Meaning and Lyrics of High For This by PARISI
Song Lyrics meaning of High For This by PARISI
About PARISI
PARISIO, a rising enigma in the indie-pop universe, is an artist who seamlessly melds heartfelt lyricism with genre-bending soundscapes. Born and bred in the underground music scene, PARISIO’s journey to prominence has been as unconventional as it is captivating.
Emerging from the vibrant creative culture of their hometown, PARISIO’s early influences span across alternative rock, synth-pop, and electronica, creating a sonic tapestry that is as intricate as it is infectious. Their debut EP, “Midnight Echoes,” dropped like a sonic bomb, catching the attention of both fans and critics with its lush production and introspective lyrics.
As one would expect, PARISIO’s music isn’t merely a collection of songs; it’s an experience. Take, for instance, “High For This,” a track that has quickly become synonymous with their innovative style. The song is a meticulous blend of dreamy synth layers, haunting vocal effects, and a pulsating beat that captures the twilight moments between euphoria and melancholy. It’s no surprise that “High For This” has found its way onto countless playlists, becoming a quintessential backdrop for late-night introspection.
PARISIO’s influence extends beyond their discography; they have become a cultural touchstone for a generation navigating the complexities of modern life. Their live performances are nothing short of mesmerizing, often described as a multi-sensory journey that leaves audiences both breathless and contemplative. With each release, they push the envelope further, consistently evolving while maintaining an authenticity that resonates deeply with their growing fanbase.
In an industry often criticized for its homogeneity, PARISIO stands out as a beacon of originality and emotional depth. As they continue to carve out their niche, one thing is clear: PARISIO is not just making music; they’re creating an indelible mark on the cultural landscape.
Meaning of High For This by PARISI
Alright, let’s get into “High For This” by PARISI. From the first note, PARISI sets the stage for a deeply atmospheric experience that lingers long after the track has ended. The song’s production is a masterclass in modern electronic music, blending intricate synth lines with pulsating bass and ethereal vocals. It’s a sonic journey that feels both intimate and expansive—the kind of track that demands multiple listens to fully appreciate its layers.
The opening verse pulls you in with a sense of urgency. The lyrics speak to escapism, a common theme in contemporary music, but there’s a palpable tension here. Lines like *”Open up your heart to me, let the music set you free”* create a vivid picture of someone seeking solace in the one thing that never judges: music. This isn’t just about getting high; it’s about reaching a state of transcendence, an emotional release.
PARISI’s vocal performance is hauntingly beautiful. There’s a rawness that underpins the polished production, a juxtaposition that adds to the track’s depth. When the chorus hits, it’s a full-bodied release—a euphoric crescendo that resonates with anyone who’s ever needed to momentarily detach from reality. The repetition of the line *”You wanna get high?”* drives home the cyclical nature of this need for escapism.
Instrumentally, the track is a marvel. The synths are lush yet restrained, never overpowering the vocals but complementing them in a way that feels organic. The bassline is both grounding and hypnotic, adding a sense of movement even in the track’s more subdued moments. Subtle electronic flourishes peppered throughout the song give it a dynamic quality, ensuring it never becomes stagnant.
From a cultural standpoint, “High For This” taps into the zeitgeist. In the age of isolation and digital connection, music becomes a sanctuary. PARISI channels this collective longing for something more, something beyond the mundanity and often harshness of daily life. The song’s affective power is a testament to its universal relatability, striking a chord with listeners across diverse demographics.
Artistically, PARISI showcases a maturity that belies their relative newness on the scene. This isn’t your run-of-the-mill electronic track; it’s a carefully crafted piece that pushes the envelope while remaining accessible. There’s a clear influence from the likes of James Blake and FKA Twigs, but PARISI brings their own unique flair to the table.
Comparing this track to others in their discography, it’s evident that PARISI is evolving. Where earlier works might have showcased a more straightforward approach to electronic music, “High For This” is layered and intricate. This is an artist willing to take risks, to delve deeper into the emotional and sonic landscape that defines their music.
In terms of the broader music scene, PARISI is part of a wave of artists redefining what electronic music can be—marrying introspective lyricism with rich, textured soundscapes. The song’s structure, body, and soul make it a stand-out track and a promising indicator of where PARISI is headed next.
