Home Shania Twain contemporary country Meaning and Lyrics of Man! I Feel Like A Woman! by Shania Twain
Meaning and Lyrics of Man! I Feel Like A Woman! by Shania Twain
Song Lyrics meaning of Man! I Feel Like A Woman! by Shania Twain
About Shania Twain
Shania Twain: The Queen of Country-Pop
Shania Twain, born Eilleen Regina Edwards on August 28, 1965, in Windsor, Ontario, has transcended the boundaries of country music, earning her the title of the “Queen of Country-Pop.” With an illustrious career that has spanned decades, Twain brilliantly melded the storytelling of country with the infectious hooks of pop, making her one of the most iconic figures in modern music. Her journey from humble beginnings to global superstardom is nothing short of remarkable.
Twain’s breakthrough came with her 1995 album, “The Woman in Me,” but it was her third studio album, “Come On Over” (1997), that catapulted her into the stratosphere. This album became the best-selling studio album of all time by a female act in any genre and the best-selling country album ever. The record features an array of hits, but none more emblematic than the empowering anthem, “Man! I Feel Like A Woman!”
“Man! I Feel Like A Woman!” is not just a song; it’s a sassy, exuberant declaration of femininity and self-empowerment. Its infectious chorus and dynamic arrangement—laced with rollicking guitars and vibrant brass sections—make it a timeless staple at karaoke bars and dance floors alike. The song’s accompanying video, with Twain donning a top hat and fishnet stockings, pays homage to Robert Palmer’s “Addicted to Love,” cleverly flipping the script on gender roles in music performances.
Throughout her career, Twain has continuously reinvented herself, whether overcoming personal hardships, including a highly publicized battle with Lyme disease that temporarily jeopardized her voice, or evolving her sound to stay relevant in an ever-changing industry. Her tenacity and unwavering charm have kept her at the forefront of music culture.
With a discography that also includes the introspective “Up!” (2002) and her heartfelt comeback album “Now” (2017), Shania Twain remains an indomitable force. Her influence can be seen across a spectrum of artists—from Taylor Swift to Kacey Musgraves—further cementing her legacy as a pivotal figure in not just country, but the broader pop landscape.
In sum, Shania Twain is a trailblazing artist whose contributions to music are as undeniable as they are unforgettable. Her ability to craft universally appealing anthems while maintaining her country roots has ensured her place in the pantheon of musical greats. So here’s to Shania, the woman who made us all feel “like a woman.”
Shania Twain, born Eilleen Regina Edwards on August 28, 1965, in Windsor, Ontario, has transcended the boundaries of country music, earning her the title of the “Queen of Country-Pop.” With an illustrious career that has spanned decades, Twain brilliantly melded the storytelling of country with the infectious hooks of pop, making her one of the most iconic figures in modern music. Her journey from humble beginnings to global superstardom is nothing short of remarkable.
Twain’s breakthrough came with her 1995 album, “The Woman in Me,” but it was her third studio album, “Come On Over” (1997), that catapulted her into the stratosphere. This album became the best-selling studio album of all time by a female act in any genre and the best-selling country album ever. The record features an array of hits, but none more emblematic than the empowering anthem, “Man! I Feel Like A Woman!”
“Man! I Feel Like A Woman!” is not just a song; it’s a sassy, exuberant declaration of femininity and self-empowerment. Its infectious chorus and dynamic arrangement—laced with rollicking guitars and vibrant brass sections—make it a timeless staple at karaoke bars and dance floors alike. The song’s accompanying video, with Twain donning a top hat and fishnet stockings, pays homage to Robert Palmer’s “Addicted to Love,” cleverly flipping the script on gender roles in music performances.
Throughout her career, Twain has continuously reinvented herself, whether overcoming personal hardships, including a highly publicized battle with Lyme disease that temporarily jeopardized her voice, or evolving her sound to stay relevant in an ever-changing industry. Her tenacity and unwavering charm have kept her at the forefront of music culture.
