Meaning and Lyrics of Meuda by Tiakola
Song Lyrics meaning of Meuda by Tiakola
About Tiakola
Tiakola: A Rising Star in the French Rap Scene
Emerging from the vibrant streets of Seine-et-Marne, Tiakola has quickly carved his niche in the French rap landscape. Born on September 24, 2000, under the name Wassim Tiakola, he began his musical journey by experimenting with sounds that blend trap, Afrobeat, and traditional rap elements. His distinct delivery and lyrical finesse set him apart in an increasingly crowded scene.
Tiakola first gained widespread attention as part of the collective 3.5.7, which includes fellow artists like Gazo and Kodes. This collective has propelled each member’s careers while creating a new wave of French rap that emphasizes both melody and raw emotion. The synergy found in collaboration has been pivotal for Tiakola, allowing him to hone his craft and reach new audiences.
His breakthrough moment came with the release of the single “Meuda”; this track encapsulates his signature style: catchy hooks, infectious beats, and introspective lyrics that delve into personal and social themes.
The song showcases his deft ability to balance bravado with vulnerability, reflecting the dualities of contemporary youth culture in France. In 2022, Tiakola’s first solo project, “Mona,” further solidified his place in the French rap hierarchy. The album features a variety of producers and collaborators, each bringing in unique influences that enrich his sound. Tracks from this project have received significant airplay, but it’s the way Tiakola manages to convey authenticity through his verses that truly resonates with his listeners. His musical evolution demonstrates a keen awareness of the shifts in the industry, as he skillfully incorporates elements from various genres while remaining deeply rooted in his cultural identity. As Tiakola continues to rise, he is undoubtedly shaping the future of French rap—not just as an artist but as a voice reflecting the complexities of modern life. With an ever-growing fanbase and an impressive discography that promises to expand, Tiakola is one to watch. The fusion of his personal touch with the collective energy of the French rap scene signals an exciting trajectory for this young artist, making him a pivotal figure for years to come.
The song showcases his deft ability to balance bravado with vulnerability, reflecting the dualities of contemporary youth culture in France. In 2022, Tiakola’s first solo project, “Mona,” further solidified his place in the French rap hierarchy. The album features a variety of producers and collaborators, each bringing in unique influences that enrich his sound. Tracks from this project have received significant airplay, but it’s the way Tiakola manages to convey authenticity through his verses that truly resonates with his listeners. His musical evolution demonstrates a keen awareness of the shifts in the industry, as he skillfully incorporates elements from various genres while remaining deeply rooted in his cultural identity. As Tiakola continues to rise, he is undoubtedly shaping the future of French rap—not just as an artist but as a voice reflecting the complexities of modern life. With an ever-growing fanbase and an impressive discography that promises to expand, Tiakola is one to watch. The fusion of his personal touch with the collective energy of the French rap scene signals an exciting trajectory for this young artist, making him a pivotal figure for years to come.
Meaning of Meuda by Tiakola
Tiakola’s “Meuda” dives deep into the multifaceted layers of life in urban Paris, blending themes of resilience, street culture, and existential reflection. The track is a gripping exploration of the dichotomy between aspiration and the harsh realities that come with life in the concrete jungle, echoing the sentiments of many modern artists who depict the complexities of their environments.
Intro
The introduction sets a contemplative tone. Tiakola expresses a calm yet firm resolve to confront life’s challenges without resorting to violence — a powerful choice in a genre often criticized for glorifying aggression. Phrases like “On va les attendre” suggest a readiness, yet there’s an underlying wisdom in “pas faire couler l’sang”. It’s as though he acknowledges the cyclical nature of violence while hinting that patience and strategy might yield better results. The mention of God provides a grounding element, emphasizing faith and inspiration over idolization. The line “qu’un dernier message peut t’enlever la vie” serves as a haunting reminder of the digital age’s fragility, where words carry weight and consequences.
Chorus
The refrain elevates the track’s urgency, encapsulating the pulse of Parisian nightlife. “J’suis dans Paname” insists on location — the heartbeat of the city — while “y a pas d’distraction” underscores a life marked by intensity and focus. The recurring motif of “Meuda” (a slang term referencing specific Parisian locales) situates the narrative, with stark imagery of firearms and drug sales adding a raw edge. Tiakola’s candid admission of a “murder” call reflects the grim realities faced in his community; however, there’s an implicit assertion of autonomy with “besoin d’personne pour nous aider”. This self-reliance echoes sentiments echoed in contemporary rap, reminiscent of artists like Damso or Kaaris, who balance aggression with introspection.
