Meaning and Lyrics of Eye Know by Maxo Kream
Song Lyrics meaning of Eye Know by Maxo Kream
About Maxo Kream
Maxo Kream: A Short Biography
Maxo Kream, born Khalil Nasir in Houston, Texas, on March 29, 1990, has established himself as a formidable voice in the contemporary rap scene. Growing up in the vibrant multicultural backdrop of Houston, he was steeped in the city’s rich musical heritage, taking inspiration from Southern hip-hop legends such as Scarface and UGK.
Maxo’s career began to gain traction in the early 2010s, carving out a niche with his introspective storytelling and hard-hitting lyricism. His evolution as an artist can be traced through his various mixtapes, including the gripping “Maxo 187” (2017), where he combines personal narratives with stark depictions of street life, and the critically acclaimed “Brandon Banks” (2019), which showcased his growth as both a lyricist and a producer with a more polished sound.
His 2021 album, “Weight of the World,” is a testament to his artistic maturity, blending trap beats with soulful melodies while tackling themes of family, loss, and resilience that resonate deeply with his audience. In this project, Maxo demonstrates not only his impressive lyrical dexterity but also a keen ability to address socio-economic issues that affect communities like his own.
One standout track from Maxo’s discography is “Eye Know,” where he weaves a narrative that captures the struggles and aspirations of a young black man navigating through adversity. The song merges a haunting production with a captivating flow, showcasing his knack for crafting vivid imagery and emotional depth.
Maxo Kream’s impact on the music scene extends beyond his personal artistry; he has collaborated with a plethora of influential artists, including Tyler, the Creator and A$AP Rocky, further solidifying his place in the contemporary hip-hop landscape. As he continues to push boundaries and challenge norms, Maxo remains a pivotal figure in the conversation around authenticity and representation in modern rap culture.
In a climate where superficiality often reigns, Maxo Kream stands out as a beacon of genuine expression, proving that vulnerability and strength can coexist within the verses of a rapper.
Meaning of Eye Know by Maxo Kream
Maxo Kream’s “Eye Know” is a striking piece that encapsulates the duality and tension in modern hip-hop culture. With its keen insight into authenticity versus façade, the track operates as both a personal manifesto and a broader societal commentary.
The Chorus lays the groundwork for this exploration, presenting a contrast between online personas and real-life authenticity. Lines like “I know some n****s that’s gangsta on Insta / You catch ‘em and see ‘em, they really some hoes” expose the hypocrisy prevalent in social media culture, where bravado is often a shield for insecurity. This dissection of façade is not just personal but speaks volumes about a generation accustomed to curating their reality behind screens. Maxo’s biting observation hints at a collective disillusionment with how social media distorts perceptions, a thematic thread that has been prevalent in hip-hop from its inception.
In the subsequent verse, Maxo’s flow melds bravado with vulnerability. He begins by showcasing the dichotomy of wealth and aspiration: “n***a wanna beef about a ho but ain’t got no dough.” Here, he subtly criticizes those who invest emotional energy into petty disputes while neglecting their financial realities. The metaphorical richness of “Widebody track matte black got hips and thighs like a woman” cleverly intertwines themes of desire and materialism, using vehicle imagery to encapsulate allure and status.
The reference to events like Coachella and Rolling Loud brings in a layer of cultural commentary, grounding his narrative in real-world experiences. His ability to brush off potential conflicts, “Seen the opps I’m performin’ but I can ignore it,” showcases a hardened perspective shaped by the trials of street life, marking him not just as a participant in the rap game, but as an astute observer of its complexities.
Maxo’s linguistic dexterity shines when he juxtaposes self-assuredness with competition: “You’ll never stream more than me, rock shows sell bows like me.” This self-assertion echoes a key ethos in hip-hop: success is often measured not just by streams or likes, but by the tangible ability to connect with audiences and convert that digital clout into live performance prowess. He slyly challenges his contemporaries while simultaneously underlining the converging pressures of authenticity and success in an industry where both are often at odds.
The Chorus resurfaces, repeating “Last words that I heard was, ‘Maxo, no,'” which creates an auditory echo that serves as a chilling reminder of the violence that threatens to punctuate his narrative. Here, Maxo doesn’t shy away from the darker facets of street life, capturing the weight of survival and choice—immediate and fatal decisions that linger long after they’ve been made.
Musically, “Eye Know” delivers with a production that mirrors the gritty realism of its lyrics. The beat thrives on minor keys and heavy bass, creating an ambiance that complements the rawness of Maxo’s delivery. Each snare hit resonates with urgency, while the minimalist approach underscores the lyricism, allowing Maxo’s voice to become the focal point. This production style channels the essence of Southern hip-hop, harkening back to the influences of UGK and Houston’s chopped and screwed roots, enriching his position in that lineage.
