Meaning and Lyrics of Natanael Cano: Bzrp Music Sessions, Vol. 59 by Bizarrap
Song Lyrics meaning of Natanael Cano: Bzrp Music Sessions, Vol. 59 by Bizarrap
About Bizarrap
Bizarrap is an Argentine music producer known for his popular freestyle rap series called “Bzrp Music Sessions.” He has gained recognition for his unique production style and collaborations with various Latin American artists. Bizarrap’s sessions have become a platform for emerging and established musicians to showcase their talent and creativity. With his innovative approach to music production, Bizarrap has solidified his reputation as a prominent figure in the Latin American music scene.
One example of Bizarrap’s work is the collaboration with Mexican singer Natanael Cano in Bzrp Music Sessions, Vol. 59. In this session, the two artists come together to create a unique blend of rap and traditional Latin music, showcasing both their individual skills and musical chemistry.
Meaning of Natanael Cano: Bzrp Music Sessions, Vol. 59 by Bizarrap
The song “Natanael Cano: Bzrp Music Sessions, Vol. 59” by Bizarrap featuring Natanael Cano paints a vivid picture of a lifestyle marked by opulence, rebellion, and resilience. The lyrics delve into themes of materialism, success, and defiance against adversity.
In the Intro, the artist acknowledges Bizarrap as the producer, setting the stage for the collaboration. There is a sense of confidence and anticipation evident in the brief intro.
The Chorus highlights the protagonist’s elevated status, as he describes being bedazzled and always high, while onlookers observe him in a laid-back state. The lyrics touch on betrayal and the reality of having spent more money than what has been earned. It conveys a sense of having overcome challenges to reach a position of success, symbolized by the mention of “Jesucristo en el pecho,” possibly implying a sense of power and invincibility.
In Verse 1, Natanael Cano expresses a penchant for expensive things, drawing a parallel to the lifestyle of Rafa Caro. The imagery of partying in a car, listening to corridos and toasting with dry rosé, sets a scene of extravagance. The lyrics suggest a carefree attitude, heavily tattooed akin to Lil Wayne, and a comparison to Frank Sinatra’s flow, underlining a sense of individuality and style. The mention of government scrutiny and readiness to escape on a jet hints at a life filled with risks and confrontation.
The Interlude features a dialogue that adds an element of confrontation and defiance, exemplifying a rough and tough persona. The language is assertive and confrontational, emphasizing a sense of bravado and readiness to face challenges head-on.
In the Verse 2, there are references to being well-prepared and equipped, moving packages in a Suburban vehicle while customizing firearms. The lyrics imply a shift in power dynamics and the artist’s ability to control situations by silencing opposition and outmaneuvering rivals. The mention of international travel and familiarity with luxurious destinations adds a layer of sophistication and worldliness to the narrative.
The Puente reflects on the artist’s early achievements, like acquiring a Cayenne at sixteen, juxtaposed with the risks and enemies that come with his chosen path. It hints at a life marked by early success but also fraught with challenges and threats.
The repetition of the Chorus reinforces the themes of extravagance, resilience, and the artist’s remarkable journey. The “endiamantado” motif reiterates the idea of being bedazzled and unapologetically flaunting success.
The Outro revisits the concept of being bedazzled and transcending obstacles, with a resolution to face challenges head-on and continue living boldly. The lyrics underscore a sense of lived experiences, asserting that the artist’s story is genuine and not merely a narrative told by others.
Overall, the song delves into the complexities of fame, wealth, and the struggles that accompany success, portraying a narrative of triumph in the face of adversity and a flamboyant lifestyle characterized by defiance and self-assurance.
In the Intro, the artist acknowledges Bizarrap as the producer, setting the stage for the collaboration. There is a sense of confidence and anticipation evident in the brief intro.
The Chorus highlights the protagonist’s elevated status, as he describes being bedazzled and always high, while onlookers observe him in a laid-back state. The lyrics touch on betrayal and the reality of having spent more money than what has been earned. It conveys a sense of having overcome challenges to reach a position of success, symbolized by the mention of “Jesucristo en el pecho,” possibly implying a sense of power and invincibility.
In Verse 1, Natanael Cano expresses a penchant for expensive things, drawing a parallel to the lifestyle of Rafa Caro. The imagery of partying in a car, listening to corridos and toasting with dry rosé, sets a scene of extravagance. The lyrics suggest a carefree attitude, heavily tattooed akin to Lil Wayne, and a comparison to Frank Sinatra’s flow, underlining a sense of individuality and style. The mention of government scrutiny and readiness to escape on a jet hints at a life filled with risks and confrontation.
The Interlude features a dialogue that adds an element of confrontation and defiance, exemplifying a rough and tough persona. The language is assertive and confrontational, emphasizing a sense of bravado and readiness to face challenges head-on.
In the Verse 2, there are references to being well-prepared and equipped, moving packages in a Suburban vehicle while customizing firearms. The lyrics imply a shift in power dynamics and the artist’s ability to control situations by silencing opposition and outmaneuvering rivals. The mention of international travel and familiarity with luxurious destinations adds a layer of sophistication and worldliness to the narrative.
The Puente reflects on the artist’s early achievements, like acquiring a Cayenne at sixteen, juxtaposed with the risks and enemies that come with his chosen path. It hints at a life marked by early success but also fraught with challenges and threats.
The repetition of the Chorus reinforces the themes of extravagance, resilience, and the artist’s remarkable journey. The “endiamantado” motif reiterates the idea of being bedazzled and unapologetically flaunting success.
The Outro revisits the concept of being bedazzled and transcending obstacles, with a resolution to face challenges head-on and continue living boldly. The lyrics underscore a sense of lived experiences, asserting that the artist’s story is genuine and not merely a narrative told by others.