Unique Verse
The single verse showcases Tiakola’s evolution from a product of his environment (“un enfant du bloc”) to a figure who navigates both fame and the harsh reality of street life. His reference to “Glock” not only solidifies the narrative of survival in a dangerous world, but also points to an awareness of the need for protection. The dichotomy of marking “des fois” in the streets while producing “plus de deux voix” in the studio hints at his duality — a rapper hustling for both respect and success. The line “Logique, j’peux pas vous décevoir” signifies not just personal ambition, but a commitment to his roots and those who look to him as a representation of hope.
Bridge
The bridge introduces a collaborative element with Ronisia, adding emotional depth as they acknowledge vulnerability amidst the chaos: “On vit, on dort la noche.” The mention of “pas l’temps pour les regrets” is a stirring commentary on the necessity of living in the moment, embodying the “carpe diem” ethos that pervades much of the urban experience. The merging of personal desires with the collective struggles of life in the banlieues (suburbs) provides a rich tapestry of emotive storytelling, reminiscent of tracks from artists like SCH or Ninho who explore similar thematic territory.
Outro
Closing with reaffirmations of both location and identity, Tiakola drives home the gravity of his world: “Ça vend la beuh d’Meuda, c’est l’heure des gérants.” The cyclical return to the realities of drug dealing and armed presence reinforces that despite success, the shadows of his beginnings remain ever-present. The overall composition — a blend of catchy hooks, gritty lyrics, and a pulsating beat — mirrors the urban landscape’s vibrancy and danger, creating a textured listening experience.
In essence, “Meuda” encapsulates Tiakola’s artistic evolution while offering a snapshot of life in urban Paris. It engages with themes of community, survival, and resilience in a way that transcends mere storytelling — becoming a poignant cultural commentary that resonates with both the street and the stage. The track’s fusion of street realism with melodic hooks ensures its place in the contemporary rap conversation, while Tiakola’s introspective lyricism cements him as a pivotal voice within the genre’s evolving narrative.
Intro
The introduction sets a contemplative tone. Tiakola expresses a calm yet firm resolve to confront life’s challenges without resorting to violence — a powerful choice in a genre often criticized for glorifying aggression. Phrases like “On va les attendre” suggest a readiness, yet there’s an underlying wisdom in “pas faire couler l’sang”. It’s as though he acknowledges the cyclical nature of violence while hinting that patience and strategy might yield better results. The mention of God provides a grounding element, emphasizing faith and inspiration over idolization. The line “qu’un dernier message peut t’enlever la vie” serves as a haunting reminder of the digital age’s fragility, where words carry weight and consequences.
Chorus
The refrain elevates the track’s urgency, encapsulating the pulse of Parisian nightlife. “J’suis dans Paname” insists on location — the heartbeat of the city — while “y a pas d’distraction” underscores a life marked by intensity and focus. The recurring motif of “Meuda” (a slang term referencing specific Parisian locales) situates the narrative, with stark imagery of firearms and drug sales adding a raw edge. Tiakola’s candid admission of a “murder” call reflects the grim realities faced in his community; however, there’s an implicit assertion of autonomy with “besoin d’personne pour nous aider”. This self-reliance echoes sentiments echoed in contemporary rap, reminiscent of artists like Damso or Kaaris, who balance aggression with introspection.
Unique Verse
The single verse showcases Tiakola’s evolution from a product of his environment (“un enfant du bloc”) to a figure who navigates both fame and the harsh reality of street life. His reference to “Glock” not only solidifies the narrative of survival in a dangerous world, but also points to an awareness of the need for protection. The dichotomy of marking “des fois” in the streets while producing “plus de deux voix” in the studio hints at his duality — a rapper hustling for both respect and success. The line “Logique, j’peux pas vous décevoir” signifies not just personal ambition, but a commitment to his roots and those who look to him as a representation of hope.
Bridge
The bridge introduces a collaborative element with Ronisia, adding emotional depth as they acknowledge vulnerability amidst the chaos: “On vit, on dort la noche.” The mention of “pas l’temps pour les regrets” is a stirring commentary on the necessity of living in the moment, embodying the “carpe diem” ethos that pervades much of the urban experience. The merging of personal desires with the collective struggles of life in the banlieues (suburbs) provides a rich tapestry of emotive storytelling, reminiscent of tracks from artists like SCH or Ninho who explore similar thematic territory.