In conclusion, “High For This” by PARISI isn’t just a track; it’s an experience. It’s the kind of song that stays with you long after the final note has faded, demanding reflection and appreciation. This song is a triumph of modern music—immaculately produced, emotionally resonant, and artistically daring. Whether you’re a casual listener or a seasoned audiophile, this track is one that shouldn’t be missed.
The opening verse pulls you in with a sense of urgency. The lyrics speak to escapism, a common theme in contemporary music, but there’s a palpable tension here. Lines like *”Open up your heart to me, let the music set you free”* create a vivid picture of someone seeking solace in the one thing that never judges: music. This isn’t just about getting high; it’s about reaching a state of transcendence, an emotional release.
PARISI’s vocal performance is hauntingly beautiful. There’s a rawness that underpins the polished production, a juxtaposition that adds to the track’s depth. When the chorus hits, it’s a full-bodied release—a euphoric crescendo that resonates with anyone who’s ever needed to momentarily detach from reality. The repetition of the line *”You wanna get high?”* drives home the cyclical nature of this need for escapism.
Instrumentally, the track is a marvel. The synths are lush yet restrained, never overpowering the vocals but complementing them in a way that feels organic. The bassline is both grounding and hypnotic, adding a sense of movement even in the track’s more subdued moments. Subtle electronic flourishes peppered throughout the song give it a dynamic quality, ensuring it never becomes stagnant.
From a cultural standpoint, “High For This” taps into the zeitgeist. In the age of isolation and digital connection, music becomes a sanctuary. PARISI channels this collective longing for something more, something beyond the mundanity and often harshness of daily life. The song’s affective power is a testament to its universal relatability, striking a chord with listeners across diverse demographics.
Artistically, PARISI showcases a maturity that belies their relative newness on the scene. This isn’t your run-of-the-mill electronic track; it’s a carefully crafted piece that pushes the envelope while remaining accessible. There’s a clear influence from the likes of James Blake and FKA Twigs, but PARISI brings their own unique flair to the table.
Comparing this track to others in their discography, it’s evident that PARISI is evolving. Where earlier works might have showcased a more straightforward approach to electronic music, “High For This” is layered and intricate. This is an artist willing to take risks, to delve deeper into the emotional and sonic landscape that defines their music.
In terms of the broader music scene, PARISI is part of a wave of artists redefining what electronic music can be—marrying introspective lyricism with rich, textured soundscapes. The song’s structure, body, and soul make it a stand-out track and a promising indicator of where PARISI is headed next.
In conclusion, “High For This” by PARISI isn’t just a track; it’s an experience. It’s the kind of song that stays with you long after the final note has faded, demanding reflection and appreciation. This song is a triumph of modern music—immaculately produced, emotionally resonant, and artistically daring. Whether you’re a casual listener or a seasoned audiophile, this track is one that shouldn’t be missed.
Lyrics of High For This by PARISI
Rap Music (Cds)
(ordered by date)
Eazy Duz It: September 13, 1988
People’s Instinctive Travels And The Paths Of Rhythm: April 17, 1990
Naughty By Nature: September 3, 1991
The Low End Theory: September 24, 1991
Mecca And The Soul Brother: June 9, 1992
Hot Sex single: June 30, 1992
