Chorus 2, there’s a palpable shift; the “kingdom bathed in ink” conjures images of both the unknown and the unfathomable. The “onyx gates” signal a passage into the abyss — a place filled with both trepidation and allure. The phrase “I sense the reaper as I sink” speaks directly to the spectral presence of death that hovers throughout the piece. This acknowledgment of mortality is not merely morbid; it’s a recognition of life’s ephemeral beauty that underscores the journey toward oblivion, turning towards acceptance rather than fear.
The refrain—a repeated declaration of “I crash through shale and splash in oil”—functions almost like a mantra. Its insistence builds momentum, echoing the cyclical nature of life and the unavoidable truths that we must confront. The instrumental breaks surrounding these refrains serve as a sonic representation of the chaos and complexity of existence, with Phish’s trademark jam sections weaving seamlessly into the narrative. These interludes feel both liberating and confounding, embodying the simultaneous exhilaration and trepidation one feels when grappling with life’s weighty themes.
As the song progresses, the repetition of the refrain—as if it is both a cry for understanding and a surrender to the inevitable—enhances its impact. The repetitious “oblivion awaits” rings like a mantra of acceptance, drawing listeners deeper into the existential contemplations the lyrics evoke. It’s both a foreboding and a release, celebrating the inevitability of oblivion while granting space for the beauty of existence in the present moment.
In sum, “Oblivion” serves not just as a lyrical exploration of death and consciousness; it manifests the very essence of what makes Phish great—two dynamic forces intertwined, where whimsical joy dances with profound sorrow. The experience is quintessential Phish: a journey marked by transitions, improvisational spirals, and a deep-rooted connection to life’s most challenging questions. Each listen peels back layers, revealing more nuances that resonate with our personal experiences, making it a timeless addition to their expansive catalog. Ultimately, “Oblivion” invites us to celebrate the ride while acknowledging the dark undercurrents that both shape and enrich our existence.
Lyrics of Oblivion by Phish
Verse 1: Trey Anastasio
I fold my hands across my breast
No stones to weigh upon my chest
No fist to clench, no furrowed brow
Though cold, I'll sleep more soundly now
Chorus 1: Trey Anastasio
No stranger sunset have I seen
The wavy lines, I float between
Converges, spirals and surround
And draw me further underground
Verse 2: Trey Anastasio
Between the layers in the soil
I crash through shale and splash in oil
My relentlessness is finally quit, woo-hoo, ooh
And I am warming up a bit
Chorus 2: Trey Anastasio
Below a kingdom bathed in ink, now opening the onyx gates
I sense the reaper as I sink, within, oblivion awaits
Refrain: Trey Anastasio, Mike Gordon, Page McConnell, Jon Fishman
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
Instrumental Break
Refrain: Trey Anastasio, Mike Gordon, Page McConnell, Jon Fishman
I crash through shale and splash in oil (Oblivion awaits)
I crash through shalе and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash (Oblivion awaits) through the shalе (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
I crash (Oblivion awaits) through the shale (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
In the oil
Instrumental Break
Refrain: Trey Anastasio, Mike Gordon, Page McConnell, Jon Fishman
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash (Oblivion awaits) through the shale (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
I crash (Oblivion awaits) through the shale (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
In the oil
I fold my hands across my breast
No stones to weigh upon my chest
No fist to clench, no furrowed brow
Though cold, I'll sleep more soundly now
Chorus 1: Trey Anastasio
No stranger sunset have I seen
The wavy lines, I float between
Converges, spirals and surround
And draw me further underground
Verse 2: Trey Anastasio
Between the layers in the soil
I crash through shale and splash in oil
My relentlessness is finally quit, woo-hoo, ooh
And I am warming up a bit
Chorus 2: Trey Anastasio
Below a kingdom bathed in ink, now opening the onyx gates
I sense the reaper as I sink, within, oblivion awaits
Refrain: Trey Anastasio, Mike Gordon, Page McConnell, Jon Fishman