Outro
Closing with reaffirmations of both location and identity, Tiakola drives home the gravity of his world: “Ça vend la beuh d’Meuda, c’est l’heure des gérants.” The cyclical return to the realities of drug dealing and armed presence reinforces that despite success, the shadows of his beginnings remain ever-present. The overall composition — a blend of catchy hooks, gritty lyrics, and a pulsating beat — mirrors the urban landscape’s vibrancy and danger, creating a textured listening experience.
In essence, “Meuda” encapsulates Tiakola’s artistic evolution while offering a snapshot of life in urban Paris. It engages with themes of community, survival, and resilience in a way that transcends mere storytelling — becoming a poignant cultural commentary that resonates with both the street and the stage. The track’s fusion of street realism with melodic hooks ensures its place in the contemporary rap conversation, while Tiakola’s introspective lyricism cements him as a pivotal voice within the genre’s evolving narrative.
Lyrics of Meuda by Tiakola
Paroles de "Meuda"
Intro
Ah-ah-ah
On va les attendre, pas faire couler l'sang
Attendre et faire doucement
On va les attendre sans menacer, oh
Le sable tombe, recommencer, c'est mort
Y a que Dieu qu'j'adore, un selfie et j'rigole
J'veux pas être ton idole mais ton inspiration
Mais sache-le, qu'un dernier message, qu'un dernier messagе peut t'enlevеr la vie (Eh)
Refrain
J'suis dans Paname (Gamberge), y a pas d'distraction (Nan, nan, nan)
Fais pas d'histoires, sors (Hey), ici à dix heures (right now)
Ça vend la beuh d'Meuda (Meuda), c'est l'heure des gérants
Y a des armes de poing (Poing) et des fusils d'assaut
Oh, ah (Oh, ah)
Ça pose des bangers vers Meuda, un coup d'fil pour faire un murder
Ils savent qu'on est prêt pour un murder (Pour un murder)
Oh, ah, besoin d'personne pour nous aider, besoin d'personne pour nous aider
C'est pas avec la force qu'on va céder (Qu'on va céder)
Couplet unique
On a quitté la table, ils ont fait des enquêtes, on a fait des jaloux (Oh, oh, oh, oh)
Laisse-moi me taper des barres quand j'entends qu'ils disent : "L'avenir est à nous" (Oh, oh, oh, oh)
On a vidé des sacs, ils ont vidé leurs poches, on a repris le Glock (Glocka, Glocka)
Avant d'être une re-sta, avant d'être La Mélo', j'suis un enfant du bloc (Du bloca, bloca)
Ici, on s'promène pas deux fois, écoute bien, on s'répète pas deux fois
Sur l'terrain, j'ai marqué des fois, au studio, je fais plus de deux voix
M'apprends rien, j'connais mes devoirs, j'ai tout vu avant de recevoir
Logique, j'peux pas vous décevoir, hey
Refrain : Tiakola
J'suis dans Paname (Dans Paname), y a pas d'distraction (youh)
Fais pas d'histoires, sors ici à dix heures
Ça vend la beuh d'Meuda (Meuda), c'est l'heure des gérants
Y a des armes de poing (Poing) et des fusils d'assaut
Oh, ah (Oh, ah)
Ça pose des bangers vers Meuda, un coup d'fil pour faire un murder
Ils savent qu'on est prêt pour un murder (Pour un murder)
Oh, ah, besoin d'personne pour nous aider, besoin d'personne pour nous aider
C'est pas avec la force qu'on va céder (Qu'on va céder)
Pont : Tiakola, Ronisia & ensemble
On vit, on dort la noche, parfois, on est dans l'mal mais y a que Dieu pour nous sauver (Pour nous sauver, pour nous sauver)
Pas l'temps pour les regrets, y a pas d'retour en arrière, le passé, c'est le passé
Elle est v'nue pour whine up, elle veut l'padre
Elle a posé son phone-tél', elle veut pas oublier
Plein de blèmes-pro, la tess, loin d'l'espace
Sur une planète, j'te ramène, là
Outro
J'suis dans Paname
It's now my flow, Oathmademedoit
Pas d'histoires, sors, ici à dix heures
Ça vend la beuh d'Meuda, c'est l'heure des gérants
Y a des armes de poing et des fusils d'assaut, oh, ah