In conclusion, “Eye Know” is not just a testament to Maxo Kream’s lyrical prowess; it’s a layered exploration of identity within the hip-hop milieu. It straddles the line between street authenticity and the performed bravado prevalent in digital culture, crafting a narrative that is at once personal, reflective, and extendable to a broader cultural critique. Maxo navigates these waters with a sharpness that not only illuminates his reality but resonates deeply with listeners entrenched in the contradictions of modern existence. As artists continue to grapple with their images in an increasingly curated world, Maxo stands out as a voice that knows and narrates the complexities of this contemporary experience.
The Chorus lays the groundwork for this exploration, presenting a contrast between online personas and real-life authenticity. Lines like “I know some n****s that’s gangsta on Insta / You catch ‘em and see ‘em, they really some hoes” expose the hypocrisy prevalent in social media culture, where bravado is often a shield for insecurity. This dissection of façade is not just personal but speaks volumes about a generation accustomed to curating their reality behind screens. Maxo’s biting observation hints at a collective disillusionment with how social media distorts perceptions, a thematic thread that has been prevalent in hip-hop from its inception.
In the subsequent verse, Maxo’s flow melds bravado with vulnerability. He begins by showcasing the dichotomy of wealth and aspiration: “n***a wanna beef about a ho but ain’t got no dough.” Here, he subtly criticizes those who invest emotional energy into petty disputes while neglecting their financial realities. The metaphorical richness of “Widebody track matte black got hips and thighs like a woman” cleverly intertwines themes of desire and materialism, using vehicle imagery to encapsulate allure and status.
The reference to events like Coachella and Rolling Loud brings in a layer of cultural commentary, grounding his narrative in real-world experiences. His ability to brush off potential conflicts, “Seen the opps I’m performin’ but I can ignore it,” showcases a hardened perspective shaped by the trials of street life, marking him not just as a participant in the rap game, but as an astute observer of its complexities.
Maxo’s linguistic dexterity shines when he juxtaposes self-assuredness with competition: “You’ll never stream more than me, rock shows sell bows like me.” This self-assertion echoes a key ethos in hip-hop: success is often measured not just by streams or likes, but by the tangible ability to connect with audiences and convert that digital clout into live performance prowess. He slyly challenges his contemporaries while simultaneously underlining the converging pressures of authenticity and success in an industry where both are often at odds.
The Chorus resurfaces, repeating “Last words that I heard was, ‘Maxo, no,'” which creates an auditory echo that serves as a chilling reminder of the violence that threatens to punctuate his narrative. Here, Maxo doesn’t shy away from the darker facets of street life, capturing the weight of survival and choice—immediate and fatal decisions that linger long after they’ve been made.
Musically, “Eye Know” delivers with a production that mirrors the gritty realism of its lyrics. The beat thrives on minor keys and heavy bass, creating an ambiance that complements the rawness of Maxo’s delivery. Each snare hit resonates with urgency, while the minimalist approach underscores the lyricism, allowing Maxo’s voice to become the focal point. This production style channels the essence of Southern hip-hop, harkening back to the influences of UGK and Houston’s chopped and screwed roots, enriching his position in that lineage.
In conclusion, “Eye Know” is not just a testament to Maxo Kream’s lyrical prowess; it’s a layered exploration of identity within the hip-hop milieu. It straddles the line between street authenticity and the performed bravado prevalent in digital culture, crafting a narrative that is at once personal, reflective, and extendable to a broader cultural critique. Maxo navigates these waters with a sharpness that not only illuminates his reality but resonates deeply with listeners entrenched in the contradictions of modern existence. As artists continue to grapple with their images in an increasingly curated world, Maxo stands out as a voice that knows and narrates the complexities of this contemporary experience.
