About Jhayco
Jhayco, born Jesús Manuel Nieves Cortez, has been a firebrand in the Latin urban scene since his early emergence. Originally hitting the scene under the moniker “Jhay Cortez,” the Puerto Rican phenom has steadily evolved, skillfully navigating between reggaetón, trap, and beyond. His trajectory encapsulates a rich blend of innovative beats, razor-sharp lyrics, and an undeniable swagger that sets him apart from his contemporaries.
Jhayco’s discography is a testament to his versatility and artistic growth. Starting with his 2019 breakout album, “Famouz”, he captured the attention of an international audience, carving out a distinct niche within a saturated market. Tracks like “No Me Conoce” showcased his ability to merge traditional reggaetón rhythms with modern trap elements, creating sounds that are both nostalgic and groundbreaking.
In 2021, he released “Timelezz”, an album that solidified his place in the music industry. Bearing influences from global music trends while firmly rooting in Latin urban culture, the album was a commercial success and a critical darling. The project’s standout tracks, including collaborations with industry heavyweights, underscored Jhayco’s talent for curating dynamic and compelling auditory narratives.
An exemplary track that encapsulates Jhayco’s artistic prowess is “3D”. This song masterfully blends hypnotic beats and innovative production with Jhayco’s smooth yet potent vocal delivery. “3D” isn’t just a song; it’s an immersive experience, pushing the boundaries of genre while remaining accessible. The track’s lyrical depth and intricate layering offer listeners a glimpse into Jhayco’s world, revealing an artist unafraid to experiment and evolve.
Jhayco’s journey is one of continual reinvention, reflecting the dynamic cultural milieu from which he hails. As he continues to push boundaries and defy expectations, there’s no doubt that he’ll remain a pivotal figure in the music industry, inspiring a new generation of artists and listeners alike.
Meaning of 3D by Jhayco
Jhayco’s “3D” is a sonic rollercoaster that encapsulates the hyper-reality of reggaeton while diving into urban machismo and nightlife lore. Let’s dissect this banger piece by piece to understand its full cultural and musical heft.
Pre-Coro: Jhayco
The track opens with Jhayco setting the scene of a nocturnal rendezvous. “Ah-ah, me acabo ‘e soltar… Desde que te vi en el party me pusiste a maquinar” – immediately, we’re thrust into an ambiance brimming with tension and desire. In classic reggaeton fashion, the interplay between machismo and flirtatious intent is palpable: “Tú te hace’ la loca, yo te lo vo’a frenar.” His use of ‘perrita’ here isn’t derogatory but rather a nod to the playful dialect of reggaeton, where terms that might appear crude translate into something far more nuanced within urban nightlife lingo.
Coro: Jhayco
The chorus, with its repetitive “ah-ah, eh-eh,” almost acts as a mantra, drilling the infectious rhythm into listeners’ heads. This kind of minimalistic, repetitive phrasing is a hallmark of reggaeton, engineered to get crowds moving with hypnotic efficiency. It’s less about lyrical depth here and more about creating an auditory pulse that syncs with the body’s natural instinct to dance.
Post-Coro: Tivi Gunz & Jhayco
Transitioning into the post-chorus, we experience the recurring “matarile, ah-ah, matarile, eh-eh.” The word “matarile” is an intriguing choice. Rooted in Spanish nursery rhymes, here it’s recontextualized into a term that signifies dominance or mastery in nightlife. It’s a linguistic twist that cements the track’s blend of innocence and bravado.
Verso 1: Jhayco
Jhayco’s first verse serves as a braggadocio-laden confessional. Lines like “Yo sin hambre, baby, te la como (Te la como)” leverage sexual innuendo to assert dominance. Mentioning TBT (Throwback Thursday) and SRT (a high-performance car mechanic abbreviation), he fuses pop culture and high-status symbols to reflect his evolution from the underground to the limelight. The LTE mention doesn’t just brag about technological adeptness; it implies connectivity and speed – vital in both car races and nightlife successions.
Pre-Coro & Coro: Jhayco (Reprise)
The reprise amplifies the initial pre-chorus and chorus, reinstating the fevered eroticism and anticipation underscoring the track’s core. It’s a steady build-up prepping us for what’s to come.
Post-Coro: Tivi Gunz
Tivi Gunz’s recurring “matarile” chorus stamps the theme further into the listener’s psyche. The reinforcement offers a sense of participatory engagement, like a chant at a live performance binding the crowd together.
Verso 2: Tivi Gunz
“Hay mata de la mata pa’ que los munchie’ cocine'” – Tivi Gunz dives into the party’s nitty-gritty, aligning marijuana consumption (munchies) with the vibe. His verse navigates through punchlines filled with street-smart insights and imagery. Lines like “Voy a darle duro pa’ que no me desafine’” craft an image of relentless pursuit, both lyrically tight and contextually daring. He’s adding a layer of substance beyond partying, hinting at the darker, more hedonistic undercurrents that accompany such lifestyles.