Intro
Ah-ah-ah
On va les attendre, pas faire couler l'sang
Attendre et faire doucement
On va les attendre sans menacer, oh
Le sable tombe, recommencer, c'est mort
Y a que Dieu qu'j'adore, un selfie et j'rigole
J'veux pas être ton idole mais ton inspiration
Mais sache-le, qu'un dernier message, qu'un dernier messagе peut t'enlevеr la vie (Eh)
Refrain
J'suis dans Paname (Gamberge), y a pas d'distraction (Nan, nan, nan)
Fais pas d'histoires, sors (Hey), ici à dix heures (right now)
Ça vend la beuh d'Meuda (Meuda), c'est l'heure des gérants
Y a des armes de poing (Poing) et des fusils d'assaut
Oh, ah (Oh, ah)
Ça pose des bangers vers Meuda, un coup d'fil pour faire un murder
Ils savent qu'on est prêt pour un murder (Pour un murder)
Oh, ah, besoin d'personne pour nous aider, besoin d'personne pour nous aider
C'est pas avec la force qu'on va céder (Qu'on va céder)
Couplet unique
On a quitté la table, ils ont fait des enquêtes, on a fait des jaloux (Oh, oh, oh, oh)
Laisse-moi me taper des barres quand j'entends qu'ils disent : "L'avenir est à nous" (Oh, oh, oh, oh)
On a vidé des sacs, ils ont vidé leurs poches, on a repris le Glock (Glocka, Glocka)
Avant d'être une re-sta, avant d'être La Mélo', j'suis un enfant du bloc (Du bloca, bloca)
Ici, on s'promène pas deux fois, écoute bien, on s'répète pas deux fois
Sur l'terrain, j'ai marqué des fois, au studio, je fais plus de deux voix
M'apprends rien, j'connais mes devoirs, j'ai tout vu avant de recevoir
Logique, j'peux pas vous décevoir, hey
Refrain : Tiakola
J'suis dans Paname (Dans Paname), y a pas d'distraction (youh)
Fais pas d'histoires, sors ici à dix heures
Ça vend la beuh d'Meuda (Meuda), c'est l'heure des gérants
Y a des armes de poing (Poing) et des fusils d'assaut
Oh, ah (Oh, ah)
Ça pose des bangers vers Meuda, un coup d'fil pour faire un murder
Ils savent qu'on est prêt pour un murder (Pour un murder)
Oh, ah, besoin d'personne pour nous aider, besoin d'personne pour nous aider
C'est pas avec la force qu'on va céder (Qu'on va céder)
Pont : Tiakola, Ronisia & ensemble
On vit, on dort la noche, parfois, on est dans l'mal mais y a que Dieu pour nous sauver (Pour nous sauver, pour nous sauver)
Pas l'temps pour les regrets, y a pas d'retour en arrière, le passé, c'est le passé
Elle est v'nue pour whine up, elle veut l'padre
Elle a posé son phone-tél', elle veut pas oublier
Plein de blèmes-pro, la tess, loin d'l'espace
Sur une planète, j'te ramène, là
Outro
J'suis dans Paname
It's now my flow, Oathmademedoit
Pas d'histoires, sors, ici à dix heures
Ça vend la beuh d'Meuda, c'est l'heure des gérants
Y a des armes de poing et des fusils d'assaut, oh, ah
Discography Tiakola
LA MELO EST GANGX
Release: 2024-06-29
Label: BSB PROD
Popularity: 👏👏
1. 24/34
2. SOBAD
3. A.V.S.D
4. CARTIER
5. NOTRE DAME
6. INTERLUDE
7. AFRIKANBADMAN
8. 100K
9. 200K
10. AMBITIONS
11. MAMI WATA
12. OUTRO
13. NOTRE DAME (feat. Angèle)
Tracklist
Collapse
2. SOBAD
3. A.V.S.D
4. CARTIER
5. NOTRE DAME
6. INTERLUDE
7. AFRIKANBADMAN
8. 100K
9. 200K
10. AMBITIONS
11. MAMI WATA
12. OUTRO
13. NOTRE DAME (feat. Angèle)
Mélo
Release: 2022-05-27
Label: BSB PROD
Popularity: 👏👏👏👏
1. 1ntro’p
2. #TT
3. Arsenik
4. Parapluie
5. La clé
6. Mode AV (feat. Niska & Gazo)
7. Si j’savais
8. Meuda
9. Gasolina (feat. Rsko)
10. Soza
11. Riri / No camera
12. M3lo
13. Atasanté (feat. Hamza)
14. Roro (feat. SDM)
15. Coucher de soleil
16. R.I.Peace
Tracklist
Collapse
2. #TT
3. Arsenik
4. Parapluie
5. La clé
6. Mode AV (feat. Niska & Gazo)
7. Si j’savais
8. Meuda
9. Gasolina (feat. Rsko)
10. Soza
11. Riri / No camera
12. M3lo
13. Atasanté (feat. Hamza)
14. Roro (feat. SDM)
15. Coucher de soleil
16. R.I.Peace
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