Lyrics of Eye Know by Maxo Kream
Chorus
I know some n****s that's gangsta on Insta
You catch 'em and see 'em they realy some hoes
I know some n****s got millions on YouTube
But can't do a concert can't sell out a show
I know a n***a who can't get no bitches
Be beatin' and rapin' and trippin' with hoes
Been got the get back for that little mishap
But won't get into that 'cause nobody knows
I don't drive by I'ma swang my door
You can f**k my bitch you can have that ho
Wet 'em up, set 'em up, scream back door
Last words that I heard was, "Maxo, no"
Refrain
I know, I know, I know, I know (Break it down)
(Maxo, Maxo, Maxo, Maxo)
I know, I know, I know, I know
(Weigh up, seal up, back door, Maxo)
Verse
Widebody track matte black got hips and thighs like a woman
n***a wanna beef about a ho but ain't got no dough
Lil bro, sell a bowl get some money
I rather sip on a four 'for I trip on a ho
Never fall for a thot be clumsy
Throw it sport start rumblin'
Lambo truck sound hungry
Light skin yellow when I went to Coachella
Had a pound town brown when I went to Rolling Loud
Seen the opps I'm performin' but I can ignore it
Or up it and blow it and mosh with the crowd
Say he got more dough than me, f**k bitches more hoes than me
Got me lookin' like, "How?"
You'll never stream more than me, rock shows sell bows like me
Better watch your mouth
Did my last drill with an ARP
Made a opp say uhh like Master P
Very next day heard the big homie say
You a G with the K, Maxo Bun B
Walk down with the rugger clip, my n****s lunatic
Nelly, Kyjuan and Murphy Lee
They don't care who it hit, my n****s ludicrous
Throwin' them bows, disturbin' the peace
Chorus
I know some n****s that's gangsta on Insta
You catch 'em and see 'em they realy some hoes
I know some n****s got millions on YouTube
But can't do a concert can't sell out a show
I know a n***a who can't get no bitches
Be beatin' and rapin' and trippin' with hoes
Been got the get back for that little mishap
But won't get into that 'cause nobody knows
I don't drive by I'ma swang my door
You can f**k my bitch you can have that ho
Wet 'em up, set 'em up, scream back door
Last words that I heard was, "Maxo, no"
Refrain
I know, I know, I know, I know (Break it down)
(Maxo, Maxo, Maxo, Maxo)
I know, I know, I know, I know
(Weigh up, seal up, back door, Maxo)
I know some n****s that's gangsta on Insta
You catch 'em and see 'em they realy some hoes
I know some n****s got millions on YouTube
But can't do a concert can't sell out a show
I know a n***a who can't get no bitches
Be beatin' and rapin' and trippin' with hoes
Been got the get back for that little mishap
But won't get into that 'cause nobody knows
I don't drive by I'ma swang my door
You can f**k my bitch you can have that ho
Wet 'em up, set 'em up, scream back door
Last words that I heard was, "Maxo, no"
Refrain
I know, I know, I know, I know (Break it down)
(Maxo, Maxo, Maxo, Maxo)
I know, I know, I know, I know
(Weigh up, seal up, back door, Maxo)
Verse
Widebody track matte black got hips and thighs like a woman
n***a wanna beef about a ho but ain't got no dough
Lil bro, sell a bowl get some money
I rather sip on a four 'for I trip on a ho
Never fall for a thot be clumsy
Throw it sport start rumblin'
Lambo truck sound hungry
Light skin yellow when I went to Coachella
Had a pound town brown when I went to Rolling Loud
Seen the opps I'm performin' but I can ignore it
Or up it and blow it and mosh with the crowd
Say he got more dough than me, f**k bitches more hoes than me
Got me lookin' like, "How?"
You'll never stream more than me, rock shows sell bows like me
Better watch your mouth
Did my last drill with an ARP
Made a opp say uhh like Master P
Very next day heard the big homie say
You a G with the K, Maxo Bun B
Walk down with the rugger clip, my n****s lunatic
Nelly, Kyjuan and Murphy Lee
They don't care who it hit, my n****s ludicrous