With a discography that also includes the introspective “Up!” (2002) and her heartfelt comeback album “Now” (2017), Shania Twain remains an indomitable force. Her influence can be seen across a spectrum of artists—from Taylor Swift to Kacey Musgraves—further cementing her legacy as a pivotal figure in not just country, but the broader pop landscape.
In sum, Shania Twain is a trailblazing artist whose contributions to music are as undeniable as they are unforgettable. Her ability to craft universally appealing anthems while maintaining her country roots has ensured her place in the pantheon of musical greats. So here’s to Shania, the woman who made us all feel “like a woman.”
Meaning of Man! I Feel Like A Woman! by Shania Twain
Shania Twain’s “Man! I Feel Like a Woman!” isn’t just a song; it’s an anthem, a declaration, and a quintessential 90’s moment. Let’s deep-dive into its layers of composition, cultural resonance, and unabashed empowerment, all framed within the glitzy context of country-pop.
From the get-go, the Intro with its infectious “Let’s go, girls” summons an army of women to unite under a banner of pure, unadulterated fun. It’s an open invitation, almost like Twain herself is breaking a fourth wall, directly engaging her audience in this joyous rebellion.
Verse 1 wastes no time establishing the night-out motif. Twain’s vocal delivery, crisp and unhesitant, conveys a sense of excitement and urgency. Phrases like “gonna let it all hang out” and “really raise my voice” speak to a freedom from societal constraints—this is a night dedicated to self-expression. The instrumentation here, especially the twangy guitars and steady drumbeat, hold true to a pop-country aesthetic but with a slightly amplified, almost rock-like intensity.
Shania Twain, by the time of this track’s release, had already established herself as the queen of crossover. Her collaboration with producer (and then-husband) Robert “Mutt” Lange bore a trademark polish, a blend of country ethos with rock’s bombast and pop’s catchiness, epitomized in Verse 2. Lines like “no inhibitions, make no conditions” smack of liberation, a refusal to be boxed in by decorum or expectation. This isn’t just about having fun; it’s a manifesto for a kind of unabashed self-determination.
We then catapult into the Pre-Chorus and Chorus, arguably the beating heart of the song. The chorus’ palpable energy is where the track’s infectiousness hits hardest. The repetitive “Oh-oh-oh” chant and the imagery of “Men’s shirts, short skirts” juxtapose traditional gender norms in a playful yet subversive manner. Here, Twain relishes in contradictions—forgetting the ‘lady’ but doing so in ‘style.’
This thematic exploration continues in Verse 3, as Twain offers camaraderie and solidarity among women. The narrative rejects the need for male validation (“We don’t need romance, we only wanna dance”), shifting the focus to female companionship and the simple joy of letting loose. The instrumentation maintains a buoyant dynamism, making it impossible not to envision a group of friends hitting the dance floor en masse.
Throughout the song, Twain’s vocals ride atop an undercurrent of sharp, clean production values—another Lange hallmark. The guitars occasionally veer towards the arena rock side, while the rhythmic structure remains danceable, a perfect cocktail for mainstream appeal.
The Outro, with its crescendo into a climactic “I get totally crazy, can you feel it?” serves as both a final rallying cry and a closing statement. It lingers, reverberating with an insistence that challenges the listener to join in, to feel the same liberation and effervescence.
“Man! I Feel Like a Woman!” isn’t merely a song that celebrates femininity; it is an ode to the multifaceted nature of womanhood. Shania Twain manages what few artists can: turning an individualistic, almost hedonistic declaration into a universal anthem. The track’s success in bridging genre gaps—dominating both country and mainstream charts—speaks to its wide-reaching resonance and timelessness.
In the landscape of Shania Twain’s discography, the song marks a pivotal evolution. From her earlier efforts in “The Woman in Me” to the cross-genre explosion of “Come on Over,” this song encapsulates the peak of Twain’s artistic vision: audacious, genre-defying, and irresistibly catchy. It set a template for future generations of female artists in country and beyond, from Taylor Swift to Kacey Musgraves, cementing Twain as both a trailblazer and an enduring icon.