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
Instrumental Break
Refrain: Trey Anastasio, Mike Gordon, Page McConnell, Jon Fishman
I crash through shale and splash in oil (Oblivion awaits)
I crash through shalе and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash (Oblivion awaits) through the shalе (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
I crash (Oblivion awaits) through the shale (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
In the oil
Instrumental Break
Refrain: Trey Anastasio, Mike Gordon, Page McConnell, Jon Fishman
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash through shale and splash in oil (Oblivion awaits)
I crash (Oblivion awaits) through the shale (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
I crash (Oblivion awaits) through the shale (Oblivion awaits)
And splash (Oblivion awaits) in the oil (Oblivion awaits)
In the oil
Discography Phish
Evolve
Release: 2024-07-12
Label: Jemp Records
Popularity: 👏
1. Hey Stranger
2. Oblivion
3. Evolve
4. Wave of Hope
5. Pillow Jets
6. Lonely Trip
7. Life Saving Gun
8. Monsters
9. Ether Edge
10. Human Nature
11. Valdese
12. Mercy
Tracklist
Collapse
2. Oblivion
3. Evolve
4. Wave of Hope
5. Pillow Jets
6. Lonely Trip
7. Life Saving Gun
8. Monsters
9. Ether Edge
10. Human Nature
11. Valdese
12. Mercy
The Gorge '98
Release: 2023-01-27
Label: Jemp Records
Popularity: 👏
1. The Squirming Coil – Live
2. NICU – Live
3. Stash – Live
4. Reba – Live
5. Fast Enough For You – Live
6. When The Circus Comes – Live
7. Run Like An Antelope – Live
8. Julius – Live
9. The Moma Dance – Live
10. Piper – Live
11. Axilla (Part II) – Live
12. David Bowie – Live
13. Tube – Live
14. Slave To The Traffic Light – Live
15. Sample In A Jar – Live
16. Gorge ’98 Soundcheck Jam – Live
17. Dog Log – Live
18. Makisupa Policeman – Live
19. Ya Mar – Live
20. Gumbo – Live
21. Divided Sky – Live
22. Waste – Live
23. My Mind’s Got A Mind Of Its Own – Live
24. My Soul – Live
25. 2001 – Live
26. Mike’s Song – Live
27. Weekapaug Groove – Live
28. Character Zero – Live
29. Punch You In The Eye – Live
30. Rocky Top – Live
Tracklist
Collapse
2. NICU – Live
3. Stash – Live
4. Reba – Live
5. Fast Enough For You – Live
6. When The Circus Comes – Live
7. Run Like An Antelope – Live
8. Julius – Live
9. The Moma Dance – Live
10. Piper – Live
11. Axilla (Part II) – Live
12. David Bowie – Live
13. Tube – Live
14. Slave To The Traffic Light – Live
15. Sample In A Jar – Live
16. Gorge ’98 Soundcheck Jam – Live
17. Dog Log – Live
18. Makisupa Policeman – Live
19. Ya Mar – Live
20. Gumbo – Live
21. Divided Sky – Live
22. Waste – Live
23. My Mind’s Got A Mind Of Its Own – Live
24. My Soul – Live
25. 2001 – Live
26. Mike’s Song – Live
27. Weekapaug Groove – Live
28. Character Zero – Live
29. Punch You In The Eye – Live
30. Rocky Top – Live
The Clifford Ball (Live, August 16 & 17, 1996)
Release: 2022-03-04
Label: JEMP Records
Popularity: 👏
1. Chalk Dust Torture – Live at The Clifford Ball, August 16, 1996
2. Bathtub Gin – Live at The Clifford Ball, August 16, 1996
3. Ya Mar – Live at The Clifford Ball, August 16, 1996
4. AC/DC Bag – Live at The Clifford Ball, August 16, 1996
5. Esther – Live at The Clifford Ball, August 16, 1996
6. Divided Sky – Live at The Clifford Ball, August 16, 1996
7. Halley’s Comet – Live at The Clifford Ball, August 16, 1996
8. David Bowie – Live at The Clifford Ball, August 16, 1996
9. Split Open And Melt – Live at The Clifford Ball, August 16, 1996
10. Sparkle – Live at The Clifford Ball, August 16, 1996
11. Free – Live at The Clifford Ball, August 16, 1996
12. The Squirming Coil – Live at The Clifford Ball, August 16, 1996
13. Waste – Live at The Clifford Ball, August 16, 1996
14. Talk – Live at The Clifford Ball, August 16, 1996
15. Train Song – Live at The Clifford Ball, August 16, 1996
16. Strange Design – Live at The Clifford Ball, August 16, 1996
17. Hello My Baby – Live at The Clifford Ball, August 16, 1996
18. Mike’s Song – Live at The Clifford Ball, August 16, 1996
19. Simple – Live at The Clifford Ball, August 16, 1996
20. Contact – Live at The Clifford Ball, August 16, 1996
21. Weekapaug Groove – Live at The Clifford Ball, August 16, 1996
22. Makisupa Policeman – Live at The Clifford Ball, August 16, 1996
23. 2001 – Live at The Clifford Ball, August 16, 1996
24. Down With Disease – Live at The Clifford Ball, August 16, 1996
25. NICU – Live at The Clifford Ball, August 16, 1996
26. Life On Mars? – Live at The Clifford Ball, August 16, 1996