Throwin' them bows, disturbin' the peace
Chorus
I know some n****s that's gangsta on Insta
You catch 'em and see 'em they realy some hoes
I know some n****s got millions on YouTube
But can't do a concert can't sell out a show
I know a n***a who can't get no bitches
Be beatin' and rapin' and trippin' with hoes
Been got the get back for that little mishap
But won't get into that 'cause nobody knows
I don't drive by I'ma swang my door
You can f**k my bitch you can have that ho
Wet 'em up, set 'em up, scream back door
Last words that I heard was, "Maxo, no"
Refrain
I know, I know, I know, I know (Break it down)
(Maxo, Maxo, Maxo, Maxo)
I know, I know, I know, I know
(Weigh up, seal up, back door, Maxo)
Discography Maxo Kream
WEIGHT OF THE WORLD (Deluxe)
Release: 2022-07-27
Label: Big Persona/88 Classic/RCA Records
Popularity: 👏
1. CRIPSTIAN
2. 11:59
3. THEY SAY
4. BIG PERSONA (feat. Tyler, The Creator)
5. CEE CEE (feat. Monaleo)
6. STREETS ALONE (feat. A$AP Rocky)
7. DON’T PLAY WITH SHAWTY ASS
8. LOCAL JOKER
9. WHAT I LOOK LIKE (feat. Freddie Gibbs) – DNU – Rough Mix for Fingerprinting
10. FRFR
11. WHOLE LOTTA
12. WORTHLESS
13. GREENER KNOTS
14. MAMA’S PURSE
15. TRIPS
16. BELIEVE (feat. Don Toliver)
17. JIGGA DAME
18. FOOTBALL HEADS (feat. Benny The Butcher)
19. THE VISION (feat. Anderson .Paak)
20. TACO SHELLS
21. REMOTE (feat. Peso Peso & KCG Josh)
22. MIXIN JUICES (feat. BabyFace Ray)
Tracklist
Collapse
2. 11:59
3. THEY SAY
4. BIG PERSONA (feat. Tyler, The Creator)
5. CEE CEE (feat. Monaleo)
6. STREETS ALONE (feat. A$AP Rocky)
7. DON’T PLAY WITH SHAWTY ASS
8. LOCAL JOKER
9. WHAT I LOOK LIKE (feat. Freddie Gibbs) – DNU – Rough Mix for Fingerprinting
10. FRFR
11. WHOLE LOTTA
12. WORTHLESS
13. GREENER KNOTS
14. MAMA’S PURSE
15. TRIPS
16. BELIEVE (feat. Don Toliver)
17. JIGGA DAME
18. FOOTBALL HEADS (feat. Benny The Butcher)
19. THE VISION (feat. Anderson .Paak)
20. TACO SHELLS
21. REMOTE (feat. Peso Peso & KCG Josh)
22. MIXIN JUICES (feat. BabyFace Ray)
WEIGHT OF THE WORLD
Release: 2021-10-18
Label: Big Persona/88 Classic/RCA Records
Popularity: 👏👏
1. CRIPSTIAN
2. 11:59
3. THEY SAY
4. BIG PERSONA (feat. Tyler, The Creator)
5. CEE CEE (feat. Monaleo)
6. STREETS ALONE (feat. A$AP Rocky)
7. DON’T PLAY WITH SHAWTY ASS
8. LOCAL JOKER
9. WHAT I LOOK LIKE (feat. Freddie Gibbs) – DNU – Rough Mix for Fingerprinting
10. FRFR
11. WHOLE LOTTA
12. WORTHLESS
13. GREENER KNOTS
14. MAMA’S PURSE
15. TRIPS
16. BELIEVE (feat. Don Toliver)
Tracklist
Collapse
2. 11:59
3. THEY SAY
4. BIG PERSONA (feat. Tyler, The Creator)
5. CEE CEE (feat. Monaleo)
6. STREETS ALONE (feat. A$AP Rocky)
7. DON’T PLAY WITH SHAWTY ASS
8. LOCAL JOKER
9. WHAT I LOOK LIKE (feat. Freddie Gibbs) – DNU – Rough Mix for Fingerprinting
10. FRFR
11. WHOLE LOTTA
12. WORTHLESS
13. GREENER KNOTS
14. MAMA’S PURSE
15. TRIPS
16. BELIEVE (feat. Don Toliver)
Brandon Banks
Release: 2019-07-19
Label: Big Persona/88 Classic/RCA Records
Popularity: 👏👏
1. Meet Again
2. Bissonnet
3. Change
4. The Relays (feat. Travis Scott)
5. 8 Figures
6. She Live (feat. Megan Thee Stallion)
7. Drizzy Draco
8. 3AM (feat. ScHoolboy Q)
9. Spice Ln.
10. Murda Blocc (feat. A$AP Ferg)
11. Pray 2 The Dope
12. Brenda
13. Brothers (feat. KCG Josh)
14. Dairy Ashford Bastard
15. Still
Tracklist
Collapse
2. Bissonnet
3. Change
4. The Relays (feat. Travis Scott)
5. 8 Figures
6. She Live (feat. Megan Thee Stallion)
7. Drizzy Draco
8. 3AM (feat. ScHoolboy Q)
9. Spice Ln.
10. Murda Blocc (feat. A$AP Ferg)
11. Pray 2 The Dope
12. Brenda
13. Brothers (feat. KCG Josh)
14. Dairy Ashford Bastard
15. Still
Upcoming Events for Maxo Kream
That Mexican OT
Price Range: $30 – 45
Date: 2024-07-24
Location: The Fillmore Silver Spring
That Mexican OT
Price Range: $30 – 75
Date: 2024-07-23
Location: Irving Plaza Powered By Verizon 5G
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