So, to sum up, Man! I Feel Like a Woman! is the sonic equivalent of a shot of adrenaline. It challenges, empowers, and entertains, all while firmly staking its claim in the pantheon of pop and country classics.
From the get-go, the Intro with its infectious “Let’s go, girls” summons an army of women to unite under a banner of pure, unadulterated fun. It’s an open invitation, almost like Twain herself is breaking a fourth wall, directly engaging her audience in this joyous rebellion.
Verse 1 wastes no time establishing the night-out motif. Twain’s vocal delivery, crisp and unhesitant, conveys a sense of excitement and urgency. Phrases like “gonna let it all hang out” and “really raise my voice” speak to a freedom from societal constraints—this is a night dedicated to self-expression. The instrumentation here, especially the twangy guitars and steady drumbeat, hold true to a pop-country aesthetic but with a slightly amplified, almost rock-like intensity.
Shania Twain, by the time of this track’s release, had already established herself as the queen of crossover. Her collaboration with producer (and then-husband) Robert “Mutt” Lange bore a trademark polish, a blend of country ethos with rock’s bombast and pop’s catchiness, epitomized in Verse 2. Lines like “no inhibitions, make no conditions” smack of liberation, a refusal to be boxed in by decorum or expectation. This isn’t just about having fun; it’s a manifesto for a kind of unabashed self-determination.
We then catapult into the Pre-Chorus and Chorus, arguably the beating heart of the song. The chorus’ palpable energy is where the track’s infectiousness hits hardest. The repetitive “Oh-oh-oh” chant and the imagery of “Men’s shirts, short skirts” juxtapose traditional gender norms in a playful yet subversive manner. Here, Twain relishes in contradictions—forgetting the ‘lady’ but doing so in ‘style.’
This thematic exploration continues in Verse 3, as Twain offers camaraderie and solidarity among women. The narrative rejects the need for male validation (“We don’t need romance, we only wanna dance”), shifting the focus to female companionship and the simple joy of letting loose. The instrumentation maintains a buoyant dynamism, making it impossible not to envision a group of friends hitting the dance floor en masse.
Throughout the song, Twain’s vocals ride atop an undercurrent of sharp, clean production values—another Lange hallmark. The guitars occasionally veer towards the arena rock side, while the rhythmic structure remains danceable, a perfect cocktail for mainstream appeal.
The Outro, with its crescendo into a climactic “I get totally crazy, can you feel it?” serves as both a final rallying cry and a closing statement. It lingers, reverberating with an insistence that challenges the listener to join in, to feel the same liberation and effervescence.
“Man! I Feel Like a Woman!” isn’t merely a song that celebrates femininity; it is an ode to the multifaceted nature of womanhood. Shania Twain manages what few artists can: turning an individualistic, almost hedonistic declaration into a universal anthem. The track’s success in bridging genre gaps—dominating both country and mainstream charts—speaks to its wide-reaching resonance and timelessness.
In the landscape of Shania Twain’s discography, the song marks a pivotal evolution. From her earlier efforts in “The Woman in Me” to the cross-genre explosion of “Come on Over,” this song encapsulates the peak of Twain’s artistic vision: audacious, genre-defying, and irresistibly catchy. It set a template for future generations of female artists in country and beyond, from Taylor Swift to Kacey Musgraves, cementing Twain as both a trailblazer and an enduring icon.
So, to sum up, Man! I Feel Like a Woman! is the sonic equivalent of a shot of adrenaline. It challenges, empowers, and entertains, all while firmly staking its claim in the pantheon of pop and country classics.