Overall, the song delves into the complexities of fame, wealth, and the struggles that accompany success, portraying a narrative of triumph in the face of adversity and a flamboyant lifestyle characterized by defiance and self-assurance.
Lyrics of Natanael Cano: Bzrp Music Sessions, Vol. 59 by Bizarrap
Letra de "Natanael Cano: Bzrp Music Sessions, Vol. 59"
Intro
Ah, dímelo, Biza
Bizarrap
Brr, ey
Coro
Endiamantado, siempre volado, ahora me miran que ando bien tumbado
Muchos me han fallado, pero ya he gastado mucho más dinero de lo ganado
Ahora que saben que estamos arriba piensan que uno no ha batallado
El Jesucristo en el pecho; innecesario, pero lo traigo endiamantado, ey
Verso 1
Me gusta lo caro, ey (Ey), como Rafa Caro, ey (Ey)
La party en el carro tronando corridos, brindando con dry rosé
Ahora me miran tumbado, siempre bien volado, como debe ser
Es un vergazo de feria, ando todo tatuado como Little Wayne
Ando bien flow Frank Sinatra, en la 9 de Julio me siento Gardel
Me anda buscando el gobierno, si hubiera un problema me pelo en el jet
Interludio: El Chachito
Ey, Nata, pélate a la verga, pa
Cayeron las tres letras, güey
Aquí le damos topón nosotros, a la verga
Jálese, viejo
Pélese a la verga, ¡ah!
Coro
Endiamantado, siempre volado, ahora me miran que ando bien tumbado
Muchos me han fallado, pero ya he gastado mucho más dinero de lo ganado
Ahora que saben que estamos arriba piensan que uno no ha batallado
El Jesucristo en el pecho; innecesario, pero lo traigo endiamantado
Verso 2
Bien empolvados, encapuchados, en la Suburban los paquetes cargo
Traigo el AR-15 bien customizado (Y el logotipo "CT" bien grabado)
El juego cambié, el hocico les tapé, a más de uno los dejamos a pie
El Viejo Continente lo conozco bien, llego a Barcelona y voy al W
Ya no pregunto cuánto es lo que cuesta
Nomás que me lo agreguen a la cuenta
Viviendo recio, conozco la vuelta
Yo lo he vivido, a mí nadie me cuenta
Puente
Me compré mi primer Cayenne y fue a los dieciséis
Andando en lo que ando, enemigos me busqué
Coro
Endiamantado, siempre volado, ahora me miran que ando bien tumbado
Muchos me han fallado, pero ya he gastado mucho más dinero de lo ganado
Ahora que saben que estamos arriba piensan que uno no ha batallado
El Jesucristo en el pecho; innecesario, pero lo traigo endiamantado
Outro
Endiamantado, siempre volado
Ahora me miran que ando bien tumba-a-a-a-a-a-a—
Ya no pregunto cuánto es lo que cuesta
Nomás que me lo agreguen a la cuenta
Viviendo recio, conozco la vuelta
Yo la he vivido, a mí nadie me cuenta
Intro
Ah, dímelo, Biza
Bizarrap
Brr, ey
Coro
Endiamantado, siempre volado, ahora me miran que ando bien tumbado
Muchos me han fallado, pero ya he gastado mucho más dinero de lo ganado
Ahora que saben que estamos arriba piensan que uno no ha batallado
El Jesucristo en el pecho; innecesario, pero lo traigo endiamantado, ey
Verso 1
Me gusta lo caro, ey (Ey), como Rafa Caro, ey (Ey)
La party en el carro tronando corridos, brindando con dry rosé
Ahora me miran tumbado, siempre bien volado, como debe ser
Es un vergazo de feria, ando todo tatuado como Little Wayne
Ando bien flow Frank Sinatra, en la 9 de Julio me siento Gardel
Me anda buscando el gobierno, si hubiera un problema me pelo en el jet
Interludio: El Chachito
Ey, Nata, pélate a la verga, pa
Cayeron las tres letras, güey
Aquí le damos topón nosotros, a la verga
Jálese, viejo
Pélese a la verga, ¡ah!
Coro
Endiamantado, siempre volado, ahora me miran que ando bien tumbado
Muchos me han fallado, pero ya he gastado mucho más dinero de lo ganado
Ahora que saben que estamos arriba piensan que uno no ha batallado
El Jesucristo en el pecho; innecesario, pero lo traigo endiamantado
Verso 2
Bien empolvados, encapuchados, en la Suburban los paquetes cargo
Traigo el AR-15 bien customizado (Y el logotipo "CT" bien grabado)
El juego cambié, el hocico les tapé, a más de uno los dejamos a pie
El Viejo Continente lo conozco bien, llego a Barcelona y voy al W
Ya no pregunto cuánto es lo que cuesta
Nomás que me lo agreguen a la cuenta
Viviendo recio, conozco la vuelta
Yo lo he vivido, a mí nadie me cuenta
Puente
Me compré mi primer Cayenne y fue a los dieciséis
Andando en lo que ando, enemigos me busqué
Coro
Endiamantado, siempre volado, ahora me miran que ando bien tumbado
Muchos me han fallado, pero ya he gastado mucho más dinero de lo ganado
Ahora que saben que estamos arriba piensan que uno no ha batallado
El Jesucristo en el pecho; innecesario, pero lo traigo endiamantado
Outro
Endiamantado, siempre volado
Ahora me miran que ando bien tumba-a-a-a-a-a-a—
Ya no pregunto cuánto es lo que cuesta
Nomás que me lo agreguen a la cuenta
Viviendo recio, conozco la vuelta
Yo la he vivido, a mí nadie me cuenta
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