Interludio
This brief interlude, “Que difícil me la puso, diablo,” injects a moment of reflection, a sharp tonal pivot that heightens the preceding verses’ impact. It’s a quick pause before plunging back into the track’s pulsating momentum.
Verso 3: De La Rose & Jhayco
By the time De La Rose enters, the song takes a deeper dive into urban eroticism. “Ese culo metiendo presión” is repetitive but effective in translating the potent imagery of physical attraction. The line’s pounding cadence mirrors the club atmosphere, drawing parallels to the unyielding pressure of a thrilling night out. The mention of “42” and “Chucky” references iconic street and film imagery, correlating the erotic and dangerous facets of nightlife.
Outro: Jhayco & De La Rose
The outro’s persistent “matarile” chant wraps the track up with the same hypnotic allure that it started with. It’s a cyclical return to the core theme, leaving listeners in a state of anticipatory exhilaration – the perfect auditory embodiment of a never-ending party.
In essence, “3D” is a visceral journey through party culture and urban masculinity, driven by relentless beats and bravado-filled verses. Jhayco and his collaborators paint an auditory tableau that’s as much about the dancefloor as it is about underlying desires and status games. Bold, brash, and intoxicatingly rhythmic – it’s quintessential reggaeton.
Pre-Coro: Jhayco
The track opens with Jhayco setting the scene of a nocturnal rendezvous. “Ah-ah, me acabo ‘e soltar… Desde que te vi en el party me pusiste a maquinar” – immediately, we’re thrust into an ambiance brimming with tension and desire. In classic reggaeton fashion, the interplay between machismo and flirtatious intent is palpable: “Tú te hace’ la loca, yo te lo vo’a frenar.” His use of ‘perrita’ here isn’t derogatory but rather a nod to the playful dialect of reggaeton, where terms that might appear crude translate into something far more nuanced within urban nightlife lingo.
Coro: Jhayco
The chorus, with its repetitive “ah-ah, eh-eh,” almost acts as a mantra, drilling the infectious rhythm into listeners’ heads. This kind of minimalistic, repetitive phrasing is a hallmark of reggaeton, engineered to get crowds moving with hypnotic efficiency. It’s less about lyrical depth here and more about creating an auditory pulse that syncs with the body’s natural instinct to dance.
Post-Coro: Tivi Gunz & Jhayco
Transitioning into the post-chorus, we experience the recurring “matarile, ah-ah, matarile, eh-eh.” The word “matarile” is an intriguing choice. Rooted in Spanish nursery rhymes, here it’s recontextualized into a term that signifies dominance or mastery in nightlife. It’s a linguistic twist that cements the track’s blend of innocence and bravado.
Verso 1: Jhayco
Jhayco’s first verse serves as a braggadocio-laden confessional. Lines like “Yo sin hambre, baby, te la como (Te la como)” leverage sexual innuendo to assert dominance. Mentioning TBT (Throwback Thursday) and SRT (a high-performance car mechanic abbreviation), he fuses pop culture and high-status symbols to reflect his evolution from the underground to the limelight. The LTE mention doesn’t just brag about technological adeptness; it implies connectivity and speed – vital in both car races and nightlife successions.
Pre-Coro & Coro: Jhayco (Reprise)
The reprise amplifies the initial pre-chorus and chorus, reinstating the fevered eroticism and anticipation underscoring the track’s core. It’s a steady build-up prepping us for what’s to come.
Post-Coro: Tivi Gunz
Tivi Gunz’s recurring “matarile” chorus stamps the theme further into the listener’s psyche. The reinforcement offers a sense of participatory engagement, like a chant at a live performance binding the crowd together.
Verso 2: Tivi Gunz
“Hay mata de la mata pa’ que los munchie’ cocine'” – Tivi Gunz dives into the party’s nitty-gritty, aligning marijuana consumption (munchies) with the vibe. His verse navigates through punchlines filled with street-smart insights and imagery. Lines like “Voy a darle duro pa’ que no me desafine’” craft an image of relentless pursuit, both lyrically tight and contextually daring. He’s adding a layer of substance beyond partying, hinting at the darker, more hedonistic undercurrents that accompany such lifestyles.
Interludio
This brief interlude, “Que difícil me la puso, diablo,” injects a moment of reflection, a sharp tonal pivot that heightens the preceding verses’ impact. It’s a quick pause before plunging back into the track’s pulsating momentum.
Verso 3: De La Rose & Jhayco
By the time De La Rose enters, the song takes a deeper dive into urban eroticism. “Ese culo metiendo presión” is repetitive but effective in translating the potent imagery of physical attraction. The line’s pounding cadence mirrors the club atmosphere, drawing parallels to the unyielding pressure of a thrilling night out. The mention of “42” and “Chucky” references iconic street and film imagery, correlating the erotic and dangerous facets of nightlife.