27. Harry Hood – Live at The Clifford Ball, August 16, 1996
28. Amazing Grace – Live at The Clifford Ball, August 16, 1996
29. The Old Home Place – Live at The Clifford Ball, August 17, 1996
30. Punch You In The Eye – Live at The Clifford Ball, August 17, 1996
31. Reba – Live at The Clifford Ball, August 17, 1996
32. Cars Trucks Buses – Live at The Clifford Ball, August 17, 1996
33. The Lizards – Live at The Clifford Ball, August 17, 1996
34. Sample In A Jar – Live at The Clifford Ball, August 17, 1996
35. Taste – Live at The Clifford Ball, August 17, 1996
36. Fee – Live at The Clifford Ball, August 17, 1996
37. Maze – Live at The Clifford Ball, August 17, 1996
38. Suzy Greenberg – Live at The Clifford Ball, August 17, 1996
39. The Curtain – Live at The Clifford Ball, August 17, 1996
40. Runaway Jim – Live at The Clifford Ball, August 17, 1996
41. It’s Ice – Live at The Clifford Ball, August 17, 1996
42. Brother – Live at The Clifford Ball, August 17, 1996
43. Fluffhead – Live at The Clifford Ball, August 17, 1996
44. Run Like An Antelope – Live at The Clifford Ball, August 17, 1996
45. Golgi Apparatus – Live at The Clifford Ball, August 17, 1996
46. Slave To The Traffic Light – Live at The Clifford Ball, August 17, 1996
47. Wilson – Live at The Clifford Ball, August 17, 1996
48. Frankenstein – Live at The Clifford Ball, August 17, 1996
49. Scent Of A Mule – Live at The Clifford Ball, August 17, 1996
50. Tweezer – Live at The Clifford Ball, August 17, 1996
Tracklist
Collapse
2. Bathtub Gin – Live at The Clifford Ball, August 16, 1996
3. Ya Mar – Live at The Clifford Ball, August 16, 1996
4. AC/DC Bag – Live at The Clifford Ball, August 16, 1996
5. Esther – Live at The Clifford Ball, August 16, 1996
6. Divided Sky – Live at The Clifford Ball, August 16, 1996
7. Halley’s Comet – Live at The Clifford Ball, August 16, 1996
8. David Bowie – Live at The Clifford Ball, August 16, 1996
9. Split Open And Melt – Live at The Clifford Ball, August 16, 1996
10. Sparkle – Live at The Clifford Ball, August 16, 1996
11. Free – Live at The Clifford Ball, August 16, 1996
12. The Squirming Coil – Live at The Clifford Ball, August 16, 1996
13. Waste – Live at The Clifford Ball, August 16, 1996
14. Talk – Live at The Clifford Ball, August 16, 1996
15. Train Song – Live at The Clifford Ball, August 16, 1996
16. Strange Design – Live at The Clifford Ball, August 16, 1996
17. Hello My Baby – Live at The Clifford Ball, August 16, 1996
18. Mike’s Song – Live at The Clifford Ball, August 16, 1996
19. Simple – Live at The Clifford Ball, August 16, 1996
20. Contact – Live at The Clifford Ball, August 16, 1996
21. Weekapaug Groove – Live at The Clifford Ball, August 16, 1996
22. Makisupa Policeman – Live at The Clifford Ball, August 16, 1996
23. 2001 – Live at The Clifford Ball, August 16, 1996
24. Down With Disease – Live at The Clifford Ball, August 16, 1996
25. NICU – Live at The Clifford Ball, August 16, 1996
26. Life On Mars? – Live at The Clifford Ball, August 16, 1996
27. Harry Hood – Live at The Clifford Ball, August 16, 1996
28. Amazing Grace – Live at The Clifford Ball, August 16, 1996
29. The Old Home Place – Live at The Clifford Ball, August 17, 1996
30. Punch You In The Eye – Live at The Clifford Ball, August 17, 1996
31. Reba – Live at The Clifford Ball, August 17, 1996
32. Cars Trucks Buses – Live at The Clifford Ball, August 17, 1996
33. The Lizards – Live at The Clifford Ball, August 17, 1996
34. Sample In A Jar – Live at The Clifford Ball, August 17, 1996
35. Taste – Live at The Clifford Ball, August 17, 1996
36. Fee – Live at The Clifford Ball, August 17, 1996
37. Maze – Live at The Clifford Ball, August 17, 1996
38. Suzy Greenberg – Live at The Clifford Ball, August 17, 1996
39. The Curtain – Live at The Clifford Ball, August 17, 1996
40. Runaway Jim – Live at The Clifford Ball, August 17, 1996
41. It’s Ice – Live at The Clifford Ball, August 17, 1996
42. Brother – Live at The Clifford Ball, August 17, 1996
43. Fluffhead – Live at The Clifford Ball, August 17, 1996
44. Run Like An Antelope – Live at The Clifford Ball, August 17, 1996
45. Golgi Apparatus – Live at The Clifford Ball, August 17, 1996
46. Slave To The Traffic Light – Live at The Clifford Ball, August 17, 1996
47. Wilson – Live at The Clifford Ball, August 17, 1996
48. Frankenstein – Live at The Clifford Ball, August 17, 1996
49. Scent Of A Mule – Live at The Clifford Ball, August 17, 1996
50. Tweezer – Live at The Clifford Ball, August 17, 1996
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