Lyrics of Man! I Feel Like A Woman! by Shania Twain
Intro
Let's go, girls
Come on
Verse 1
I'm goin' out tonight
I'm feelin' alright
Gonna let it all hang out
Wanna make some noise
Really raise my voice
Yeah, I wanna scream and shout
Verse 2
Ah, no inhibitions
Make no conditions
Get a little outta line
I ain't gonna act
Politically correct
I only wanna have a good time
Pre-Chorus
The best thing about being a woman
Is the prerogative to have a little fun and
Chorus
Oh-oh-oh, go totally crazy
Forget I'm a lady
Men's shirts, short skirts
Oh-oh-oh, really go wild, yeah
Doin' it in style
Oh-oh-oh, get in the action
Feel the attraction
Color my hair, do what I dare
Oh-oh-oh, I wanna be free, yeah
To feel the way I feel
Man, I feel like a woman
Post-Chorus
Hoo
Verse 3
The girls need a break
Tonight, we're gonna take
The chance to get out on the town
We don't need romance
We only wanna dance
We're gonna let our hair hang down
Pre-Chorus
The best thing about bein' a woman
Is the prerogative to have a little fun and
Chorus
Oh-oh-oh, go totally crazy
Forget I'm a lady
Men's shirts, short skirts
Oh-oh-oh, really go wild, yeah
Doin' it in style
Oh-oh-oh, get in the action
Feel the attraction
Color my hair, do what I dare
Oh-oh-oh, I wanna be free, yeah
To feel the way I feel
Man, I feel like a woman
Post-Chorus
Oh, oh, uh-huh
Oh yeah
Pre-Chorus
The best thing about bein' a woman
Is the prerogative to have a little fun (Fun, fun)
Chorus
Oh-oh-oh, go totally crazy
Forget I'm a lady
Men's shirts, short skirts
Oh-oh-oh, really go wild, yeah
Doin' it in style
Oh-oh-oh, get in the action
Feel the attraction
Color my hair, do what I dare
Oh-oh-oh, I wanna be free, yeah
To feel the way I feel (To feel the way I feel)
Man, I feel like a woman
Outro
Hoo
Oh, oh
Oh, oh, yeah, yeah
I get totally crazy
Can you feel it?
Come, come, come on, baby
Hoo, hoo, hoo
I feel like a woman
Let's go, girls
Come on
Verse 1
I'm goin' out tonight
I'm feelin' alright
Gonna let it all hang out
Wanna make some noise
Really raise my voice
Yeah, I wanna scream and shout
Verse 2
Ah, no inhibitions
Make no conditions
Get a little outta line
I ain't gonna act
Politically correct
I only wanna have a good time
Pre-Chorus
The best thing about being a woman
Is the prerogative to have a little fun and
Chorus
Oh-oh-oh, go totally crazy
Forget I'm a lady
Men's shirts, short skirts
Oh-oh-oh, really go wild, yeah
Doin' it in style
Oh-oh-oh, get in the action
Feel the attraction
Color my hair, do what I dare
Oh-oh-oh, I wanna be free, yeah
To feel the way I feel
Man, I feel like a woman
Post-Chorus
Hoo
Verse 3
The girls need a break
Tonight, we're gonna take
The chance to get out on the town
We don't need romance
We only wanna dance
We're gonna let our hair hang down
Pre-Chorus
The best thing about bein' a woman
Is the prerogative to have a little fun and
Chorus
Oh-oh-oh, go totally crazy
Forget I'm a lady
Men's shirts, short skirts
Oh-oh-oh, really go wild, yeah
Doin' it in style
Oh-oh-oh, get in the action
Feel the attraction
Color my hair, do what I dare
Oh-oh-oh, I wanna be free, yeah
To feel the way I feel
Man, I feel like a woman
Post-Chorus
Oh, oh, uh-huh
Oh yeah
Pre-Chorus
The best thing about bein' a woman
Is the prerogative to have a little fun (Fun, fun)
Chorus
Oh-oh-oh, go totally crazy
Forget I'm a lady
Men's shirts, short skirts
Oh-oh-oh, really go wild, yeah
Doin' it in style
Oh-oh-oh, get in the action
Feel the attraction
Color my hair, do what I dare
Oh-oh-oh, I wanna be free, yeah
To feel the way I feel (To feel the way I feel)
Man, I feel like a woman
Outro
Hoo
Oh, oh
Oh, oh, yeah, yeah
I get totally crazy
Can you feel it?