The Chronic: December 15, 1992
Strictly For My N.I.G.G.A.Z.: February 16, 1993
Enter The Wu Tang: November 9, 1993
Midnight Marauders: November 9, 1993
DoggyStyle: November 23, 1993
Lеthal Injection: Decembеr 7,1993
Blunted On Reality: February 1, 1994
Hard To Earn: March 8, 1994
Above The Rim Soundtrack: March 22, 1994
Illmatic: April 19, 1994
Ready To Die: September 13, 1994
Me Against The World: March 14, 1995
The Infamous: April 25, 1995
Poverty’s Paradise: May 30, 1995
Only Built 4 Cuban Linx: August 1, 1995
Runnin single: October 7, 1995
Liquid Swords: November 7, 1995
All Eyez On Me: February 13, 1996
Let Me Clear My Throat single: April 1, 1996
Reasonable Doubt: June 25, 1996
Beats, Rhymes, And Life: July 30, 1996
ATLiens: August 27, 1996
Life After Death: March 25, 1997
The 6th Man: March 25, 1997
In My Lifetime Vol. 1: November 4, 1997
Big Willie Style: November 25, 1997
Capital Punishment: April 28, 1998
The Miseducation of Lauryn Hill: August 25, 1998
Mos Def and Talib Kweli Are Black Star: September 29, 1998
The Slim Shady LP: February 23, 1999
I Am: April 6, 1999
Got Your Money: August 24, 1999
Operation DOOMSDAY: September 22, 1999
Black On Both Sides: October 12, 1999
2001: November 16, 1999
The Marshall Mathers Lp: May 23, 2000
Until The End Of Time: March 27, 2001
The Blueprint: September 11, 2001
The Eminem Show: May 26, 2002
The Lost Tapes: September 23, 2002
8 Mile Soundtrack: October 29, 2002
Better Dayz: November 26, 2002
God’s Son: December 13, 2002
Get Rich Or Die Trying: February 6, 2003
The Black Album: November 14, 2003
The College Dropout: February 10, 2004
Madvillainy: March 23, 2004
Special Herbs Volume 7 & 8: September 21, 2004
Encore: November 12, 2004
MM..FOOD: November 16, 2004
Be: May 24, 2005
Exit 13: September 9, 2008
Born Like This: March 24, 2009
Relapse: May 15, 2009
Recovery: June 18, 2010
Watch The Throne: August 8, 2011
Good Kid mA.A.d City: October 22, 2012
To Pimp A Butterfly: March 15, 2015
Damn: April 14, 2017
Motor City: April 21, 2017
4:44: June 30, 2017
Kamikaze: August 31, 2018
Czarface Meets Metalface: March 30, 2018
KOD: April 20, 2018
One Of the Best Yet: November 1, 2019
Music To Be Murdered By: January 17, 2020
Run The Jewels 4: June 3, 2020
Music To Be Murdered By B Side: December 18th, 2020
Non Rap (Cds)
Marvin Gaye Greatest Hits
The Best of Marvin Gaye and Tammy Terrell
Bob Seger Greatest Hits
The Very Best of the Animals
The Very Best of Creedence Clearwater Survival
Ultimate Sinatra
Sugarhill Gang: The Hits
Hoochi Coochi Man, Muddy Waters
Records
Pulp Fiction Soundtrack
Miles Davis Greatest Hits
Porgy and Bess, Miles Davis
Swing and All That Jazz
Golden Piano Hits
The Best of Popular Piano Concertos
Motown #1s
Marvin Gaye #1s
The Message, Grandmaster Flash And The Furious Five
A Tribe Called Quest: The Anthology
People's Instinctive Travels and the Paths of Rhythm, ATCQ
The Low End Theory: ATCQ
The Essential Nas
Illmatic, Nas
Stillmatic, Nas
Notorious Big Greatest Hits
Big Poppa (single), Biggie
Enter The Wu Tang (36 Chambers), Wu Tang Clan
The Infamous, Mobb Deep
The Score, The Fugees
OPERATION DOOMSDAY, MF DOOM
Madvilliany, Madvillain
All Caps/Curls (single), Madvillain
Madvillain 4 tet remixes
MA_DOOM Son of Yvonne
Donuts, J Dilla
Return Of The SP 12000, Pete Rock
The Chronic, Dr. Dre
Doggystyle, Snoop Dogg
2pacalyspe Now, 2pac
All Eyez On Me, 2pac
Labcabincalifornia, The Pharcyde
good kid mA.A.d city, Kendrick Lamar
DAMN, Kendrick Lamar
Also I bought this folder of records that are all Spanish records for like 4 dollars. There's probably about 10 78s in there
(ordered by date)
Eazy Duz It: September 13, 1988
People’s Instinctive Travels And The Paths Of Rhythm: April 17, 1990
Naughty By Nature: September 3, 1991
The Low End Theory: September 24, 1991
