Meaning and Lyrics of Lo Caro y Lo Bueno by Chencho Corleone
Song Lyrics meaning of Lo Caro y Lo Bueno by Chencho Corleone
About Chencho Corleone
Chencho Corleone, born as Rafael Antonio Pérez on March 24, 1992, in Ponce, Puerto Rico, stands as a prominent figure in the reggaeton and urban music scene. Initially gaining recognition as a member of the duo Plan B alongside his cousin Malcom ‘Kaseeno’ Corleone, Chencho’s smooth vocals and charismatic presence contributed to the duo’s success throughout the 2000s and early 2010s. Their music, characterized by infectious hooks and authentic narratives, played a pivotal role in popularizing the reggaeton sound alongside contemporaries like Daddy Yankee and Don Omar.
As Plan B churned out hit after hit, including fan favorites like “Es un Secreto” and “Pa’ Que Kule,” Chencho began to carve out a solo identity, blending traditional reggaeton rhythms with modern urban influences. After Plan B’s hiatus in 2015, he embarked on a solo career that showcased his versatility—melding reggaeton with elements of trap and Latin pop. This evolution mirrors the genre’s shift towards a more global sound, resonating with audiences far beyond Latin America.
Lo Caro y Lo Bueno, one of Chencho’s standout tracks, exemplifies his ability to blend heartfelt lyrics with catchy melodies. The song captures the essence of a love-hate relationship, a theme ubiquitous in reggaeton, yet Chencho delivers it with a distinct flair that stands out in the crowded marketplace. His command of melody and lyricism resonates with fans, making the track a modern classic in his discography.
With collaborations featuring an array of artists like Farruko and J Balvin, Chencho Corleone has solidified his place in the music industry, paving the way for a new generation of reggaeton artists. His ongoing influence and willingness to experiment with sound keep him at the forefront of the urban music scene, ensuring that his artistry will continue to evolve and inspire. Chencho is not just a performer; he’s a dynamic force shaping the future of reggaeton, proving that when it comes to talent, the best is yet to come.
Meaning of Lo Caro y Lo Bueno by Chencho Corleone
Chencho Corleone’s track, “Lo Caro y Lo Bueno,” is a pulsating anthem that intricately weaves themes of empowerment, luxury, and unapologetic enjoyment into the fabric of modern reggaeton. Taking a closer look at the song illuminates its underlying messages about self-worth and the pursuit of pleasure in a materialistic society.
Cultural Context and Composition
Reggaeton, as a genre, has always thrived on the celebration of excess, be it through lifestyle, fashion, or nightlife. Corleone, who has emerged as a significant voice in contemporary Latin urban music, paints a vivid picture of a lifestyle steeped in opulence. The song’s catchy hook—“A ella gusta lo caro y lo bueno”—is not just a statement of desire; it’s a declaration of agency that resonates within the genre’s broader narrative where women are often portrayed merely as objects of desire. Here, Corleone shifts the perspective, positioning the female protagonist as someone who actively seeks and enjoys the finer things in life.
Musically, “Lo Caro y Lo Bueno” pulses with a characteristic reggaeton beat—syncopated rhythms and melodic hooks that invite listeners to dance, encapsulating the genre’s very essence. The production is layered with vibrant instrumentation that balances elements of electronic music with traditional Puerto Rican rhythms, a hallmark of the genre’s evolution.
Lyric Breakdown: Empowerment and Self-Expression
The chorus reinforces the picture of a woman who seeks pleasure without inhibition: “Le gusta el party, la rumba y el rakatá.” This phrase captures the essence of celebration, revelry, and sensuality—core tenets of not just reggaeton but also modern nightlife culture. Furthermore, the chorus’s repetition acts as a chant of affirmation, a sonic reminder to embrace one’s desires.
Delving into the verses, one cannot ignore the subtle commentary on female independence and self-sufficiency. Lines like “Ella tiene su billete, también su piquete” emphasize that this woman is not just looking for validation through a partner; she’s financially stable and fashionable in her own right. Corleone’s lyrics explore the distinct dichotomy of wanting to indulge while being fiercely independent—an embodiment of the modern woman who relishes luxury but does not rely on it for validation.
The mention of luxury brands, trendy outfits, and spa treatments further illustrates a world where self-care, personal grooming, and fashion are not just hobbies but integral aspects of one’s identity. Through the imagery of “Kardashians bajándose de un Lambo,” Corleone invites listeners to visualize a broader commentary on contemporary icons of success, subtly asking listeners to assess their own definitions of riches and luxury.