Come, come, come on, baby
Hoo, hoo, hoo
I feel like a woman
Discography Shania Twain
Shania: The Queen Of Country Pop
Release: 2024-08-02
Label: UME – Global Clearing House
Popularity: 👏👏
1. Honey, I’m Home
2. Whose Bed Have Your Boots Been Under?
3. Giddy Up!
4. When
5. (If You’re Not In It For Love) I’m Outta Here!
6. Rock This Country!
7. Party For Two – Country Version With Intro
8. Any Man Of Mine
9. Swingin’ With My Eyes Closed
10. No One Needs To Know
Tracklist
Collapse
2. Whose Bed Have Your Boots Been Under?
3. Giddy Up!
4. When
5. (If You’re Not In It For Love) I’m Outta Here!
6. Rock This Country!
7. Party For Two – Country Version With Intro
8. Any Man Of Mine
9. Swingin’ With My Eyes Closed
10. No One Needs To Know
Love Songs
Release: 2024-02-09
Label: UME – Global Clearing House
Popularity: 👏
1. You’re Still The One
2. Forever And For Always – Green Version
3. You Win My Love
4. From This Moment On
5. (Wanna Get To Know You) That Good! – Red Version
6. Because Of You
7. Love Gets Me Every Time
8. You’ve Got A Way – International Mix
9. When You Kiss Me – Red Version
10. We Got Something They Don’t
Tracklist
Collapse
2. Forever And For Always – Green Version
3. You Win My Love
4. From This Moment On
5. (Wanna Get To Know You) That Good! – Red Version
6. Because Of You
7. Love Gets Me Every Time
8. You’ve Got A Way – International Mix
9. When You Kiss Me – Red Version
10. We Got Something They Don’t
Queen Of Me (Royal Edition Extended Version)
Release: 2023-06-23
Label: Republic Records
Popularity: 👏
1. Giddy Up!
2. Brand New
3. Waking Up Dreaming
4. Best Friend
5. Pretty Liar
6. Inhale/Exhale AIR
7. Last Day of Summer
8. Queen Of Me
9. Got It Good
10. Number One
11. Not Just A Girl
12. The Hardest Stone
13. On Three
14. Done & Dusted
15. Bone Dry
16. Wanted Man
17. Inhale/Exhale AIR (feat. BRELAND)
18. Queen Of Me – Acoustic Version
19. Giddy Up! – Malibu Babie Remix
Tracklist
Collapse
2. Brand New
3. Waking Up Dreaming
4. Best Friend
5. Pretty Liar
6. Inhale/Exhale AIR
7. Last Day of Summer
8. Queen Of Me
9. Got It Good
10. Number One
11. Not Just A Girl
12. The Hardest Stone
13. On Three
14. Done & Dusted
15. Bone Dry
16. Wanted Man
17. Inhale/Exhale AIR (feat. BRELAND)
18. Queen Of Me – Acoustic Version
19. Giddy Up! – Malibu Babie Remix
Upcoming Events for Shania Twain
SHANIA TWAIN - COME ON OVER The Las Vegas Residency - All The Hits!
Price Range: $90 – 452
Date: 2024-09-04
Location: PH Live at Planet Hollywood
SHANIA TWAIN - COME ON OVER The Las Vegas Residency - All The Hits!
Price Range: $100 – 452
Date: 2024-09-07
Location: PH Live at Planet Hollywood
SHANIA TWAIN - COME ON OVER The Las Vegas Residency - All The Hits!
Price Range: $90 – 452
Date: 2024-09-06
Location: PH Live at Planet Hollywood
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