Outro: Jhayco & De La Rose
The outro’s persistent “matarile” chant wraps the track up with the same hypnotic allure that it started with. It’s a cyclical return to the core theme, leaving listeners in a state of anticipatory exhilaration – the perfect auditory embodiment of a never-ending party.
In essence, “3D” is a visceral journey through party culture and urban masculinity, driven by relentless beats and bravado-filled verses. Jhayco and his collaborators paint an auditory tableau that’s as much about the dancefloor as it is about underlying desires and status games. Bold, brash, and intoxicatingly rhythmic – it’s quintessential reggaeton.
Lyrics of 3D by Jhayco
Letra de "3D"
Pre-Coro: Jhayco
Ah-ah, me acabo 'e soltar
Tú te hace' la loca, yo te lo vo'a frenar
Es que tú ere' una perrita y te quiero robar
Desde que te vi en el party me pusiste a maquinar
Y digo "eh-eh", dime qué lo que
Baja con la amiguita pa' que frenemo' en 3D
Yo te la vo'a sacar y tú te la va' a beber
Vamo' a matarile, ah, vamo' a matarile, eh
Coro: Jhayco
Y digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo
Post-Coro: Tivi Gunz & Jhayco
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, matarile, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh (La Presión)
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh (¿Me sigue'?)
Matarile, ah-ah
Verso 1: Jhayco
Sí, sí, así somo' (Así somo')
Yo sin hambre, baby, te la como (Te la como)
Dondequiera que bajamos hacemo' un bobo
Aquí la que no me canta, me hace coro, oh
TBT (TBT)
To' los culo' como el carro SRT
Aquí nos cogemo' esa señal LTE
Yo estaba casa'o, pero ahora me solté
Pre-Coro: Jhayco
Digo ahora "ah-ah", me acabo 'e soltar
Tú te hace' la loca, yo te lo vo'a frenar
Es que tú ere' una perrita y te quiero robar
Desde que te vi en el party me pusiste a maquinar
Coro: Jhayco
Y digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo
Post-Coro: Tivi Gunz
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh (Ah)
Matarile, ah-ah, matarile, eh-eh
Matarile, matarile, matarile, matarile
Verso 2: Tivi Gunz
Hay mata de la mata pa' que los munchie' cocine'
Voy a darle duro pa' que no me desafine'
Tiro el seguro, mami, pa' que no adivine'
Yo la conocí enmoleá', no quiere que le hable de cine
Dale, manita, pon el matarile-ri
Que tú quiere' que te dé con el talón de Aquile'
Traigan mucha droga pa' que el party se vacile
Mucha, mucha Coca-Cola pa' que suban proyectile'
Interludio
Que difícil me la puso, diablo
Verso 3: De La Rose & Jhayco
Ese culo metiendo presión (¿Me sigue'?)
Ese culo metiendo presión (¿Me sigue'? ¿Me sigue'?)
Ese culo metiendo presión
Ese culo metiendo—
Una popi, le gustan los malo'
Diablo, ese culo metiendo presión
Del calentón a la 42
E-E una popi, le gusta lo malo
Que anden Chucky, den tiro y den palo
E-Ese culo metiendo presión
Del calentón a la 42
E-E una popi, le gusta lo malo
Que anden Chucky, den tiro y den palo
Outro: Jhayco & De La Rose
Ya-Ya—
¿Me sigue'?
Sí
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Pre-Coro: Jhayco
Ah-ah, me acabo 'e soltar
Tú te hace' la loca, yo te lo vo'a frenar
Es que tú ere' una perrita y te quiero robar
Desde que te vi en el party me pusiste a maquinar
Y digo "eh-eh", dime qué lo que
Baja con la amiguita pa' que frenemo' en 3D
Yo te la vo'a sacar y tú te la va' a beber
Vamo' a matarile, ah, vamo' a matarile, eh
Coro: Jhayco
Y digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo
Post-Coro: Tivi Gunz & Jhayco
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, matarile, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh (La Presión)
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh (¿Me sigue'?)