Strong Repetition and Engagement
The post-chorus refrain of “Na’, na’, no le diga’ na’” serves multiple purposes—it provides a catchy hook for audience engagement, simultaneously embodying the carefree attitude that the song exudes. It’s an invitation for listeners to let go of their worries and embrace the moment. This simplistic structure creates space for aesthetic enjoyment, drawing listeners in with infectious energy.
Conclusion: A Reflection of Modern Values
Ultimately, “Lo Caro y Lo Bueno” emerges as a celebration of modern values in the age of social media, where public personas are often curated to fit ideals of beauty and glamour. It casts a light on the complexities of relationships, self-esteem, and the pursuit of happiness within a materialistic framework.
Chencho Corleone’s artistry here is more than just a sonic experience; it’s a cultural commentary wrapped in a danceable melody that stands to inspire confidence and unabashed enjoyment of life. In a world where material pleasures often overshadow deeper emotions, this anthem reaffirms the idea that it’s perfectly acceptable to relish in both the valuable and the pleasurable. It’s catchy, it’s bold, and above all, it’s a reminder to live life to the fullest.
Cultural Context and Composition
Reggaeton, as a genre, has always thrived on the celebration of excess, be it through lifestyle, fashion, or nightlife. Corleone, who has emerged as a significant voice in contemporary Latin urban music, paints a vivid picture of a lifestyle steeped in opulence. The song’s catchy hook—“A ella gusta lo caro y lo bueno”—is not just a statement of desire; it’s a declaration of agency that resonates within the genre’s broader narrative where women are often portrayed merely as objects of desire. Here, Corleone shifts the perspective, positioning the female protagonist as someone who actively seeks and enjoys the finer things in life.
Musically, “Lo Caro y Lo Bueno” pulses with a characteristic reggaeton beat—syncopated rhythms and melodic hooks that invite listeners to dance, encapsulating the genre’s very essence. The production is layered with vibrant instrumentation that balances elements of electronic music with traditional Puerto Rican rhythms, a hallmark of the genre’s evolution.
Lyric Breakdown: Empowerment and Self-Expression
The chorus reinforces the picture of a woman who seeks pleasure without inhibition: “Le gusta el party, la rumba y el rakatá.” This phrase captures the essence of celebration, revelry, and sensuality—core tenets of not just reggaeton but also modern nightlife culture. Furthermore, the chorus’s repetition acts as a chant of affirmation, a sonic reminder to embrace one’s desires.
Delving into the verses, one cannot ignore the subtle commentary on female independence and self-sufficiency. Lines like “Ella tiene su billete, también su piquete” emphasize that this woman is not just looking for validation through a partner; she’s financially stable and fashionable in her own right. Corleone’s lyrics explore the distinct dichotomy of wanting to indulge while being fiercely independent—an embodiment of the modern woman who relishes luxury but does not rely on it for validation.
The mention of luxury brands, trendy outfits, and spa treatments further illustrates a world where self-care, personal grooming, and fashion are not just hobbies but integral aspects of one’s identity. Through the imagery of “Kardashians bajándose de un Lambo,” Corleone invites listeners to visualize a broader commentary on contemporary icons of success, subtly asking listeners to assess their own definitions of riches and luxury.
Strong Repetition and Engagement
The post-chorus refrain of “Na’, na’, no le diga’ na’” serves multiple purposes—it provides a catchy hook for audience engagement, simultaneously embodying the carefree attitude that the song exudes. It’s an invitation for listeners to let go of their worries and embrace the moment. This simplistic structure creates space for aesthetic enjoyment, drawing listeners in with infectious energy.
Conclusion: A Reflection of Modern Values
Ultimately, “Lo Caro y Lo Bueno” emerges as a celebration of modern values in the age of social media, where public personas are often curated to fit ideals of beauty and glamour. It casts a light on the complexities of relationships, self-esteem, and the pursuit of happiness within a materialistic framework.
Chencho Corleone’s artistry here is more than just a sonic experience; it’s a cultural commentary wrapped in a danceable melody that stands to inspire confidence and unabashed enjoyment of life. In a world where material pleasures often overshadow deeper emotions, this anthem reaffirms the idea that it’s perfectly acceptable to relish in both the valuable and the pleasurable. It’s catchy, it’s bold, and above all, it’s a reminder to live life to the fullest.