Mecca And The Soul Brother: June 9, 1992
Hot Sex single: June 30, 1992
The Chronic: December 15, 1992
Strictly For My N.I.G.G.A.Z.: February 16, 1993
Enter The Wu Tang: November 9, 1993
Midnight Marauders: November 9, 1993
DoggyStyle: November 23, 1993
Lеthal Injection: Decembеr 7,1993
Blunted On Reality: February 1, 1994
Hard To Earn: March 8, 1994
Above The Rim Soundtrack: March 22, 1994
Illmatic: April 19, 1994
Ready To Die: September 13, 1994
Me Against The World: March 14, 1995
The Infamous: April 25, 1995
Poverty’s Paradise: May 30, 1995
Only Built 4 Cuban Linx: August 1, 1995
Runnin single: October 7, 1995
Liquid Swords: November 7, 1995
All Eyez On Me: February 13, 1996
Let Me Clear My Throat single: April 1, 1996
Reasonable Doubt: June 25, 1996
Beats, Rhymes, And Life: July 30, 1996
ATLiens: August 27, 1996
Life After Death: March 25, 1997
The 6th Man: March 25, 1997
In My Lifetime Vol. 1: November 4, 1997
Big Willie Style: November 25, 1997
Capital Punishment: April 28, 1998
The Miseducation of Lauryn Hill: August 25, 1998
Mos Def and Talib Kweli Are Black Star: September 29, 1998
The Slim Shady LP: February 23, 1999
I Am: April 6, 1999
Got Your Money: August 24, 1999
Operation DOOMSDAY: September 22, 1999
Black On Both Sides: October 12, 1999
2001: November 16, 1999
The Marshall Mathers Lp: May 23, 2000
Until The End Of Time: March 27, 2001
The Blueprint: September 11, 2001
The Eminem Show: May 26, 2002
The Lost Tapes: September 23, 2002
8 Mile Soundtrack: October 29, 2002
Better Dayz: November 26, 2002
God’s Son: December 13, 2002
Get Rich Or Die Trying: February 6, 2003
The Black Album: November 14, 2003
The College Dropout: February 10, 2004
Madvillainy: March 23, 2004
Special Herbs Volume 7 & 8: September 21, 2004
Encore: November 12, 2004
MM..FOOD: November 16, 2004
Be: May 24, 2005
Exit 13: September 9, 2008
Born Like This: March 24, 2009
Relapse: May 15, 2009
Recovery: June 18, 2010
Watch The Throne: August 8, 2011
Good Kid mA.A.d City: October 22, 2012
To Pimp A Butterfly: March 15, 2015
Damn: April 14, 2017
Motor City: April 21, 2017
4:44: June 30, 2017
Kamikaze: August 31, 2018
Czarface Meets Metalface: March 30, 2018
KOD: April 20, 2018
One Of the Best Yet: November 1, 2019
Music To Be Murdered By: January 17, 2020
Run The Jewels 4: June 3, 2020
Music To Be Murdered By B Side: December 18th, 2020
Non Rap (Cds)
Marvin Gaye Greatest Hits
The Best of Marvin Gaye and Tammy Terrell
Bob Seger Greatest Hits
The Very Best of the Animals
The Very Best of Creedence Clearwater Survival
Ultimate Sinatra
Sugarhill Gang: The Hits
Hoochi Coochi Man, Muddy Waters
Records
Pulp Fiction Soundtrack
Miles Davis Greatest Hits
Porgy and Bess, Miles Davis
Swing and All That Jazz
Golden Piano Hits
The Best of Popular Piano Concertos
Motown #1s
Marvin Gaye #1s
The Message, Grandmaster Flash And The Furious Five
A Tribe Called Quest: The Anthology
People's Instinctive Travels and the Paths of Rhythm, ATCQ
The Low End Theory: ATCQ
The Essential Nas
Illmatic, Nas
Stillmatic, Nas
Notorious Big Greatest Hits
Big Poppa (single), Biggie
Enter The Wu Tang (36 Chambers), Wu Tang Clan
The Infamous, Mobb Deep
The Score, The Fugees
OPERATION DOOMSDAY, MF DOOM
Madvilliany, Madvillain
All Caps/Curls (single), Madvillain
Madvillain 4 tet remixes
MA_DOOM Son of Yvonne
Donuts, J Dilla
Return Of The SP 12000, Pete Rock
The Chronic, Dr. Dre
Doggystyle, Snoop Dogg
2pacalyspe Now, 2pac
All Eyez On Me, 2pac
Labcabincalifornia, The Pharcyde
good kid mA.A.d city, Kendrick Lamar
DAMN, Kendrick Lamar
Also I bought this folder of records that are all Spanish records for like 4 dollars. There's probably about 10 78s in there
Subscribe
Login
0 Comments
Stream High For This on your favorite platform
Share High For This Song Meaning with your friends