Matarile, ah-ah
Verso 1: Jhayco
Sí, sí, así somo' (Así somo')
Yo sin hambre, baby, te la como (Te la como)
Dondequiera que bajamos hacemo' un bobo
Aquí la que no me canta, me hace coro, oh
TBT (TBT)
To' los culo' como el carro SRT
Aquí nos cogemo' esa señal LTE
Yo estaba casa'o, pero ahora me solté
Pre-Coro: Jhayco
Digo ahora "ah-ah", me acabo 'e soltar
Tú te hace' la loca, yo te lo vo'a frenar
Es que tú ere' una perrita y te quiero robar
Desde que te vi en el party me pusiste a maquinar
Coro: Jhayco
Y digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo "ah-ah, eh-eh"
Digo
Post-Coro: Tivi Gunz
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh (Ah)
Matarile, ah-ah, matarile, eh-eh
Matarile, matarile, matarile, matarile
Verso 2: Tivi Gunz
Hay mata de la mata pa' que los munchie' cocine'
Voy a darle duro pa' que no me desafine'
Tiro el seguro, mami, pa' que no adivine'
Yo la conocí enmoleá', no quiere que le hable de cine
Dale, manita, pon el matarile-ri
Que tú quiere' que te dé con el talón de Aquile'
Traigan mucha droga pa' que el party se vacile
Mucha, mucha Coca-Cola pa' que suban proyectile'
Interludio
Que difícil me la puso, diablo
Verso 3: De La Rose & Jhayco
Ese culo metiendo presión (¿Me sigue'?)
Ese culo metiendo presión (¿Me sigue'? ¿Me sigue'?)
Ese culo metiendo presión
Ese culo metiendo—
Una popi, le gustan los malo'
Diablo, ese culo metiendo presión
Del calentón a la 42
E-E una popi, le gusta lo malo
Que anden Chucky, den tiro y den palo
E-Ese culo metiendo presión
Del calentón a la 42
E-E una popi, le gusta lo malo
Que anden Chucky, den tiro y den palo
Outro: Jhayco & De La Rose
Ya-Ya—
¿Me sigue'?
Sí
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Matarile, ah-ah, matarile, eh-eh
Discography Jhayco
Timelezz
Release: 2021-09-03
Label: N&E Entertainment LLC
Popularity: 👏👏👏👏
1. Dilema
2. Tokyo
3. Esta Dejá
4. Ley Seca
5. Los Rompediskoteca
6. En Mi Cuarto
7. Mi Vicio
8. Dale Como Es
9. Nos Matamos
10. Ropa Interior
11. Los Bandoleros
12. Me Extraña
13. Dile (Homenaje)
14. Christian Dior
15. Los Bo
16. Kobe En LA 2.0
17. Eternamente
Tracklist
Collapse
2. Tokyo
3. Esta Dejá
4. Ley Seca
5. Los Rompediskoteca
6. En Mi Cuarto
7. Mi Vicio
8. Dale Como Es
9. Nos Matamos
10. Ropa Interior
11. Los Bandoleros
12. Me Extraña
13. Dile (Homenaje)
14. Christian Dior
15. Los Bo
16. Kobe En LA 2.0
17. Eternamente
Famouz Reloaded
Release: 2020-01-24
Label: N&E Entertainment LLC
Popularity: 👏👏👏
1. Subiendo De Nivel
2. No Me Conoce – Remix
3. Easy
4. Cuando Bebe
5. En La Mía
6. Sabe
7. Costear
8. Imaginaste
9. Apaga Las Luces
10. ¿Cuánto E$?
11. Tocarte
12. Somos Iguales
13. No Me Conoce
14. Deséame Suerte
15. Imaginaste – Remix
16. Easy – Remix
17. Subiendo De Nivel – Remix
18. Como Se Siente
Tracklist
Collapse
2. No Me Conoce – Remix
3. Easy
4. Cuando Bebe
5. En La Mía
6. Sabe
7. Costear
8. Imaginaste
9. Apaga Las Luces
10. ¿Cuánto E$?
11. Tocarte
12. Somos Iguales
13. No Me Conoce
14. Deséame Suerte
15. Imaginaste – Remix
16. Easy – Remix
17. Subiendo De Nivel – Remix
18. Como Se Siente
Famouz
Release: 2019-05-24
Label: N&E Entertainment LLC
Popularity: 👏👏👏
1. Subiendo De Nivel
2. No Me Conoce – Remix
3. Easy
4. Cuando Bebe
5. En La Mía
6. Sabe
7. Costear
8. Imaginaste
9. Apaga Las Luces
10. ¿Cuánto E$?
11. Tocarte
12. Somos Iguales
13. No Me Conoce
Tracklist
Collapse
2. No Me Conoce – Remix
3. Easy
4. Cuando Bebe
5. En La Mía
6. Sabe
7. Costear
8. Imaginaste
9. Apaga Las Luces
10. ¿Cuánto E$?
11. Tocarte
12. Somos Iguales
13. No Me Conoce
Upcoming Events for Jhayco
Jhayco - Vida Rockstar Tour
Price Range: $32 – 191.99
Date: 2024-11-06
Location: Prudential Center
Jhayco - Vida Rockstar Tour
Price Range: $24 – 227.99
Date: 2024-11-03
Location: Kia Center
Jhayco - Vida Rockstar Tour
Price Range: $31 – 197.99
Date: 2024-11-17
Location: EagleBank Arena
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