Lyrics of Lo Caro y Lo Bueno by Chencho Corleone
Letra de "Lo Caro y Lo Bueno"
Intro
Ayayayayayayayayayayayayayai
Jajaja
Sí, ah
Coro
A ella gusta lo caro y lo bueno
Le gusta el party, la rumba y el rakatá
Ella no vive pendiente a lo ajeno
Cuando se luce, se activa y no echa pa' atrá'
Tiene un montón de zapato' nuevo', ropa con ticket sin estrenar
Ella se enteró que tiene un jevo y del amor no le diga' na'
Post-Coro
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Vers 1
Ella-Ella tiene su billete, también su piquete
Le gusta que intеrpreten, que еl mahón le apriete
Al gimnasio ella le mete
Tiene par de amiga' que buscan combete
Cuello blanco y vira'o el banco
La marca de ropa 'tá mirando
Factura y busca quien está facturando
A ningún hombre ella le va a estar pagando
Paga sus cuenta' y cuenta' nadie le está dando
Y desde que 'tá en el mando ella lo que quiere es mambo
Una Kardashian bajándose de un Lambo
La ven y le flashean, pero ella vive flasheando (Oh)
Coro
A ella gusta lo caro y lo bueno
Le gusta el party, la rumba y el rakatá
Ella no vive pendiente a lo ajeno
Cuando se luce, se activa y no echa pa' atrá'
Tiene un montón de zapato' nuevo', ropa con ticket sin estrenar
Ella se enteró que tiene un jevo y del amor no le diga' na'
Post-Coro
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Verso 2
Puesta pa' su pelo, pa' su cara
Puesta pa' sus uña' de las mano' y los pie'
Puesta pa' su cuerpo y su traje
Y la línea de maquillaje
A esas nalga' grande' en el spa le da masaje
Los weekene' largo' siempre coge un pasaje
Puesta pa' las foto' y los video' que se grabe
(Puesta pa'l negocio) Y el dinero que se gane
Le gusta gastar, no le hace caso al contable
Discoteca, vario' restaurante'
El domingo subió una foto en un yate
Con prenda' de oro y diamante
Coro
A ella gusta lo caro y lo bueno
Le gusta el party, la rumba y el rakatá
Ella no vive pendiente a lo ajeno
Cuando se luce, se activa y no echa pa' atrá'
Tiene un montón de zapato' nuevo', ropa con ticket sin estrenar
Ella se enteró que tiene un jevo y del amor no le diga' na'
Post-Coro
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Outro
Rakatá
Rakatá
Rakatá
Intro
Ayayayayayayayayayayayayayai
Jajaja
Sí, ah
Coro
A ella gusta lo caro y lo bueno
Le gusta el party, la rumba y el rakatá
Ella no vive pendiente a lo ajeno
Cuando se luce, se activa y no echa pa' atrá'
Tiene un montón de zapato' nuevo', ropa con ticket sin estrenar
Ella se enteró que tiene un jevo y del amor no le diga' na'
Post-Coro
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Vers 1
Ella-Ella tiene su billete, también su piquete
Le gusta que intеrpreten, que еl mahón le apriete
Al gimnasio ella le mete
Tiene par de amiga' que buscan combete
Cuello blanco y vira'o el banco
La marca de ropa 'tá mirando
Factura y busca quien está facturando
A ningún hombre ella le va a estar pagando
Paga sus cuenta' y cuenta' nadie le está dando
Y desde que 'tá en el mando ella lo que quiere es mambo
Una Kardashian bajándose de un Lambo
La ven y le flashean, pero ella vive flasheando (Oh)
Coro
A ella gusta lo caro y lo bueno
Le gusta el party, la rumba y el rakatá
Ella no vive pendiente a lo ajeno
Cuando se luce, se activa y no echa pa' atrá'
Tiene un montón de zapato' nuevo', ropa con ticket sin estrenar
Ella se enteró que tiene un jevo y del amor no le diga' na'
Post-Coro
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Verso 2
Puesta pa' su pelo, pa' su cara
Puesta pa' sus uña' de las mano' y los pie'
Puesta pa' su cuerpo y su traje
Y la línea de maquillaje
A esas nalga' grande' en el spa le da masaje
Los weekene' largo' siempre coge un pasaje
Puesta pa' las foto' y los video' que se grabe
(Puesta pa'l negocio) Y el dinero que se gane
Le gusta gastar, no le hace caso al contable
Discoteca, vario' restaurante'
El domingo subió una foto en un yate
Con prenda' de oro y diamante
Coro
A ella gusta lo caro y lo bueno
Le gusta el party, la rumba y el rakatá
Ella no vive pendiente a lo ajeno
Cuando se luce, se activa y no echa pa' atrá'
Tiene un montón de zapato' nuevo', ropa con ticket sin estrenar
Ella se enteró que tiene un jevo y del amor no le diga' na'
Post-Coro
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Na', na', no le diga' na'
Outro
Rakatá
Rakatá
Rakatá
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